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001447826 001__ 1447826
001447826 003__ OCoLC
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001447826 019__ $$a1331301651$$a1333082811
001447826 020__ $$a9783030935078$$q(electronic bk.)
001447826 020__ $$a3030935078$$q(electronic bk.)
001447826 020__ $$z9783030935061
001447826 020__ $$z303093506X
001447826 0247_ $$a10.1007/978-3-030-93507-8$$2doi
001447826 035__ $$aSP(OCoLC)1333705638
001447826 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dYDX$$dUKMGB$$dOCLCF$$dN$T$$dOCLCQ
001447826 049__ $$aISEA
001447826 050_4 $$aPN6710
001447826 08204 $$a741.59$$223/eng/20220629
001447826 24500 $$aSeeing comics through art history :$$balternative approaches to the form /$$cIan Horton, Maggie Gray, editors.
001447826 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022.
001447826 300__ $$a1 online resource :$$billustrations (color).
001447826 336__ $$atext$$btxt$$2rdacontent
001447826 337__ $$acomputer$$bc$$2rdamedia
001447826 338__ $$aonline resource$$bcr$$2rdacarrier
001447826 4901_ $$aPalgrave studies in comics and graphic novels
001447826 500__ $$aIncludes index.
001447826 5050_ $$aWays of Seeing Comics: Art-Historical Approaches to the Form -- Part I Old Skool Art History -- The Lives of the Artists -- Connoisseurship, Attribution, and Comic Strip Art: The Case of Jack B. Yeats -- Reading Comics with Aby Warburg: Collaging Memories -- Part II Perception, Reception and Meaning -- Psychologies of Perception: Stories of Depiction -- Aesthetics of Reception: Uncovering the Modes of Interaction in Comics -- Reading Richard Felton Outcaults "Yellow Kid" Through Perception of the Image -- Colour in Comics: Reading Lorenzo Mattotti Through the Lens of Art History -- Part III The New and Newer Art Histories -- Feminist Art History as an Approach to Research on Comics: Meta Reflections on Studies of Swedish Feminist Comics -- Towards Feminist Comics Studies: Feminist Art History and the Study of Womens Comix in the 1970s in the United States -- Real Queer Bodies: Visual Weight and Imagined Gravity in Sport Manga -- Part IV Comics for/Beyond Art History -- Afrofuturism and Animism as Method: Art History and Decolonisation in Black Panther -- What Is an Image? Art History, Visual Culture Studies, and Comics Studies -- From Giotto to Drnaso: The Common Well of Pictorial Schema in High Art and Low Comics -- VAST/O Exhibition (De)Construction: Exploring the Potentials of Augmented Abstract Comics and Animation Installations as a Method to Communicate Health Experiences -- From Tableau to Sequence: Introducing Comics Theory Within Art History to Study the Photobook.
001447826 506__ $$aAccess limited to authorized users.
001447826 520__ $$aThis book explores what the methodologies of Art History might offer Comics Studies, in terms of addressing overlooked aspects of aesthetics, form, materiality, perception and visual style. As well as considering what Art History proposes of comic scholarship, including the questioning of some of its deep-rooted categories and procedures, it also appraises what comics and Comics Studies afford and ask of Art History. This book draws together the work of international scholars applying art-historical methodologies to the study of a range of comic strips, books, cartoons, graphic novels and manga, who, as well as being researchers, are also educators, artists, designers, curators, producers, librarians, editors, and writers, with some undertaking practice-based research. Many are trained art historians, but others come from, have migrated into, or straddle other disciplines, such as Comparative Literature, American Literature, Cultural Studies, Visual Studies, and a range of subjects within Art & Design practice. Maggie Gray lectures in Critical & Historical Studies at Kingston University, UK with a specialism in comics, cartooning, and visual narrative. She is author of Alan Moore, Out from the Underground: Cartooning, Performance and Dissent (Palgrave Macmillan 2017). Ian Horton is a Reader in Graphic Communication and a founder member of the Comics Research Hub (CoRH!!) at the University of the Arts London, UK. He is Associate Editor of the Journal of Graphic Novels and Comics and his research is focused on comic books, graphic design and illustration.
001447826 588__ $$aDescription based on print version record.
001447826 650_0 $$aComic books, strips, etc.$$xHistory and criticism$$xTheory, etc.
001447826 650_0 $$aArt$$xHistory$$xMethodology.
001447826 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001447826 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001447826 655_0 $$aElectronic books.
001447826 7001_ $$aHorton, Ian,$$eeditor.
001447826 7001_ $$aGray, Maggie,$$eeditor.
001447826 77608 $$iPrint version:$$tSeeing comics through art history.$$dBasingstoke, Hampshire : Palgrave Macmillan, 2022$$z9783030935061$$w(OCoLC)1308563358
001447826 830_0 $$aPalgrave studies in comics and graphic novels.
001447826 852__ $$bebk
001447826 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-93507-8$$zOnline Access$$91397441.1
001447826 909CO $$ooai:library.usi.edu:1447826$$pGLOBAL_SET
001447826 980__ $$aBIB
001447826 980__ $$aEBOOK
001447826 982__ $$aEbook
001447826 983__ $$aOnline
001447826 994__ $$a92$$bISE