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Table of Contents
Chapter 1. Inter/cultural Films for Global Consumption
Chapter 2. Holistic Cultural Criticism and the Social Life of Films: Madeinusa (2006) and La teta asustada (2009)
Chapter 3.Realist Modes of Production and the Politics of Memory: Ixcanul (2015) and La llorona (2019)
Chapter 4. Human Rights Culture and the (Im)Possibilities of Decoloniality: El abrazo de la serpiente (2015)
Chapter 5. Coloniality, Affect and Queering Gestures: Zona sur (2009)
Chapter 6. Necropolitics, Activism and Pedagogy: Terra Vermelha (2008)
Chapter 7. Coevalness, Indigenous Modernity and Indigenization: El sueno del maraakame (2016)
Chapter 8. The Power of Aesthetics: Retablo (2017), Winaypacha (2017), Cancion sin nombre (2019).
Chapter 2. Holistic Cultural Criticism and the Social Life of Films: Madeinusa (2006) and La teta asustada (2009)
Chapter 3.Realist Modes of Production and the Politics of Memory: Ixcanul (2015) and La llorona (2019)
Chapter 4. Human Rights Culture and the (Im)Possibilities of Decoloniality: El abrazo de la serpiente (2015)
Chapter 5. Coloniality, Affect and Queering Gestures: Zona sur (2009)
Chapter 6. Necropolitics, Activism and Pedagogy: Terra Vermelha (2008)
Chapter 7. Coevalness, Indigenous Modernity and Indigenization: El sueno del maraakame (2016)
Chapter 8. The Power of Aesthetics: Retablo (2017), Winaypacha (2017), Cancion sin nombre (2019).