Indigenous African popular music. Volume 2, Social crusades and the future / Abiodun Salawu, Israel A. Fadipe, editors.
Salawu, Abiodun, editor.; Fadipe, Israel A., editor.
2022
ML3502.5
Available Online

Linked e-resources

Linked Resource Online Access
Concurrent users Unlimited
Authorized users Authorized users
Document Delivery Supplied Can lend chapters, not whole ebooks

Details

Title Indigenous African popular music. Volume 2, Social crusades and the future / Abiodun Salawu, Israel A. Fadipe, editors.
ISBN 9783030987053 electronic book
3030987051 electronic book
9783030987046 v. 2 ; hardbound
3030987043 v. 2 ; hardbound
DOI https://doi.org/10.1007/978-3-030-98705-3
Published Cham, Switzerland : Palgrave Macmillan, [2022]
Copyright ©2022
Language English
Description 1 online resource (xxvii, 465 pages) : illustrations.
Other Standard Identifiers 10.1007/978-3-030-98705-3 doi
Call Number ML3502.5
Dewey Decimal Classification 781.63096
Summary This volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad cultural backgrounds from which its genres originate. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores how, during the colonial period and post-independence dispensation, indigenous African music genres and their artists were mainstreamed in order to tackle emerging issues, to sensitise Africans about the affairs of their respective nations and to warn African leaders who have failed and are failing African citizenry about the plight of the people. At the same time, indigenous African popular music genres have served as a beacon to the teeming African youths to express their dreams, frustrations about their environments and to represent themselves. This volume explores how, through the advent of new media technologies, indigenous African popular musicians have been working relentlessly for indigenous production, becoming champions of good governance, marginalised population, and repositories of indigenous cultural traditions and cosmologies.-- Provided by publisher.
Bibliography, etc. Note Includes bibliographical references and index.
Access Note Access limited to authorized users.
Historical Data Abiodun Salawu is Professor of Journalism, Communication and Media Studies, and Director of Indigenous Language Media in Africa, at the North-West University, South Africa. His major areas of research include indigenous language media, development communication, critical studies and new media. Israel A. Fadipe is postdoctoral fellow in Indigenous Language Media in Africa at the Faculty of Humanities, North-West University, South Africa. He specialises in communication, cultural and gender studies, and has published articles and chapters in both local and international journals
Source of Description Description based on print version record.
Added Author Salawu, Abiodun, editor.
Fadipe, Israel A., editor.
Series Pop music, culture and identity.
Available in Other Form Indigenous African popular music Volume 2. Social crusades and the future.
Linked Resources Online Access
Record Appears in Online Resources > Ebooks
All Resources
1. Extra-mundane communication in Ayinla Omowura's music : Exploring connections between a tool and an agent / Nureni Aremu Bakenne, Israel A. Fadipe
2. The role of politicians in democratizing musical production in Northern Nigeria / Umar Lawal Yusuf, Ibrahim Uba Yusuf
3. Popular music, political mobilisation and grandstanding : An analysis of Maskandi in legitimisation of Jacob Zuma (2008-2018) / Thulani Tshabangu
4. Popular music and the concept of the dissident in post-independence Zimbabwe / Trust Matsilele, Mbongeni Jonny Msimanga
5. Indigenous African popular music, democracy and politics / Muyanga Innocent Ziba
6. Music and political protests in Africa : Analysis of selected Fela Anikulapo-Kuti's songs in Nigeria / Kingsley Chukwuemeka Izuogu, Onyekwere Okpara, Dennis Ugochukwu Omeonu
7. Singing democracy and politics in post-independence Zimbabwe : A critical discourse analysis of self-censorship in Zimbabwean indigenous theological-sungura music / Andrew Mutingwende, Ernest Jakaza
8. Indigenous African artistes as social critics : A study of evangelist Bayo Adegboyega of Yoruba extraction / Clement Adeniyi Akangbe, Yemisi Omolola Ilesanmi
9. State-minded praise music culture through electoral Nigeria / Garhe Osibie
10. Beyond mere entertainment : Moral reorientation in Ogundare Foyanmu's ijala song-texts / Sunday Benjamin Adepoju
11. Nigerian indigenous music as an instrument of social crusade and enlightenment : An appraisal of selected albums of Sikiru Ayinde Barrister, Dauda Epo Akara and Odolaye Aremu / Waheed Ganiyu
12. Yoruba indigenous musical jingles on COVID-19 : A content appraisal / Ifeoluwa Theophilus Akinsola, Sheriff Olamide Olatunji
13. Promotion of food sovereignty in Africa through Yoruba's indigenous music / Lere Amusan
14. Mainstreaming Afro-hip-hop music in redressing the spread of infodemics on COVID-19 / Francis Amenaghawon, Abiodun Salawu
15. Why not call a spade a spade? Unpacking Paul Matavire's gender philosophy / Umali Saidi
16. The communicativeness of select Nigerian Afro-hip-hop lyrics and sociological perception of women / Unwana Samuel Akpan
17. Content and reception of Eswatini's indigenous and popular music on women empowerment / Telamisile P. Mkhatshwa, Maxwell Vusumuzi Mthembu
18. Ngoma songs as Tanzanian youths' third space for political participation / Daines Nicodem Sanga
19. The future of the indigenous African popular music / Caleb Mauwa
20. The popular cultural practice of hip-hop among the indigenous !Xun and Khwe youth of Platfontein, South Africa / Itunu Bodunrin
21. Zimdancehall music as rules of sexual engagement / Hugh Mangeya
22. Tradi-modern musical genres amidst neo-colonial Western digital recording towards development in Benue State / Isaac Imo-Ter Nyam
23. The evolution of the roles of producers in the Zimbabwe recording industry / Weston Chimbudzi, Richard Muranda, Wonder Maguraushe
24. Topic : Indigenous African music economics : Survival strategies in the face of web technologies
25. Commodification of music in the digital age : Locating Namibia's oviritje popular music genre in the capitalist music economy / William Heuva
26. The role of sound archiving of indigenous popular music in the conflict zones of North-Eastern Nigeria / Gideon A. Danja, Dominic James Aboi.

Browse Subjects

Show more subjects...

Statistics

from
to
Export