001448544 000__ 04953cam\a2200505\i\4500
001448544 001__ 1448544
001448544 003__ OCoLC
001448544 005__ 20230310004244.0
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001448544 008__ 220805s2022\\\\sz\\\\\\ob\\\\001\0\eng\d
001448544 019__ $$a1338838644
001448544 020__ $$a9783030997328$$q(electronic bk.)
001448544 020__ $$a3030997324$$q(electronic bk.)
001448544 020__ $$z3030997316
001448544 020__ $$z9783030997311
001448544 0247_ $$a10.1007/978-3-030-99732-8$$2doi
001448544 035__ $$aSP(OCoLC)1338299595
001448544 040__ $$aYDX$$beng$$erda$$cYDX$$dN$T$$dGW5XE$$dEBLCP$$dOCLCF$$dOCLCQ
001448544 049__ $$aISEA
001448544 050_4 $$aN7433.92
001448544 08204 $$a700$$223/eng/20220809
001448544 1001_ $$aChattopadhyay, Budhaditya,$$eauthor.
001448544 24510 $$aSound practices in the Global South :$$bco-listening to resounding plurilogues /$$cBudhaditya Chattopadhyay.
001448544 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2022]
001448544 300__ $$a1 online resource
001448544 336__ $$atext$$btxt$$2rdacontent
001448544 337__ $$acomputer$$bc$$2rdamedia
001448544 338__ $$aonline resource$$bcr$$2rdacarrier
001448544 504__ $$aIncludes bibliographical references and index.
001448544 5050_ $$a1. Introductory Soliloquy -- 2. Clarence Barlow -- 3. Sandeep Bhagwati -- 4. Rajesh K. Mehta -- 5. Sharif Sehnaoui -- 6. Ximena Alarcon Diaz -- 7. Hardi Kurda -- 8.Mario de Vega -- 9. Luka Mukhavele -- 10. Khyam Allami -- 11. Cedrik Fermont -- 12.Khaled Kaddal -- 13.David Velez -- 14.Juan Duarte -- 15.Youmna Saba -- 16.Mariana Marcassa -- 17.Amanda Gutierrez -- 18. Abdellah M. Hassak -- 19. Syma Tariq -- 20. Siamak Anvari -- 21. Debashis Sinha -- 22. Mohamad Safa -- 23. Alma Laprida -- 24. Constanza Bizraelli -- 25. Zouheir Atbane -- 26. Jatin Vidyarthi -- 27. Surabhi Saraf -- 28. Joseph Kamaru -- 29. Hemant Sreekumar -- 30. Isuru Kumarasinghe.
001448544 506__ $$aAccess limited to authorized users.
001448544 520__ $$a"Sound Practices in the Global South: Co-listening to Resounding Plurilogues presents a highly original and critically important collection of conversations with sound practitioners and thinkers working in and from the Global South. Chattopadhyays book makes a significant contribution to decolonising the field of Sound Studies by drawing attention to transcultural resonances across diverse practices while shifting attention away from what he calls the exoticising listening ear of canonised scholarship. This book is an exciting and essential read for anyone interested in sound theory and practice beyond Eurocentric perspectives." - Philippa Lovatt, University of St Andrews, UK This book delves into the unique sound worlds of key regions in the Global South, by an auto-ethnographic method of self-reflexive conversations with prominent sound practitioners from South Asia, Africa, the Middle East and Latin America. The conversations navigate trajectories of sound practices, illuminating intricate processes of listening, thinking, exposing, and performing with sound. Through a practice-based approach to sound theory and production, the book builds a ground-up knowledge about aural cultures and sonic aesthetics, moving beyond the Eurocentric focus of contemporary sound studies. Instead of understanding sound practices via the lens of consumption and entertainment, they are explored as complex cultural and aesthetic systems, learning from the practitioners themselves and their sonic methodologies. The book reveals a tension between Wests predominant colonial-consumerist cultures, and the collective desires of the practitioners to resist colonial models of listening by expressing themselves in terms of their critical making. Conversations with: Clarence Barlow, Sandeep Bhagwati, Rajesh K. Mehta, Sharif Sehnaoui, Ximena Alarcon Diaz, Hardi Kurda, Mario de Vega, Luka Mukhavele, Khyam Allami, Cedrik Fermont, Khaled Kaddal, David Velez, Juan Duarte, Youmna Saba, Abdellah M. Hassak, Mariana Marcassa, Amanda Gutierrez, Syma Tariq, Alma Laprida, Siamak Anvari, Mohamad Safa, Debashis Sinha, Zouheir Atbane, Constanza Bizraelli, Jatin Vidyarthi, Joseph Kamaru, Surabhi Saraf, Isuru Kumarasinghe, Hemant Sreekumar. Budhaditya Chattopadhyay, Professor, Institute of Experimental Design and Media Cultures (IXDM), Academy of Art and Design, University of Applied Sciences and Arts Northwestern Switzerland.
001448544 588__ $$aDescription based on print version record.
001448544 650_0 $$aSound art$$zDeveloping countries.
001448544 650_0 $$aSound$$xSocial aspects$$zDeveloping countries.
001448544 655_0 $$aElectronic books.
001448544 77608 $$iPrint version:$$aChattopadhyay, Budhaditya.$$tSound practices in the Global South.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783030997311$$w(OCoLC)1328008331
001448544 77608 $$iPrint version:$$z3030997316$$z9783030997311$$w(OCoLC)1302739364
001448544 852__ $$bebk
001448544 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-99732-8$$zOnline Access$$91397441.1
001448544 909CO $$ooai:library.usi.edu:1448544$$pGLOBAL_SET
001448544 980__ $$aBIB
001448544 980__ $$aEBOOK
001448544 982__ $$aEbook
001448544 983__ $$aOnline
001448544 994__ $$a92$$bISE