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001447256 001__ 1447256
001447256 003__ OCoLC
001447256 005__ 20230310004109.0
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001447256 008__ 220606s2022\\\\sz\a\\\\o\\\\\001\0\eng\d
001447256 019__ $$a1322047813$$a1323250917
001447256 020__ $$a9783030961589$$q(electronic bk.)
001447256 020__ $$a3030961583$$q(electronic bk.)
001447256 020__ $$z9783030961572$$q(print)
001447256 020__ $$z3030961575
001447256 0247_ $$a10.1007/978-3-030-96158-9$$2doi
001447256 035__ $$aSP(OCoLC)1325189768
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001447256 050_4 $$aTR184
001447256 08204 $$a778.9932$$223/eng/20220606
001447256 1001_ $$aRaymond, Claire,$$d1967-$$eauthor.
001447256 24510 $$aPhotography and resistance :$$banticolonialist photography in the Americas /$$cClaire Raymond.
001447256 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022.
001447256 300__ $$a1 online resource (xv, 235 pages) :$$billustrations
001447256 336__ $$atext$$btxt$$2rdacontent
001447256 337__ $$acomputer$$bc$$2rdamedia
001447256 338__ $$aonline resource$$bcr$$2rdacarrier
001447256 500__ $$aIncludes index.
001447256 5050_ $$a1.Introduction: Photography and Disappearance -- 2.The Disappeared: Paula Luttringer's and Rebecca Belmore's Hauntings -- 3.Exiles: Shelley Niro and Ana Mendieta, Crossing the Water -- 4.Magazine Work: Martine Gutierrez -- 5.America's Dirty Wars: Carrie Mae Weems and An-My Le -- 6.Drowning and Rising: Cara Romero's Spirits -- 7.Conclusion: Revenants are Photographs.
001447256 506__ $$aAccess limited to authorized users.
001447256 520__ $$aThis book argues that photography, with its inherent connection to the embodied material world and its ease of transmissibility, operates as an implicitly political medium. It makes the case that the right to see is fundamental to the right to be. Limning the paradoxical links between photography as a medium and the conditions of political, social, and epistemological disappearance, the book interprets works by African American, Indigenous American, Latinx, and Asian American photographers as acts of political activism in the contemporary idiom. Placing photographic praxis at the crux of 21st-century crises of political equity and sociality, the book uncovers the discursive visual movements through which photography enacts reappearances, bringing to visibility erased and elided histories in the Americas. Artists discussed in-depth include Shelley Niro, Carrie Mae Weems, Paula Luttringer, LaToya Ruby Frazier, Matika Wilbur, Martine Gutiérrez, Ana Mendieta, An-My Lê, and Rebecca Belmore. The book makes visible the American land as a site of contestation, an as-yet not fully recognized battlefield. Claire Raymond teaches at the University of Maine (USA) and the Institute for Doctoral Studies in the Visual Arts (USA). She is the author of eight previous books of feminist scholarship, including The Photographic Uncanny: Photography, Homelessness, and Homesickness and The Selfie, Temporality, and Contemporary Photography.
001447256 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed June 6, 2022).
001447256 650_0 $$aPhotography$$zAmerica$$xPhilosophy.
001447256 650_0 $$aPhotography$$xPolitical aspects$$zAmerica.
001447256 655_0 $$aElectronic books.
001447256 77608 $$iPrint version:$$aRaymond, Claire$$tPhotography and Resistance$$dCham : Springer International Publishing AG,c2022$$z9783030961572
001447256 852__ $$bebk
001447256 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-96158-9$$zOnline Access$$91397441.1
001447256 909CO $$ooai:library.usi.edu:1447256$$pGLOBAL_SET
001447256 980__ $$aBIB
001447256 980__ $$aEBOOK
001447256 982__ $$aEbook
001447256 983__ $$aOnline
001447256 994__ $$a92$$bISE