001448382 000__ 05024cam\a2200601\i\4500 001448382 001__ 1448382 001448382 003__ OCoLC 001448382 005__ 20230310004236.0 001448382 006__ m\\\\\o\\d\\\\\\\\ 001448382 007__ cr\cn\nnnunnun 001448382 008__ 220726t20222022sz\a\\\\ob\\\\001\0\eng\d 001448382 019__ $$a1337143902 001448382 020__ $$a9783030986681$$q(electronic bk.) 001448382 020__ $$a3030986683$$q(electronic bk.) 001448382 020__ $$z9783030986674 001448382 020__ $$z3030986675 001448382 0247_ $$a10.1007/978-3-030-98668-1$$2doi 001448382 035__ $$aSP(OCoLC)1337160528 001448382 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dGW5XE$$dYDX$$dN$T$$dTFW$$dOCLCF$$dUKAHL 001448382 0411_ $$aeng$$hita 001448382 043__ $$ae-it--- 001448382 049__ $$aISEA 001448382 050_4 $$aPN1978.I8 001448382 08204 $$a791.5/30945$$223/eng/20220726 001448382 1001_ $$aPacchioni, Federico,$$d1978-$$eauthor.$$1https://isni.org/isni/0000000420189314 001448382 24010 $$aImmagine del burattino.$$lEnglish 001448382 24514 $$aThe image of the puppet in Italian theater, literature and film /$$cFederico Pacchioni. 001448382 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2022] 001448382 264_4 $$c©2022 001448382 300__ $$a1 online resource :$$billustrations (some color) 001448382 336__ $$atext$$btxt$$2rdacontent 001448382 337__ $$acomputer$$bc$$2rdamedia 001448382 338__ $$aonline resource$$bcr$$2rdacarrier 001448382 504__ $$aIncludes bibliographical references and index. 001448382 5050_ $$aChapter 1: Introduction -- Chapter 2: Burattino, a Name and an Idea: From Commedia dellArte to Pinocchio -- Chapter 3: The Remediation of the Puppet: Theater of Animation and Early Cinema -- Chapter 4: The Uncanny Marionette: Avant-Garde and Intermedial Experimentation -- Chapter 5: From Automaton to Puppet: Yearnings for Vitality, Futurism and Metaphysics -- Chapter 6: Adults War in Childrens Dreams: Animated Toys and Pulcinella -- Chapter 7: The Pupo and the Theater of History: A Rossellinian Parenthesis -- Chapter 8: The Pupo and the Theater of Life: Pasolinis Dream -- Chapter 9: Poetry and Politics of the Emilian Puppet: Bertoluccian Memories -- Chapter 10: Vulgarity and Grace: Avant-Garde Echoes in Lina Wertmullers Cinema -- Chapter 11: The Emigrated Pupo: Ritualism and Italian American Identity -- Chapter 12: Conclusions. 001448382 506__ $$aAccess limited to authorized users. 001448382 520__ $$aWith the advancement of cybernetics, avatars, animation, and virtual reality, a thorough understanding of how the puppet metaphor originates from specific theatrical practices and media is especially relevant today. This book identifies and interprets the aesthetic and cultural significance of the different traditions of the Italian puppet theater in the broader Italian culture and beyond. Grounded in the often-overlooked history of the evolution of several Italian puppetry traditions the central and northern Italian stringed marionettes, the Sicilian pupi, the glove puppets of the Po Valley, and the Neapolitan Pulcinella this study examines a broad spectrum of visual, cinematic, literary, and digital texts representative of the functions and themes of the puppet. A systematic analysis of the meanings ascribed to the idea and image of the puppet provides a unique vantage point to observe the perseverance and transformation of its deeper associations, linking premodern, modern, and contemporary contexts. Federico Pacchioni is Sebastian Paul and Marybelle Musco Endowed Chair In Italian at Chapman University, USA, where he directs the Italian Studies program, teaches Italian and interdisciplinary courses, and leads various outreach initiatives. His research aims at understanding and promoting Italys creative reservoir through the field of media and cultural history by unveiling dynamics of artistic collaboration, authorial legacy, intermedial aesthetics, and glocalism. He is the author of several publications, including peer-reviewed articles, creative writings, and translations. Some of his books are Southwest of Italy: Stanzas for a Travel Memoir (2022), I frutti del mio giardino (2022), A History of Italian Cinema (2017, co-authored with P. Bondanella) and Inspiring Fellini: Literary Collaborations behind the Scenes (2014). 001448382 546__ $$aTranslated from the Italian. 001448382 588__ $$aOnline resource; title from PDF title page (ProQuest Ebook Central platform, viewed September 26, 2022). 001448382 650_0 $$aPuppets in literature. 001448382 650_0 $$aPuppet theater$$zItaly. 001448382 650_0 $$aItalian literature$$xHistory and criticism. 001448382 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635 001448382 655_7 $$aLiterary criticism.$$2fast$$0(OCoLC)fst01986215 001448382 655_7 $$aLiterary criticism.$$2lcgft 001448382 655_0 $$aElectronic books. 001448382 77608 $$iPrint version:$$aPacchioni, Federico, 1978-$$tImage of the puppet in Italian theater, literature and film.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783030986674$$w(OCoLC)1328030957 001448382 852__ $$bebk 001448382 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-98668-1$$zOnline Access$$91397441.1 001448382 909CO $$ooai:library.usi.edu:1448382$$pGLOBAL_SET 001448382 980__ $$aBIB 001448382 980__ $$aEBOOK 001448382 982__ $$aEbook 001448382 983__ $$aOnline 001448382 994__ $$a92$$bISE