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001448111 001__ 1448111
001448111 003__ OCoLC
001448111 005__ 20230310004222.0
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001448111 019__ $$a1334944544
001448111 020__ $$a9783030929930$$q(electronic bk.)
001448111 020__ $$a3030929930$$q(electronic bk.)
001448111 020__ $$z9783030929923
001448111 020__ $$z3030929922
001448111 0247_ $$a10.1007/978-3-030-92993-0$$2doi
001448111 035__ $$aSP(OCoLC)1335120218
001448111 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dYDX$$dN$T$$dOCLCA$$dUKAHL$$dOCLCQ
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001448111 049__ $$aISEA
001448111 050_4 $$aPR3109.C6
001448111 08204 $$a822.3/3$$223/eng/20220712
001448111 24500 $$aSinophone adaptations of Shakespeare :$$ban anthology, 1987-2007 /$$cAlexa Alice Joubin, editor.
001448111 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2022]
001448111 264_4 $$c©2022
001448111 300__ $$a1 online resource.
001448111 336__ $$atext$$btxt$$2rdacontent
001448111 337__ $$acomputer$$bc$$2rdamedia
001448111 338__ $$aonline resource$$bcr$$2rdacarrier
001448111 4901_ $$aGlobal Shakespeares
001448111 500__ $$aIncludes index.
001448111 5050_ $$aChapter 1. Sinophone Shakespeares: A Critical Introduction / Alexa Alice Joubin -- Part 1. Existentialist Questions in Post-socialist China and Post-Martial-Law Taiwan -- Chapter 2. Hamlet as Political Theatre in Beijing by Lin Zhaohua, translated by Steven L. Riep and Ronald Kimmons and introduced by Steven Riep -- Chapter 3. Hamlet as Parody in Taipei: Shamlet by Lee Kuo-hsiu, translated by Christopher Rea and introduced by Alexa Alice Joubin -- Part 2. Bewitched by Kunqu Opera and Avant-Garde Theatre -- Chapter 4. An Operatic Macbeth in Shanghai: Story of Bloody Hands by Huang Zuolin, translated by Siyuan Liu and introduced by Alexa Alice Joubin -- Chapter 5. A Feminist Macbeth in Tainan: The Witches Sonata by Lu Po-shen, translated and introduced by Yilin Chen -- Part 3. Self-Identities in Traditional and Experimental Jingju Opera -- Chapter 6. A Confucian King Lear in Shanghai: King Qis Dream (King Lear) by Shanghai Jingju Theatre Company (1995), translated by Dongshin Chang and introduced by Alexa Alice Joubin -- Chapter 7. A Buddhist King Lear in Taipei: Lear Is Here by Wu Hsing-kuo, Contemporary Legend Theatre (2001), translated and introduced by Alexa Alice Joubin -- Coda: Chapter 8. Coda: Theatrical Bricolage of Hamlet, King Lear, Macbeth,and Othello in Beijing, 1986.
001448111 506__ $$aAccess limited to authorized users.
001448111 520__ $$aHamlet, Macbeth, and King Lear, three of the most frequently adapted tragedies, have been performed in Hong Kong, Taiwan, and China for over two centuries as political theatre, comedic parody, Chinese opera, and avant-garde theatre. Each of this books three sections offers contrasting adaptations of each tragedy for comparative analysis. Alexa Alice Joubin is Professor of English, Womens, Gender and Sexuality Studies, Theatre, International Affairs, and East Asian Languages and Literatures at George Washington University in Washington, D.C., where she co-founded and co-directs the Digital Humanities Institute.
001448111 588__ $$aDescription based on print version record.
001448111 60010 $$aShakespeare, William,$$d1564-1616$$vAdaptations.
001448111 60010 $$aShakespeare, William,$$d1564-1616$$xStage history$$zChina.
001448111 60010 $$aShakespeare, William,$$d1564-1616$$xAppreciation$$zChina.
001448111 60016 $$aShakespeare, William,$$d1564-1616$$vAdaptations.$$0(CaQQLa)201-0381897
001448111 655_7 $$aAdaptations.$$2fast$$0(OCoLC)fst01423910
001448111 655_0 $$aElectronic books.
001448111 7001_ $$aJoubin, Alexa Alice,$$d1973-$$eeditor.
001448111 77608 $$iPrint version:$$tSinophone adaptations of Shakespeare.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783030929923$$w(OCoLC)1308474255
001448111 830_0 $$aGlobal Shakespeares.
001448111 852__ $$bebk
001448111 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-92993-0$$zOnline Access$$91397441.1
001448111 909CO $$ooai:library.usi.edu:1448111$$pGLOBAL_SET
001448111 980__ $$aBIB
001448111 980__ $$aEBOOK
001448111 982__ $$aEbook
001448111 983__ $$aOnline
001448111 994__ $$a92$$bISE