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1. Introduction
2. Janus-Faced Arguments: Becketts Interwar Essays and Other Self-Divided Defenses of Modernism
3. Impossible Anti-values: Becketts Postwar Writing and the Self-defeating Pursuit of Absolute Loss
4. Slippery Self-commentaries: Avant-garde Celebrity from Dream to Endgame
5. Staged Compromises: Anticipating Appropriation from Eleutheria to Havel to Catastrophe. 6. Re-targeting Modernist Failure.

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