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001445499 001__ 1445499
001445499 003__ OCoLC
001445499 005__ 20230310003834.0
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001445499 019__ $$a1306059625
001445499 020__ $$a9783030879266$$q(electronic bk.)
001445499 020__ $$a3030879267$$q(electronic bk.)
001445499 020__ $$a9783030879273$$q(electronic bk.)
001445499 020__ $$a3030879275$$q(electronic bk.)
001445499 020__ $$a9783030879280$$q(electronic bk.)
001445499 020__ $$a3030879283$$q(electronic bk.)
001445499 020__ $$z9783030879259
001445499 020__ $$z3030879259
001445499 0247_ $$a10.1007/978-3-030-87926-6$$2doi
001445499 035__ $$aSP(OCoLC)1306167866
001445499 040__ $$aFIE$$beng$$erda$$epn$$cFIE$$dEBLCP$$dOCLCO$$dGW5XE$$dOCLCO$$dN$T$$dOCLCQ
001445499 043__ $$ae-uk---$$ae-be---
001445499 049__ $$aISEA
001445499 050_4 $$aDA47.9.B4$$bD46 2022
001445499 08204 $$a303.48/241049309034$$223
001445499 1001_ $$aDemoor, Marysa,$$eauthor.
001445499 24512 $$aA cross-cultural history of Britain and Belgium, 1815-1918 :$$bmudscapes and artistic entanglements /$$cMarysa Demoor.
001445499 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2022]
001445499 264_4 $$c©2022
001445499 300__ $$a1 online resource (xvi, 288 pages) :$$billustrations (chiefly color).
001445499 336__ $$atext$$btxt$$2rdacontent
001445499 337__ $$acomputer$$bc$$2rdamedia
001445499 338__ $$aonline resource$$bcr$$2rdacarrier
001445499 4901_ $$aBritain and the world,$$x2947-7190
001445499 504__ $$aIncludes bibliographical references and index.
001445499 5050_ $$a1. British Identity in Belgian Soil -- 2. Waterloo Visitors: The Immediate Aftermath -- 3. The Fiction of Belgium -- 4. The Allure of the Middle Ages: The Pre-Raphaelite Brotherhood meets Jan van Eyck -- 5. A Royal Example: Creating a European Family -- 6. Surrealist Entanglements -- 7. From Ashes to Soil to Mud -- 8. "There is no art more exciting than English art": Belgo-British Artistic Liaisons, 1890-1919 -- 9. Epilogue: The Colour of National Identity.
001445499 506__ $$aAccess limited to authorized users.
001445499 520__ $$a"This is a boldly original and enlightening book which explores the rich and distinct 'special' relationship between Britain and Belgium in the nineteenth century. By examining a set of 'cultural entanglements', from Waterloo to WWI, and taking in writers from Wordsworth to James, Demoor remaps Britain's relationship to Europe in the period. By revealing the longstanding depth of connection between Britain and Belgium, she also speaks meaningfully to questions of national identity in our present time." -Professor Mark W. Turner, King's College London, UK "This surprising and fascinating study brings to light the deep entanglement over a long period of British and Belgian experience and writing. It illuminates that history and suggests new ways of thinking about our present situation." -Professor Dame Gillian Beer, Clare Hall, Cambridge, UK This book highlights the ways in which Britain and Belgium became culturally entangled as a result of their interaction in the period between the Napoleonic Wars and the First World War. In the course of the nineteenth century, the battlefields of Waterloo and Ypres in Belgium became veritable burial grounds for generations of dead British military, indirectly leading to the most intensive ties between the two countries. By exploring this twofold path, the author uncovers a series of cross-influences and creative similarities within the Belgo-British artistic community, and explores the background against which the British national identity was constructed. Revealing unknown links between some of the most famous artists on both sides of the channel, such as D.G. Rossetti and Jan Van Eyck; Christina Rossetti and Fernand Khnopff; John Millais and Pieter Breughel, and Lewis Carroll and Quentin Massys, the book emphasises an artistic cross-fertilisation that can be found within battlefield literature throughout the nineteenth century, including examples from the likes of William M. Thackeray, Frances Trollope and Charlotte Brontë. Providing a rich intercultural history of Belgo-British relations after the battle of Waterloo, this interdisciplinary book will appeal to scholars and students researching history, literature, art and cultural studies. Marysa Demoor is Professor Emerita of Victorian and Modernist Culture at Ghent University in Belgium.--$$cProvided by publisher.
001445499 588__ $$aDescription based on print version record.
001445499 650_0 $$aWar and literature$$zGreat Britain$$xHistory$$y19th century.
001445499 650_0 $$aWar and literature$$zBelgium$$xHistory$$y19th century.
001445499 650_0 $$aArt and war$$xHistory$$y19th century.
001445499 650_0 $$aWorld history.
001445499 650_0 $$aCivilization$$xHistory.
001445499 650_0 $$aCollective memory.
001445499 650_6 $$aHistoire universelle.
001445499 650_6 $$aCivilisation$$xHistoire.
001445499 650_6 $$aMémoire collective.
001445499 650_6 $$aGuerre et littérature$$zGrande-Bretagne$$xHistoire$$y19e siècle.
001445499 650_6 $$aGuerre et littérature$$zBelgique$$xHistoire$$y19e siècle.
001445499 650_6 $$aArt et guerre$$xHistoire$$y19e siècle.
001445499 651_0 $$aGreat Britain$$xRelations$$zBelgium$$xHistory$$y19th century.
001445499 651_0 $$aBelgium$$xRelations$$zGreat Britain$$xHistory$$y19th century.
001445499 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001445499 655_0 $$aElectronic books.
001445499 77608 $$iPrint version:$$aDemoor, Marysa.$$tCross-cultural history of Britain and Belgium, 1815-1918.$$dBasingstoke : Palgrave Macmillan, 2021$$z9783030879259$$w(OCoLC)1272872456
001445499 830_0 $$aBritain and the world.$$x2947-7190
001445499 852__ $$bebk
001445499 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-87926-6$$zOnline Access$$91397441.1
001445499 909CO $$ooai:library.usi.edu:1445499$$pGLOBAL_SET
001445499 980__ $$aBIB
001445499 980__ $$aEBOOK
001445499 982__ $$aEbook
001445499 983__ $$aOnline
001445499 994__ $$a92$$bISE