001448159 000__ 04923cam\a2200577\a\4500 001448159 001__ 1448159 001448159 003__ OCoLC 001448159 005__ 20230310004224.0 001448159 006__ m\\\\\o\\d\\\\\\\\ 001448159 007__ cr\un\nnnunnun 001448159 008__ 220715s2022\\\\sz\\\\\\o\\\\\001\0\eng\d 001448159 019__ $$a1336404258$$a1336589223 001448159 020__ $$a9783031070327$$q(electronic bk.) 001448159 020__ $$a3031070321$$q(electronic bk.) 001448159 020__ $$z3031070313 001448159 020__ $$z9783031070310 001448159 0247_ $$a10.1007/978-3-031-07032-7$$2doi 001448159 035__ $$aSP(OCoLC)1336005096 001448159 040__ $$aYDX$$beng$$cYDX$$dGW5XE$$dEBLCP$$dEZ9$$dUKMGB$$dOCLCF$$dN$T$$dUKAHL$$dOCLCQ 001448159 049__ $$aISEA 001448159 050_4 $$aPS3537.T4753 001448159 08204 $$a811.5/2$$223/eng/20220725 001448159 1001_ $$aEeckhout, Bart,$$d1964-$$eauthor.$$1https://isni.org/isni/0000000032872760 001448159 24514 $$aThe poetic music of Wallace Stevens /$$cBart Eeckhout, Lisa Goldfarb. 001448159 260__ $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022. 001448159 300__ $$a1 online resource 001448159 336__ $$atext$$btxt$$2rdacontent 001448159 337__ $$acomputer$$bc$$2rdamedia 001448159 338__ $$aonline resource$$bcr$$2rdacarrier 001448159 347__ $$atext file 001448159 347__ $$bPDF 001448159 4901_ $$aPalgrave studies in music and literature 001448159 500__ $$aIncludes index. 001448159 5050_ $$aChapter 1. Introduction: Reflections on Musicking Stevens -- Chapter 2: The Enigmatic Relation between Music and Memory- Chapter 3: The Enigmatic Relation between Music and Memory -- Chapter 4: The Lifelong Lures of Birdsong -- Chapter 5: The Vibrations of Latent Music: Juxtaposing Stevens with Strauss, Mahler, Hindemith, and Debussy -- Chapter 6: Shared Aspects of a Musical Poetics: Juxtaposing Stevens with Stravinsky -- Chapter 7: Learning from Ned Rorems Last Poems of Wallace Stevens. . 001448159 506__ $$aAccess limited to authorized users. 001448159 520__ $$aWallace Stevenss musicality is so profound that scholars have only begun to grasp his ties to the art of music or the music of his own poetry. In this study, two long-time specialists present a polyphonic composition in which they pursue various interlocking perspectives. Their case studies demonstrate how music as a temporal art form may affect a poetic of ephemerality, sensuous experience, and affective intensification. Such a poetic, they argue, invites flexible interpretations that respond to poetry as an art of textual performance. How did Stevens enact the relation between music and memory? How can we hear his verse as a form of melody-making? What was specific to his ways of recording birdsong? Have we been missing the latent music of Richard Strauss, Gustav Mahler, and Claude Debussy in particular poems? What were the musical poetics he shared with Igor Stravinsky? And how is our experience of the late poetry transformed when we listen to a musical setting by Ned Rorem? The Poetic Music of Wallace Stevens will appeal to experts in the poets work, students of Modernism in the arts, and a wider audience fascinated by the dynamics of exchange between music and poetry. Bart Eeckhout is Professor of English and American Literature at the University of Antwerp, Belgium, and has been Editor of The Wallace Stevens Journal since 2011. His books include Wallace Stevens and the Limits of Reading and Writing (2002), five co-edited volumes on Stevens, and twelve co-edited thematic issues of The Wallace Stevens Journal. Most recently he co-edited The New Wallace Stevens Studies (2021). Eeckhout is a Member of the Royal Flemish Academy of Belgium for Science and the Arts. Lisa Goldfarb is Professor at New York Universitys Gallatin School, USA, President of The Wallace Stevens Society, and Associate Editor of The Wallace Stevens Journal. She is the author of The Figure Concealed: Wallace Stevens, Music, and Valeryan Echoes (2011) and Unexpected Affinities: Modern American Poetry and Symbolist Poetics (2018), as well as co-editor of several edited collections on Stevens and special issues of The Wallace Stevens Journal. She has recently contributed a chapter, "Music of the Sea: Elizabeth Bishop and Symbolist Poetics," to Elizabeth Bishop and the Music of Literature (Palgrave 2019). 001448159 588__ $$aDescription based on print version record. 001448159 60010 $$aStevens, Wallace,$$d1879-1955$$xCriticism and interpretation. 001448159 650_0 $$aMusic and literature. 001448159 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635 001448159 655_0 $$aElectronic books. 001448159 7001_ $$aGoldfarb, Lisa,$$eauthor. 001448159 77608 $$iPrint version:$$z3031070313$$z9783031070310$$w(OCoLC)1313387407 001448159 77608 $$iPrint version:$$aEeckhout, Bart, 1964- author.$$tPoetic music of Wallace Stevens$$z9783031070310$$w(OCoLC)1328011444 001448159 830_0 $$aPalgrave studies in music and literature. 001448159 852__ $$bebk 001448159 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-07032-7$$zOnline Access$$91397441.1 001448159 909CO $$ooai:library.usi.edu:1448159$$pGLOBAL_SET 001448159 980__ $$aBIB 001448159 980__ $$aEBOOK 001448159 982__ $$aEbook 001448159 983__ $$aOnline 001448159 994__ $$a92$$bISE