001446717 000__ 05338cam\a2200541Ii\4500
001446717 001__ 1446717
001446717 003__ OCoLC
001446717 005__ 20230310004013.0
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001446717 019__ $$a1315537216$$a1315643612$$a1315740676$$a1317324306
001446717 020__ $$a9783030884901$$q(electronic bk.)
001446717 020__ $$a3030884902$$q(electronic bk.)
001446717 020__ $$z3030884899
001446717 020__ $$z9783030884895
001446717 0247_ $$a10.1007/978-3-030-88490-1$$2doi
001446717 035__ $$aSP(OCoLC)1317831034
001446717 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dYDX$$dN$T$$dUKMGB$$dOCLCF$$dUKAHL$$dOCLCQ
001446717 049__ $$aISEA
001446717 050_4 $$aPR2900
001446717 08204 $$a822/.33$$223/eng/20220518
001446717 24500 $$aShakespearean death arts :$$bHamlet among the tombs /$$cWilliam E. Engel, Grant Williams, editors.
001446717 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022.
001446717 300__ $$a1 online resource :$$billustrations (black and white).
001446717 336__ $$atext$$btxt$$2rdacontent
001446717 337__ $$acomputer$$bc$$2rdamedia
001446717 338__ $$aonline resource$$bcr$$2rdacarrier
001446717 4901_ $$aPalgrave Shakespeare studies
001446717 5050_ $$aSection I: Staging the Death Arts -- Chapter One: Shakespeares Ars Moriendi, Andrew D. McCarthy -- Chapter Two: Deciphering the Dead: Speaking for Corpses in Early Modern Drama, Brian Harries -- Chapter Three: As thou art, I once wasDeaths Unstable Binary, Eileen Sperry -- Chapter Four: Antony and Cleopatra and the Vicissitudes of Monumentalization, Grant Williams -- Chapter Five: Tombs, Ooze, and Ashes in Pericles, Dorothy Todd -- Chapter Six: Empathetic Reflections on Love, Life, and Death in Othello, Jessica Tooker -- Chapter Seven: Othellos Speaking Corpses and the Performance of Memento Mori, Maggie Vinter:- Section II: Hamlet and the Death Arts -- Chapter Eight: Turnings in the Grave: Riddles, Death, and Burial in Hamlet, Jonathan Baldo -- Chapter Nine: The Theatre of Hamlets Judgements, Zackariah Long -- Chapter Ten: The Art of Losing: Description in Early Modern Rhetoric, Amanda K. Ruud -- Chapter Eleven: Native and indued / Unto that element: Dissolution, Permeability, and the Death of Ophelia, Pamela Royston Macfie -- Chapter Twelve: Artful Death and Womens Suicide: Gertrude and Ophelia, Lina Perkins Wilder -- Chapter Thirteen: Artless Deaths in Hamlet, Isabel Karremann -- Chapter Fourteen: He made a good end: Middleness, Ending, and Annihilation in Hamlet, Michael Neill.
001446717 506__ $$aAccess limited to authorized users.
001446717 520__ $$aThis is the first book to view Shakespeares plays from the prospect of the premodern death arts, not only the ars moriendi tradition but also the plurality of cultural expressions of memento mori, funeral rituals, commemorative activities, and rhetorical techniques and strategies fundamental to the performance of the work of dying, death, and the dead. The volume is divided into two sections: first, critically nuanced examinations of Shakespeares corpus and then, second, of Hamlet exclusively as the ultimate proving ground of the death arts in practice. This book revitalizes discussion around key and enduring themes of mortality by reframing Shakespeares plays within a newly conceptualized historical category that posits a cultural divideat once epistemological and phenomenologicalbetween premodernity and the Enlightenment. William E. Engel is the Nick B. Williams Professor of Literature at The University of the South, in Sewanee, Tennessee, USA. He has published eight books on literary history and applied emblematics, including two critical anthologies coauthored with Rory Loughnane and Grant Williams, The Death Arts in Renaissance England (2022) and The Memory Arts in Renaissance England (2016); and has coedited several collections of essays including Memory and Mortality in Renaissance England (2022) and Memory and Forgetting in the Early Modern Era (2018). Grant Williams is an Associate Professor of English Literature at Carleton University, in Ottawa, Canada. With William E. Engel and Rory Loughnane, he has co-authored The Death Arts in Renaissance England (2022) and, with Donald Beecher, edited Henry Chettles Kind-Hearts Dream and Piers Plainness: Two Pamphlets from the Elizabethan Book Trade (2021). He has also co-authored The Memory Arts in Renaissance England (2016) with Engel and Loughnane and co-edited three collections: Taking Exception to the Law (2015), Ars reminiscendi (2009), and Lethes Legacies (2004).
001446717 588__ $$aDescription based on print version record.
001446717 60010 $$aShakespeare, William,$$d1564-1616$$xCriticism and interpretation.
001446717 60010 $$aShakespeare, William,$$d1564-1616.$$tHamlet.
001446717 650_0 $$aDeath in literature.
001446717 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001446717 655_0 $$aElectronic books.
001446717 7001_ $$aEngel, William E.,$$d1957-$$eeditor.
001446717 7001_ $$aWilliams, Grant,$$d1965-$$eeditor.
001446717 77608 $$iPrint version:$$tSHAKESPEAREAN DEATH ARTS.$$d[Place of publication not identified] : PALGRAVE MACMILLAN, 2022$$z3030884899$$w(OCoLC)1266895914
001446717 830_0 $$aPalgrave Shakespeare studies.
001446717 852__ $$bebk
001446717 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-88490-1$$zOnline Access$$91397441.1
001446717 909CO $$ooai:library.usi.edu:1446717$$pGLOBAL_SET
001446717 980__ $$aBIB
001446717 980__ $$aEBOOK
001446717 982__ $$aEbook
001446717 983__ $$aOnline
001446717 994__ $$a92$$bISE