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001447208 24500 $$aIndigenous African popular music.$$nVolume 1,$$pProphets and philosophers /$$cAbiodun Salawu, Israel A. Fadipe, editors.
001447208 24630 $$aProphets and philosophers
001447208 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2022]
001447208 264_4 $$c©2022
001447208 300__ $$a1 online resource (xxiii, 401 pages) :$$billustrations.
001447208 336__ $$atext$$btxt$$2rdacontent
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001447208 4901_ $$aPop music, culture and identity,$$x2634-6621
001447208 504__ $$aIncludes bibliographical references and index.
001447208 5050_ $$a1. Introduction : Indigenous African popular music / Abiodun Salawu, Israel A. Fadipe -- 2. Indigenous and modern Zimbabwean music : Reflections from Thomas Mapfumo's Chimurenga music genre / Caleb Mauwa -- 3. Rhythmic signifying in popular Venda music / Evans Ntshengedzeni Netshivhambe -- 4. Baansi ni Yila : A critical history of the music industry in Northern Ghana / Mohammed Sheriff Yamusah, Wunpini Fatimata Mohammed -- 5. Indigenous and indigenised Yoruba popular music / Israel A. Fadipe, Abiodun Salawu -- 6. Social cognition and advertisement in Yusuf Olatunji's music / Adesina B. Sunday -- 7.  Exploring the value systems embedded in indigenous Yoruba music genres and Yoruba nursery rhymes / Rhoda Titilopemi Inioluwa Abiolu, Oluwatobi Joseph Alabi, Hosea Olayiwola Patrick, Oluremi Adenike Abiolu -- 8. Cultural frames : Sociocultural metaphors in Owerri-Igbo bongo music / Chioma Deborah Onwubiko -- 9. Thematic deconstructions of Urhobo/Isoko musicology and brand identity negotiation, normalization and contradictions : Discourse narrative / Presly Ogheneruke Obukoadata -- 10. Dung Chollom and Berom ethnic popular music / Godwin E. Ogli, Bali I. Davou -- 11. Corpus of prophecy, philosophy and crusading in Ayinla Omowura's music / Festus Adedayo -- 12. Forewarned is forearmed : Exploring the apocalyptic voice of popular music in the post-colonial Zimbabwe / Gift Gwindingwe, Oluyinka Oludolapo Osunkunle -- 13. Reeling nostalgia : Aremote and the enduring Sakara music in Nigeria / Abiodun Salawu -- 14. Celebration as choice in Nigerian indigenous and modern music : A critical analysis of Osondi Owendi by Osita Osadebe and Chinedu Okoli (Flavour) / Ihuoma Okorie -- 15. Yoruba socio-cultural norms and values in selected songs of Bukola Elemide (Asa) / Olugbenga Elegbe, Stephen Odebiyi -- 16. Rethinking values and principles : An examination of Osita Osadebe songs in Igbo cultural value preservation / Ufuoma Akpojivi, Chike Mgbeadichie -- 17. Valodia : A Transatlantic praise song / Jorge Luis Morejón-Benitez -- 18. The adaptation of Zimbabwean mbira dzavadzimu music, from traditional to modern popular band format : the case of Thomas Mapfumo / Claudio Chipendo -- 19. Machesos Sungura and social identity narratives in postcolonial Zimbabwe / Vimbai Chamisa -- 20. "One beat, one pound" : Kasumu Isola Sanni, the Sakara master drummer / Odunayo Peter Ogunnaike -- 21. When culture and tradition aren't archaic : The song semantics of Zimbabwean Mbira's international appeal / Enock Nyambo -- Correction to: Social cognition and advertisement in Yusuf Olatunji's music / Adesina B. Sunday.
001447208 506__ $$aAccess limited to authorized users.
001447208 520__ $$aThis volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their proteges who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagating the communal views about African philosophies and the temporal and spiritual worlds in which they exist.--$$cProvided by publisher.
001447208 5450_ $$aAbiodun Salawu is Professor of Journalism, Communication and Media Studies, and Director of Indigenous Language Media in Africa, at the North-West University, South Africa. His major areas of research include indigenous language media, development communication, critical studies and new media. Israel A. Fadipe is postdoctoral fellow in Indigenous Language Media in Africa at the Faculty of Humanities, North-West University, South Africa. He specialises in communication, cultural and gender studies, and has published articles and chapters in both local and international journals.
001447208 588__ $$aDescription based on print version record.
001447208 650_0 $$aPopular music$$zAfrica$$xHistory and criticism.
001447208 650_0 $$aAfricans$$xMusic$$xHistory and criticism.
001447208 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001447208 655_0 $$aElectronic books.
001447208 7001_ $$aSalawu, Abiodun,$$eeditor.
001447208 7001_ $$aFadipe, Israel A.,$$eeditor.
001447208 77608 $$iPrint version:$$tIndigenous African popular music. Volume I, Prophets and philosophers.$$dCham, Switzerland : Palgrave Macmillan, [2022]$$z9783030978839$$w(OCoLC)1334366542
001447208 830_0 $$aPop music, culture and identity.
001447208 852__ $$bebk
001447208 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-97884-6$$zOnline Access$$91397441.1
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