Baudelaire and the making of Italian modernity : from the Scapigliatura to the Futurist Movement, 1857-1912 / Alessandro Cabiati.
2022
PQ2191.Z5 C33 2022
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Title
Baudelaire and the making of Italian modernity : from the Scapigliatura to the Futurist Movement, 1857-1912 / Alessandro Cabiati.
Author
ISBN
9783030920180 (electronic bk.)
3030920186 (electronic bk.)
9783030920173
3030920178
3030920186 (electronic bk.)
9783030920173
3030920178
Published
Cham : Palgrave Macmillan, [2022]
Copyright
©2022
Language
English
Description
1 online resource.
Item Number
10.1007/978-3-030-92018-0 doi
Call Number
PQ2191.Z5 C33 2022
Dewey Decimal Classification
841/.8
Summary
This book establishes the role of French writer Charles Baudelaire in the formation of paradigms of modernity in Italian poetry between 1857, the year of publication of Baudelaires highly influential collection Les Fleurs du Mal, and 1912, when the first anthology of Futurist poetry, I poeti futuristi, was published in Milan. It focuses primarily on Baudelaires influence on the poetry of the Scapigliatura, a long-underrated movement which in the 1860s introduced a thematic and formal modernity into Italian literature, paving the way for Futurism and the twentieth-century avant-garde. This monograph also investigates Baudelaires and the Scapigliaturas interrelated impacts on early Futurist poetry, demonstrating that Futurist poets turned to the works of Baudelaire and the Scapigliatura for inspiration on themes that were considered as distinctly unpoetic and therefore modern such as medical-anatomical examination, technological transformation, and abnormal sensuality. Alessandro Cabiati is a Marie Skodowska-Curie Global Fellow at Ca Foscari University of Venice, Italy, and Brown University, USA, where he investigates the ways in which nineteenth-century literary fairy tales contributed to the cultural discourse on psychological deviance and abnormality, while also influencing medical debate. In recent years, he has undertaken research at Kings College London and at the Universities of Oxford and Edinburgh. .
Bibliography, etc. Note
Includes bibliographical references and index.
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Description based on print version record.
Series
Palgrave studies in modern European literature.
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Table of Contents
Chapter:1.Introducing Modernity: French, Italian, and Comparative Perspectives
Chapter:2. Unpoetic Poetry and the Rise of Modernity: Science and Medicine in the Scapigliatura
Chapter:3. Allegory and Modernity in the Scapigliatura.-Chapter:4. Sensual Sacredness and Sacred Sensuality: Love, Sex, and Religion in the Scapigliatura
Chapter:5.Writing Analogy, Writing Modernity: The Scapigliatura and Baudelaires Correspondances Synaesthesia and Intoxicating Visions
Chapter:6. From Organic to Inorganic Matter, From Spirit to Speed: Early Futurist Poetry and the Scapigliaturas Legacy
Chapter:7. Concluding Modernity: Writing Analogy, Writing Avant-garde.
Chapter:2. Unpoetic Poetry and the Rise of Modernity: Science and Medicine in the Scapigliatura
Chapter:3. Allegory and Modernity in the Scapigliatura.-Chapter:4. Sensual Sacredness and Sacred Sensuality: Love, Sex, and Religion in the Scapigliatura
Chapter:5.Writing Analogy, Writing Modernity: The Scapigliatura and Baudelaires Correspondances Synaesthesia and Intoxicating Visions
Chapter:6. From Organic to Inorganic Matter, From Spirit to Speed: Early Futurist Poetry and the Scapigliaturas Legacy
Chapter:7. Concluding Modernity: Writing Analogy, Writing Avant-garde.