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001445679 001__ 1445679
001445679 003__ OCoLC
001445679 005__ 20230310003844.0
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001445679 008__ 220402s2022\\\\sz\a\\\\ob\\\\001\0\eng\d
001445679 019__ $$a1306523276$$a1308396056$$a1308796893$$a1310339793$$a1311335622
001445679 020__ $$a9783030934958$$q(electronic bk.)
001445679 020__ $$a3030934950$$q(electronic bk.)
001445679 020__ $$z9783030934941
001445679 020__ $$z3030934942
001445679 0247_ $$a10.1007/978-3-030-93495-8$$2doi
001445679 035__ $$aSP(OCoLC)1309020219
001445679 040__ $$aEBLCP$$beng$$erda$$cEBLCP$$dYDX$$dGW5XE$$dOCLCO$$dN$T$$dUKMGB$$dOCLCF$$dUKAHL$$dOCLCQ
001445679 049__ $$aISEA
001445679 050_4 $$aGV1782.5$$b.W45 2022
001445679 08204 $$a792.82019$$223
001445679 1001_ $$aWelch, Shay,$$eauthor.
001445679 24510 $$aChoreography as embodied critical inquiry :$$bembodied cognition and creative movement /$$cShay Welch.
001445679 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2022]
001445679 300__ $$a1 online resource (246 pages) :$$billustrations (black and white)
001445679 336__ $$atext$$btxt$$2rdacontent
001445679 337__ $$acomputer$$bc$$2rdamedia
001445679 338__ $$aonline resource$$bcr$$2rdacarrier
001445679 504__ $$aIncludes bibliographical references and index.
001445679 5050_ $$aIntro -- Acknowledgments -- Contents -- About the Author -- List of Figures -- Chapter 1: Dancing: Phenomenology and Embodied Cognition -- Phenomenological Meaning in Dance -- Phenomenology and the Embodied Mind -- Embodied Metaphors and Enactivism -- Dance and Embodied Metaphor -- Overview -- Bibliography -- Chapter 2: Critical Inquiry: Creative Movement and Embodied Cognition -- Critical Inquiry and Creativity -- Creative Cognition in Dance -- Creative Movement and Curiosing -- Bibliography -- Chapter 3: Movement-Knowings: Affect and Embodied Intuition
001445679 5058_ $$aAffect: From Functionalism to Enactivism -- Kinesthesia and Intuition -- Bibliography -- Chapter 4: Somatics: Improvisation and Feeling-Practices -- Choreography and Improvisation -- Somatic Work -- The Priority of Somatics -- Bibliography -- Chapter 5: Embodied Critical Inquiry: A Theory -- The Epistemology of Thinking-in-Movement -- Epistemology and Dancing Metaphors -- Inquiring-in-Movement -- Embodied Dialogues -- Bibliography -- Chapter 6: Enactivism and Embodied Critical Inquiry -- Dancing as Naturalized Phenomenology -- Movement-Knowings and Linguistic Bodies
001445679 5058_ $$aDancing Metaphors and Enactivism -- Bibliography -- Chapter 7: Embodied Critical Inquiry: A Method -- Somatic Exercises -- Process: Inquiry to Narrative -- Variations -- Choreographing Narrative Method -- Worksheets -- Embodied Metaphor Brainstorming Table -- Some Commentary -- Bibliography -- Chapter 8: The Movers: Results -- Constance -- Constance's Remarks -- Shannon -- Shannon's Remarks -- Deena -- Deena's Remarks -- Sorsha -- Sorsha's Remarks -- Index
001445679 506__ $$aAccess limited to authorized users.
001445679 520__ $$aIn this book, Shay Welch expands on the contemporary cognitive thinking-in-movement framework, which has its roots in the work of Maxine Sheets-Johnstone but extends and develops within contemporary embodied cognition theory. Welch believes that dance can be used to ask questions, and this book offers a method of how critical inquiry can be embodied. First, she presents the theoretical underpinnings of what this process is and how it can work; second, she introduces the empirical method as a tool that can be used by movers for the purpose of doing embodied inquiry. Exploring the role of embodied cognition and embodied metaphors in mining the body for questions, Welch demonstrates how to utilize movement to explore embodied practices of knowing. She argues that our creative embodied movements facilitate our ability to bodily engage in critical analysis about the world. Shay Welch is Associate Professor of Philosophy at Spelman College, the 20202021 Carnegie and Rockefeller Foundation Distinguished Research/Creative Scholar, and Chair of the Association for Feminist Ethics and Social Theory.
001445679 588__ $$aDescription based on online resource; title from digital title page (viewed on April 12, 2022).
001445679 650_0 $$aChoreography$$xPhilosophy.
001445679 650_0 $$aDance$$xPhilosophy.
001445679 650_0 $$aChoreography$$xPsychological aspects.
001445679 650_0 $$aDance$$xPsychological aspects.
001445679 650_6 $$aChorégraphie$$xPhilosophie.
001445679 650_6 $$aDanse$$xPhilosophie.
001445679 650_6 $$aChorégraphie$$xAspect psychologique.
001445679 650_6 $$aDanse$$xAspect psychologique.
001445679 655_0 $$aElectronic books.
001445679 77608 $$iPrint version:$$aWelch, Shay.$$tChoreography as embodied critical inquiry.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783030934941$$w(OCoLC)1295145126
001445679 852__ $$bebk
001445679 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-93495-8$$zOnline Access$$91397441.1
001445679 909CO $$ooai:library.usi.edu:1445679$$pGLOBAL_SET
001445679 980__ $$aBIB
001445679 980__ $$aEBOOK
001445679 982__ $$aEbook
001445679 983__ $$aOnline
001445679 994__ $$a92$$bISE