Beckett's imagined interpreters and the failures of modernism / Nick Wolterman.
2022
PR6003.E282
Linked e-resources
Linked Resource
Concurrent users
Unlimited
Authorized users
Authorized users
Document Delivery Supplied
Can lend chapters, not whole ebooks
Details
Title
Beckett's imagined interpreters and the failures of modernism / Nick Wolterman.
Author
ISBN
9783031056505 (electronic bk.)
3031056507 (electronic bk.)
9783031056499
3031056493
3031056507 (electronic bk.)
9783031056499
3031056493
Published
Cham : Palgrave Macmillan, [2022]
Copyright
©2022
Language
English
Description
1 online resource (ix, 204 pages).
Item Number
10.1007/978-3-031-05650-5 doi
Call Number
PR6003.E282
Dewey Decimal Classification
842/.914
Summary
Samuel Becketts work is littered with ironic self-reflexive comments on presumed audience expectations that it should ultimately make explicable sense. An ample store of letters and anecdotes suggests Becketts own preoccupation with and resistance to similar interpretive mindsets. Yet until now such concerns have remained the stuff of scholarly footnotes and asides. Becketts Imagined Interpreters and the Failures of Modernism addresses these issues head-on and investigates how Becketts ideas about who he writes for affect what he writes. What it finds speaks to current understandings not only of Becketts techniques and ambitions, but also of modernisms experiments as fundamentally compromised challenges to enshrined ways of understanding and organizing the social world. Becketts uniquely anxious audience-targeting brings out similarly self-doubting strategies in the work of other experimental twentieth-century writers and artists in whom he is interested: his corpus proves emblematic of a modernism that understands its inability to achieve transformative social effects all at once, but that nevertheless judiciously complicates too-neat distinctions drawn within ongoing culture wars. For its re-evaluations of four key points of orientation for understanding Becketts artistic ambitionshis arch critical pronouncements, his postwar conflations of value and valuelessness, his often-ambiguous self-commentary, and his sardonic metatheatrical playas well as for its running dialogue with wider debates around modernism as a social phenomenon, this book is of interest to students and researchers interested in Beckett, modernism, and the relations between modern and contemporary artistic and social developments. Nick Wolterman is an independent scholar based in York, UK. He received his PhD in English and Related Literature from the University of York. .
Bibliography, etc. Note
Includes bibliographical references and index.
Access Note
Access limited to authorized users.
Source of Description
Online resource; title from PDF title page (SpringerLink, viewed July 29, 2022).
Series
New interpretations of Beckett in the twenty-first century. 2945-6800
Available in Other Form
Linked Resources
Record Appears in
Table of Contents
1. Introduction
2. Janus-Faced Arguments: Becketts Interwar Essays and Other Self-Divided Defenses of Modernism
3. Impossible Anti-values: Becketts Postwar Writing and the Self-defeating Pursuit of Absolute Loss
4. Slippery Self-commentaries: Avant-garde Celebrity from Dream to Endgame
5. Staged Compromises: Anticipating Appropriation from Eleutheria to Havel to Catastrophe. 6. Re-targeting Modernist Failure.
2. Janus-Faced Arguments: Becketts Interwar Essays and Other Self-Divided Defenses of Modernism
3. Impossible Anti-values: Becketts Postwar Writing and the Self-defeating Pursuit of Absolute Loss
4. Slippery Self-commentaries: Avant-garde Celebrity from Dream to Endgame
5. Staged Compromises: Anticipating Appropriation from Eleutheria to Havel to Catastrophe. 6. Re-targeting Modernist Failure.