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Chapter 1: Introduction
Chapter 2: Burattino, a Name and an Idea: From Commedia dellArte to Pinocchio
Chapter 3: The Remediation of the Puppet: Theater of Animation and Early Cinema
Chapter 4: The Uncanny Marionette: Avant-Garde and Intermedial Experimentation
Chapter 5: From Automaton to Puppet: Yearnings for Vitality, Futurism and Metaphysics
Chapter 6: Adults War in Childrens Dreams: Animated Toys and Pulcinella
Chapter 7: The Pupo and the Theater of History: A Rossellinian Parenthesis
Chapter 8: The Pupo and the Theater of Life: Pasolinis Dream
Chapter 9: Poetry and Politics of the Emilian Puppet: Bertoluccian Memories
Chapter 10: Vulgarity and Grace: Avant-Garde Echoes in Lina Wertmullers Cinema
Chapter 11: The Emigrated Pupo: Ritualism and Italian American Identity
Chapter 12: Conclusions.

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