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Part I: "Displacing" Galician Studies: Diasporic and Linguistic Perspectives
1 A Place to live and a Place to Die: Displacement and Settlement in Contemporary Galician Culture
2 Language as Object of Research vs. Language as Political Object: Old and New Horizons in the Study of Galician
Part II: Bodies, Sexes and Genders I: Intimate and Political Bodies
Lobos 3 Sucios: Nazis, Meigas and Mouros in the Galician Wolfram Mines During WWII
4 Alma e o mar: About Love, Myths and Landscapes in Galicia
5 Semellantes as feridas? Feminist De-Colonial Readings of Galician Fiction
Part III: Bodies, Sexes and Genders II: Seductions, Motherhoods and Rebellions
6 "Seducible" Souls, "Bastard" Republics: Fear of a Literate Demos in Emilia Pardo Bazán's La Tribuna (1883)
7 Motherhood and Social Progress in Emilia Pardo Bazán's Los Pazos de Ulloa (1886)
8 María Vinyals: A Multidisciplinary Writer
Part IV: Folk Arts and the Professional Art Circuit: Artistic Production and Cultural Dissemination
9 Notes on the Cultural Policy of the Commons in a Cooperative Framework: Numax's Presence in Santiago de Compostela
10 The Forest for the Tree: Artist Willy Taboada and the Galician Transition to Neoliberalism
11 Emilio Araúxo and the Foundations of a Galician Poetic Ethnography
12 The True Story of Three Musical Prodigies from Ferrol: José Arriola, and Pilar and Carmen Osorio Rodríguez.

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