001448579 000__ 04952cam\a2200541\a\4500
001448579 001__ 1448579
001448579 003__ OCoLC
001448579 005__ 20230310004246.0
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001448579 008__ 220807s2022\\\\sz\\\\\\ob\\\\001\0\eng\d
001448579 019__ $$a1338837519
001448579 020__ $$a9783031082962$$q(electronic bk.)
001448579 020__ $$a3031082966$$q(electronic bk.)
001448579 020__ $$z3031082958
001448579 020__ $$z9783031082955
001448579 0247_ $$a10.1007/978-3-031-08296-2$$2doi
001448579 035__ $$aSP(OCoLC)1338834011
001448579 040__ $$aYDX$$beng$$cYDX$$dGW5XE$$dEBLCP$$dOCLCF$$dN$T$$dUKAHL$$dOCLCQ
001448579 049__ $$aISEA
001448579 050_4 $$aML3918.P67
001448579 08204 $$a306.48424$$223/eng/20220815
001448579 1001_ $$aBennett, Andy,$$d1963-
001448579 24510 $$aPopular music heritage:$$bplaces, objects, images and texts /$$cAndy Bennett.
001448579 260__ $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022.
001448579 300__ $$a1 online resource
001448579 4901_ $$aPop music, culture and identity
001448579 504__ $$aIncludes bibliographical references and index.
001448579 5050_ $$aIntro -- Acknowledgements -- Praise for Popular Music Heritage -- Contents -- Introduction: Why Popular Music 'Heritage'-and Why Now? -- The Dawning of the Rock and Pop Heritage Era -- Rocking the Institutional Bias -- Whose Heritage Is It Anyway? -- References -- Part I: Place and Objects -- Music, Heritage and the Cultural Consecration of Place -- Music, Place and Spatialisation -- Music Heritage and Memoryscapes -- Cities, 'Sounds' and Heritage -- Magical History Tours -- Beyond the Bright Lights -- Conclusion -- References -- Museums, Music Halls of Fame and Fan Conventions
001448579 5058_ $$aPopular Music and the Museum: An Uneasy Alliance -- Halls of Fame -- Conventions and Fanatics -- Conclusion -- References -- Memorabilia, Collectables and Enshrinement -- Enshrining the Popular -- My Personal Collection -- Rare and Vintage Artefacts -- DIY Preservationists -- Conclusion -- References -- Part II: Media and Performance -- Heritage Media and 'Classic' Re-presentation -- Docomania -- Have You Seen the Movie? -- Glossy Heavyweights -- Off the Shelf: Rock and Pop Autobiographies -- Conclusion -- References -- Heritage Discourse and the Internet -- In Praise of ... Internet Fan Sites
001448579 5058_ $$aVirtual Scenes -- Online Heritage Activism -- The Digital Archiving of Rock and Pop Heritage -- Music Heritage in Pandemic Times -- Conclusion -- References -- Tribute Bands, Self-Tribute and 'Classic Albums Live' -- Pick a Band, Pick an Era -- Heritage Artists and Self-Tribute -- Live as You've Always Heard It Before: Classic Albums Live -- The 'Future' of Classic Rock and Pop -- Conclusion -- References -- References -- Index
001448579 506__ $$aAccess limited to authorized users.
001448579 520__ $$aThis book critically discusses the significance of popular music heritage as a means of remembering and re-presenting rock and pop artists, their music and their place in the culture of contemporary society. Since the mid-1990s, the contribution of popular music to the shaping of contemporary history and heritage has increasingly been acknowledged. In the same period, exhibitions of popular music related artefacts have become more commonplace in museums, and facilities dedicated to the celebration of popular music history and heritage, such as the Rock and Roll Hall of Fame, have opened their doors. Popular music heritage has found other mediums of expression too. There is now a significant popular music heritage media, including books, magazines, films and television series. Fans collect and display their own mementos, while the live performances of tribute bands and classic albums fulfill an increasing desire for the live spectacle of popular music heritage. This book will be crucial reading for established scholars as well as postgraduate and undergraduate students studying popular music heritage. Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Music, Style and Aging (2013), Music Scenes (co-edited with Richard A. Petersen, 2004) and Popular Music and Youth Culture (2000).
001448579 588__ $$aDescription based on print version record.
001448579 650_0 $$aPopular music$$xSocial aspects.
001448579 650_0 $$aPopular music$$xHistory and criticism.
001448579 650_0 $$aCultural property.
001448579 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001448579 655_0 $$aElectronic books.
001448579 77608 $$iPrint version:$$z3031082958$$z9783031082955$$w(OCoLC)1317838410
001448579 77608 $$iPrint version:$$aBennett, Andy, 1963- author.$$tPopular music heritage$$z9783031082955$$w(OCoLC)1338650352
001448579 830_0 $$aPop music, culture and identity.
001448579 852__ $$bebk
001448579 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-08296-2$$zOnline Access$$91397441.1
001448579 909CO $$ooai:library.usi.edu:1448579$$pGLOBAL_SET
001448579 980__ $$aBIB
001448579 980__ $$aEBOOK
001448579 982__ $$aEbook
001448579 983__ $$aOnline
001448579 994__ $$a92$$bISE