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001445518 003__ OCoLC
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001445518 020__ $$a9783030796822$$q(electronic bk.)
001445518 020__ $$a3030796825$$q(electronic bk.)
001445518 020__ $$z9783030796815
001445518 020__ $$z3030796817
001445518 0247_ $$a10.1007/978-3-030-79682-2$$2doi
001445518 035__ $$aSP(OCoLC)1306232474
001445518 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dOCLCO$$dN$T$$dOCLCQ
001445518 049__ $$aISEA
001445518 050_4 $$aPN1996$$b.M94 2022
001445518 08204 $$a808.2/3$$223
001445518 1001_ $$aMyers, Scott,$$d1953-$$eauthor.
001445518 24514 $$aThe protagonist's journey :$$ban introduction to character-driven screenwriting and storytelling /$$cScott Myers.
001445518 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2022]
001445518 264_4 $$c©2022
001445518 300__ $$a1 online resource :$$billustrations (some color)
001445518 336__ $$atext$$btxt$$2rdacontent
001445518 337__ $$acomputer$$bc$$2rdamedia
001445518 338__ $$aonline resource$$bcr$$2rdacarrier
001445518 504__ $$aIncludes bibliographical references and index.
001445518 5050_ $$aPart I: The Protagonists Journey as Narrative Imperative -- Chapter One: The Protagonists Journey Due to their central role, engaging the Protagonist is the most important aspect of the story-crafting process -- Chapter Two: Character Arc In movies, there exists a recurring variety of character arcs including the most popular: positive transformation -- Chapter Three: Disunity The Protagonist needs to change as reflected in their initial state of disunity -- Chapter Four: Deconstruction Entering the New World, a series of challenges and trials deconstructs the Protagonists old ways of being -- Chapter Five: Reconstruction Freed from their old ways of being, the Protagonist is reconstructed by embracing heretofore untapped inner potential.-Chapter Six: Unity The Protagonist brings together all they have learned in the storys final struggle and in doing so achieves unity -- Chapter Seven: The Protagonists Place Within the Screenplay Universe The Protagonists journey interweaves between the External World and the Internal World -- Part II: The Protagonists Journey as Family of Characters -- Chapter Eight: Primary Character Archetypes Five narrative dynamics common to movies represented by these archetypes: Protagonist, Nemesis, Attractor, Mentor, Trickster -- Chapter Nine: Nemesis By providing opposition to the Protagonist, the Nemesis generates sustained conflict which creates the central drama of the story -- Chapter Ten: Attractor During their journey, the Protagonist intersects with Attractor characters who connect with the Protagonists emotional development -- Chapter Eleven: Mentor The Protagonist meets another type of ally, the Mentor who provides wisdom and contributes to the Protagonists intellectual growth -- Chapter Twelve: Trickster A shapeshifter tests the will of the Protagonist by switching from ally to enemy, enemy to ally, and generating complications -- Chapter Thirteen: Subplots Each Protagonist relationship with key characters is a mini-story with its own arc, theme, and contribution to the overall narrative -- Chapter Fourteen: Character Map There is a structure to the Protagonists relationships with the storys major characters -- Part III: The Protagonists Journey as Screenplay -- Chapter Fifteen: Breaking the Story I Begin the story-crafting process by engaging the storys central character with a Protagonist Character Treatment -- Chapter Sixteen: Breaking the Story II Use a series of brainstorming exercises to explore the story universe and develop its characters -- Chapter Seventeen: Breaking the Story III A first pass at wrangling the plot by working with Four Primary Plotline Points -- Chapter Eighteen: Breaking the Story IV Track the Protagonists transformation arc through Four Themeline Movements -- Chapter Nineteen: Breaking the Story V Expand the framework of the plot by identifying Ten Major Plotline Points -- Chapter Twenty: Breaking the Story VI Construct the final story structure, both Plotline and Themeline into a Narrative Throughline -- Chapter Twenty-One: Writing the First Draft Break down the writing process into sets of scenes from one Plotline Point to another all the way through the Denouement. .
001445518 506__ $$aAccess limited to authorized users.
001445518 520__ $$aCharacter drives plot. Based on this principle, this book walks aspiring writers through the fascinating world of character-driven screenwriting. When a writer engages their characters, they start a process which naturally leads to the storys structure and everything else that makes for a well-written narrative. Exploring the protagonists journey and their "unity arc", Myers explains how a family of characters surrounds the protagonist and influences their transformation process. This easy-to-follow guide features activities that will help writers of any level develop their stories from concept to scene-by-scene outline. Based upon a popular workshop Myers has led with over a thousand writers at all levels of experience, this book is a must-have for screenwriting students, both undergraduate and graduate, and those looking at advanced story development.
001445518 588__ $$aDescription based on print version record.
001445518 650_0 $$aMotion picture authorship.
001445518 650_0 $$aCharacters and characteristics in motion pictures.
001445518 650_0 $$aPlots (Drama, novel, etc.)
001445518 650_6 $$aCinéma$$xArt d'écrire.
001445518 650_6 $$aPersonnages au cinéma.
001445518 650_6 $$aIntrigues (Théâtre, roman, etc.)
001445518 655_0 $$aElectronic books.
001445518 77608 $$iPrint version:$$aMyers, Scott, 1953-$$tProtagonist's journey.$$dBasingstoke : Palgrave Macmillan, 2021$$z9783030796815$$w(OCoLC)1264403437
001445518 852__ $$bebk
001445518 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-79682-2$$zOnline Access$$91397441.1
001445518 909CO $$ooai:library.usi.edu:1445518$$pGLOBAL_SET
001445518 980__ $$aBIB
001445518 980__ $$aEBOOK
001445518 982__ $$aEbook
001445518 983__ $$aOnline
001445518 994__ $$a92$$bISE