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001447323 001__ 1447323
001447323 003__ OCoLC
001447323 005__ 20230310004112.0
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001447323 019__ $$a1323246572
001447323 020__ $$a9783030960797$$q(electronic bk.)
001447323 020__ $$a303096079X$$q(electronic bk.)
001447323 020__ $$z9783030960780
001447323 020__ $$z3030960781
001447323 0247_ $$a10.1007/978-3-030-96079-7$$2doi
001447323 035__ $$aSP(OCoLC)1327584977
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001447323 049__ $$aISEA
001447323 050_4 $$aPR708.T5
001447323 08204 $$a822/.709384$$223/eng/20220608
001447323 1001_ $$aBurwick, Frederick,$$eauthor.$$1https://isni.org/isni/0000000108985041
001447323 24510 $$aTime in romantic theatre /$$cFrederick Burwick.
001447323 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2022]
001447323 264_4 $$c©2022
001447323 300__ $$a1 online resource
001447323 336__ $$atext$$btxt$$2rdacontent
001447323 337__ $$acomputer$$bc$$2rdamedia
001447323 338__ $$aonline resource$$bcr$$2rdacarrier
001447323 504__ $$aIncludes bibliographical references and index.
001447323 5050_ $$aIntroduction: Staging Time in Romantic Theatre -- Ch. 1. Flashback and Flashforward -- Ch. 2. Fatal Hour -- Ch. 3. Synoptic Time -- Ch. 4. Time Stopped -- Ch. 5. Time Replayed -- Ch. 6. Longitudinal Time -- Ch. 7. Alternate Time -- Ch. 8. Forgotten Time -- Ch. 9. Epic Time.
001447323 506__ $$aAccess limited to authorized users.
001447323 520__ $$aThe shift in temporal modalities of Romantic Theatre was the consequence of internal as well as external developments: internally, the playwright was liberated from the old imperative of "Unity of Time" and the expectation that the events of the play must not exceed the hours of a single day; externally, the new social and cultural conformance to the time-keeping schedules of labour and business that had become more urgent with the industrial revolution. In reviewing the theatre of the Romantic era, this monograph draws attention to the ways in which theatre reflected the pervasive impact of increased temporal urgency in social and cultural behaviour. The contribution this book makes to the study of drama in the early nineteenth century is a renewed emphasis on time as a prominent element in Romantic dramaturgy, and a reappraisal of the extensive experimentation on how time functioned. Frederick Burwick, Emeritus Professor at UCLA, is author and editor of thirty-four books and one hundred sixty-five articles. He has worked extensively on Romantic drama and Anglo-German literary relations. He is the general editor of the three-volume Encyclopedia of Romantic Literature (2012) and editor of The Oxford Handbook of Samuel Taylor Coleridge (2009). Recent monographs include A History of Romantic Literature (2019), British Drama of the Industrial Revolution (2015) and Playing to the Crowd, London Popular Theatre, 1780-1830 (2011).
001447323 588__ $$aDescription based on print version record.
001447323 650_0 $$aEnglish drama$$y18th century$$xHistory and criticism.
001447323 650_0 $$aEnglish drama$$y19th century$$xHistory and criticism.
001447323 650_0 $$aRomanticism.
001447323 650_0 $$aTime in literature.
001447323 650_6 $$aThéâtre anglais$$0(CaQQLa)201-0031679$$y18e siècle$$0(CaQQLa)201-0031679$$xHistoire et critique.$$0(CaQQLa)201-0377571
001447323 650_6 $$aThéâtre anglais$$0(CaQQLa)201-0074829$$y19e siècle$$0(CaQQLa)201-0074829$$xHistoire et critique.$$0(CaQQLa)201-0377571
001447323 650_6 $$aRomantisme.$$0(CaQQLa)201-0010284
001447323 650_6 $$aTemps dans la littérature.$$0(CaQQLa)201-0013252
001447323 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001447323 655_0 $$aElectronic books.
001447323 77608 $$iPrint version:$$aBurwick, Frederick.$$tTime in romantic theatre.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783030960780$$w(OCoLC)1308475419
001447323 852__ $$bebk
001447323 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-96079-7$$zOnline Access$$91397441.1
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001447323 980__ $$aBIB
001447323 980__ $$aEBOOK
001447323 982__ $$aEbook
001447323 983__ $$aOnline
001447323 994__ $$a92$$bISE