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001448301 001__ 1448301
001448301 003__ OCoLC
001448301 005__ 20230310004231.0
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001448301 019__ $$a1337067039
001448301 020__ $$a9783031009457$$q(electronic bk.)
001448301 020__ $$a3031009452$$q(electronic bk.)
001448301 020__ $$z9783031009440
001448301 020__ $$z3031009444
001448301 0247_ $$a10.1007/978-3-031-00945-7$$2doi
001448301 035__ $$aSP(OCoLC)1336954279
001448301 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dGW5XE$$dEBLCP$$dOCLCF$$dN$T$$dUKAHL$$dOCLCQ
001448301 049__ $$aISEA
001448301 050_4 $$aPN1995.9.D49
001448301 08204 $$a791.43/6$$223/eng/20220801
001448301 1001_ $$aChepinchikj, Neda,$$eauthor.
001448301 24510 $$aInteractional approach to cinematic discourse :$$bhow do Woody Allen's characters talk? /$$cNeda Chepinchikj.
001448301 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2022]
001448301 264_4 $$c©2022
001448301 300__ $$a1 online resource (xvi, 273 pages) :$$billustrations
001448301 336__ $$atext$$btxt$$2rdacontent
001448301 337__ $$acomputer$$bc$$2rdamedia
001448301 338__ $$aonline resource$$bcr$$2rdacarrier
001448301 500__ $$aIncludes index.
001448301 5050_ $$aChapter 1: Introduction -- Chapter 2: Woody Allens cinematic discourse -- Chapter 3: Analytical approach -- Chapter 4: Organisation of interaction -- Chapter 5: Verbal features of interaction -- Chapter 6: Embodied features of interaction: Gaze -- Chapter 7: Embodied features of interaction: Gestures -- Chapter 8: Social actions and gender considerations -- Chapter 9: Conclusion.
001448301 506__ $$aAccess limited to authorized users.
001448301 520__ $$aThis book analyses and describes a segment of Woody Allens cinematic discourse, focusing specifically on the performed (or diegetic) interactions between actors in various roles in some of his films. It is a case study of Woody Allen's cinematic discourse, encompassing the on-screen, performed interaction in the films at the level of the story-world. The analysis focuses on speech (film dialogues), in both its verbal and prosodic forms, as well as non-verbal types of interaction including gaze and gesture, taking a social interactional approach and using multimodal conversation analysis as a theoretical framework and analytical tool. The 'texts' under study are segments from five films by Woody Allen, and the analysed interactions take place between male and female interactants, which allows further examination of on-screen interactions via a gender lens. The book aims to bridge the gap between the disciplines of applied linguistics and cinema studies and offer linguistic insights into performed interactions from a multimodal point of view. It will be equally relevant to linguists who are interested in how verbal and non-verbal language is used in cinematic discourse, as well as to film workers, especially actors, directors and screenwriters. Neda Chepinchikj is a linguist working at the University of New South Wales (UNSW), Sydney, Australia. She holds a PhD in applied linguistics, educational linguistics and screen and media culture from the University of Melbourne. This is her first book, which is based on her PhD thesis.
001448301 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed August 1, 2022).
001448301 60010 $$aAllen, Woody,$$d1935-$$xCriticism and interpretation.
001448301 650_0 $$aDialogue in motion pictures.
001448301 650_0 $$aDiscourse analysis.
001448301 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001448301 655_0 $$aElectronic books.
001448301 77608 $$iPrint version:$$z3031009444$$z9783031009440$$w(OCoLC)1310617584
001448301 852__ $$bebk
001448301 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-00945-7$$zOnline Access$$91397441.1
001448301 909CO $$ooai:library.usi.edu:1448301$$pGLOBAL_SET
001448301 980__ $$aBIB
001448301 980__ $$aEBOOK
001448301 982__ $$aEbook
001448301 983__ $$aOnline
001448301 994__ $$a92$$bISE