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001447827 001__ 1447827
001447827 003__ OCoLC
001447827 005__ 20230310004137.0
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001447827 020__ $$a9783030917562$$q(electronic bk.)
001447827 020__ $$a3030917568$$q(electronic bk.)
001447827 020__ $$z9783030917555
001447827 020__ $$z303091755X
001447827 0247_ $$a10.1007/978-3-030-91756-2$$2doi
001447827 035__ $$aSP(OCoLC)1333705685
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001447827 050_4 $$aHE8700.9.C6
001447827 08204 $$a384.550951$$223/eng/20220629
001447827 1001_ $$aLin, Lisa,$$eauthor.
001447827 24510 $$aConvergent Chinese television industries :$$ban ethnography of Chinese production cultures /$$cLisa Lin.
001447827 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022.
001447827 300__ $$a1 online resource.
001447827 336__ $$atext$$btxt$$2rdacontent
001447827 337__ $$acomputer$$bc$$2rdamedia
001447827 338__ $$aonline resource$$bcr$$2rdacarrier
001447827 4901_ $$aPalgrave global media policy and business
001447827 504__ $$aIncludes bibliographical references and index.
001447827 5050_ $$aChapter 1. Introduction -- Chapter 2. Production Ecology in Chinese Television Industries -- Chapter 3. Convergent Production Strategies: CCTV and HBS -- Chapter 4. Digital Fiefdoms: The Rise of Chinese Internet-distributed Television -- Chapter 5. Production Cultures and Convergent Screen Forms: CCTV and HBS -- Chapter 6. Streaming Screen Forms and Aesthetics: Tencent Video -- Chapter 7. Walking a Tightrope? Producers Fears and Precarity in China -- Chapter 8. Creative Freedoms and Autonomy in Convergent Chinese Television -- Chapter 9. Playing Edge Ball in the Grey Area -- Chapter 10. Conclusion: Towards Technologically-Empowered Creative Freedoms in Convergent Chinese Television.
001447827 506__ $$aAccess limited to authorized users.
001447827 520__ $$aAn essential book for anyone seeking to understand the dynamics that drive the convergent Chinese television industry. Lins account moves fluently between the levels of historical, technological, political and personal determinants. The exemplary use of production studies provides a comprehensive view of both the complexity and the internal contradictions of the Chinese TV industry, demonstrating how canny producers work at the edges of what is possible. Professor John Ellis, Royal Holloway University of London Professor Lin makes a crucial contribution to our understanding with this book, bringing the rich expertise needed to appreciate the distinct dynamics of Chinese television industries and their incorporation of and negotiation with streaming video. This carefully researched book offers deep accounts of production practices informed by substantial field observations and interviews to bring new insight about major questions. Professor Amanda D. Lotz, Queensland University of Technology, Digital Media Research Centre This book provides a rich description of the shifting production cultures in convergent Chinese television industries across strategic, programming and individual levels. Dr. Lin argues that the current moment of Chinese television is an ideological, cultural and financial paradox in which Chinas one-party ideology clashes with consumer-oriented capitalism and technological advancements. Drawing upon in-depth ethnography of production cultures across Chinese broadcast and digital streaming sectors, this book illuminates how Chinese producers have placed their aspirations for creative freedoms within edge ball practices. Nuanced and timely, Convergent Chinese Television Industries unveils a complex picture of an industry undergoing dramatic transformations. Lisa Lin is a television producer and university professor specialising in factual and documentary production in the UK, Singapore and China. Her producing credits include I Wouldnt Go in There (National Geographic, 2015), G-Force (Hummingbird Music, 2017), The Truth about Fake News (Channel News Asia, 2018), Frontline Medics Diaries (Channel 4, 2020). Dr. Lin holds a PhD in Media and Communications from Royal Holloway, University of London. .
001447827 588__ $$aDescription based on print version record.
001447827 650_0 $$aTelevision broadcasting$$zChina.
001447827 650_0 $$aTelevision and state$$zChina.
001447827 650_0 $$aTelevision and politics$$zChina.
001447827 655_0 $$aElectronic books.
001447827 77608 $$iPrint version:$$aLin, Lisa.$$tConvergent Chinese television industries.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783030917555$$w(OCoLC)1295108596
001447827 830_0 $$aPalgrave global media policy and business.
001447827 852__ $$bebk
001447827 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-91756-2$$zOnline Access$$91397441.1
001447827 909CO $$ooai:library.usi.edu:1447827$$pGLOBAL_SET
001447827 980__ $$aBIB
001447827 980__ $$aEBOOK
001447827 982__ $$aEbook
001447827 983__ $$aOnline
001447827 994__ $$a92$$bISE