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001448675 001__ 1448675
001448675 003__ OCoLC
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001448675 019__ $$a1340959338
001448675 020__ $$a9783030991463$$q(electronic bk.)
001448675 020__ $$a3030991466$$q(electronic bk.)
001448675 020__ $$z9783030991456
001448675 020__ $$z3030991458
001448675 0247_ $$a10.1007/978-3-030-99146-3$$2doi
001448675 035__ $$aSP(OCoLC)1340743351
001448675 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dGW5XE$$dEBLCP$$dOCLCF$$dN$T$$dUKAHL$$dOCLCQ
001448675 049__ $$aISEA
001448675 050_4 $$aPN56.M316
001448675 08204 $$a809/.93353$$223/eng/20220822
001448675 1001_ $$aMooney, Susan,$$eauthor.
001448675 24514 $$aThe making and mirroring of masculine subjectivities :$$bgender, affect, and ethics in modern world narratives /$$cSusan Mooney.
001448675 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2022]
001448675 264_4 $$c©2022
001448675 300__ $$a1 online resource (xii, 351 pages)
001448675 336__ $$atext$$btxt$$2rdacontent
001448675 337__ $$acomputer$$bc$$2rdamedia
001448675 338__ $$aonline resource$$bcr$$2rdacarrier
001448675 500__ $$aIncludes index.
001448675 5050_ $$aIntro -- Preface -- Acknowledgments -- Contents -- List of Figures -- Chapter 1: Introduction: Feeling Men-Emotional Masculine Subjectivities, Ethics, and the Postpaternal -- Gendered Narratives of Emotions and Ethics: The Postpaternal -- "Structure of Feeling": Gendered Narratives of Emotions and Ethics -- A Feminist Ethics for Masculinities -- Masculinities: Becoming Men, Yet How? -- Gendered Ethics and Gentlemanly Ambivalence -- Masculine Narrative Ethics -- Narrative Connections of Affects and Ethics -- Chapter Overview -- Bibliography
001448675 5058_ $$aPart I: Fathers and Sons: Mirroring, Lack, and Masculine Subjectivities -- Chapter 2: Narrative Ethics of Care: Folding Fathers, Gifts Given, Subjectivity Beyond Mastery -- Introduction -- Fathers as Mirrors: Look of Love, Lack, and Contesting the Fantasy of the Self-made Man -- Fathers Foregrounded: Paternal Subjectivities -- Subjectivity of the Father and His Non-image: White Noise and The Road -- Comparison of Subjective Fathers: Image and Non-image -- The Non-subjective Father Narrative -- Non-subjective Fathers Serving as Images for Sons -- Non-subjectivity Plus Non-image of the Father
001448675 5058_ $$aComparison of Non-subjective Fathers: Death or Relinquishing Patriarchy -- Lacking Fathers: Looks of Love -- Bibliography -- Chapter 3: Ethics of Creation: Copy of the Copy: Sons' Narratives of Feeling of Selfhood -- Introduction: Sons: Anxiety, Copies of Lack, and Self-reflection -- Beyond the Mirror Stage: Desire for the Father as Mirror, Protection, Love, Competition -- Same Copy: New Narratives of the Sons: Desiring Reflection -- Filial Difference: Rejection of the Copy: Narratives of Paternal and Maternal Death and Birth of the Son -- No Copy, No Death: Alternative Mirrors
001448675 5058_ $$aFilial Narratives of Ambivalence -- Bibliography -- Part II: The Gentleman Deconstructed -- Chapter 4: Ethics of Honor: Postgentlemen's Narratives and Affects of Alterity -- Introduction -- The Gentleman, the Nomadic, Anxiety, and Other Affects -- The Gentleman: Historical Emergence and Narrative Permutations -- Shell of Heroism: Narratives of Emotion -- Irish Gentlemen: (Post)Colonial Masculinity -- Spanish Gamblers: Caballeros in Spain's Silver Age, Civil War, and Postwar Era -- Russian Transnational Nomad -- African American Fighter: Beyond the Self-made Man
001448675 5058_ $$aThe Transman and the Nomadic: Into the Mirror -- Beyond Protest Masculinity -- Bibliography -- Chapter 5: Ethics of Proximity: Lack and Dispossession -- Introduction -- Closeness in Subjectivities: Men's Dominance, Abuse of Power, Delayed Empathy or Non-empathy -- Rewriting Marriage and Adultery Plots: Narrative Displacements -- Cinematic Proximity: Reordering Looking Relations and the Male Gaze -- The Look of Lack: Brokeback Mountain and the Castrating Patriarchal Gaze -- Transmasculine Subjectivity and the Unknowing Male Gaze: Boys Don't Cry
001448675 506__ $$aAccess limited to authorized users.
001448675 520__ $$aThis book shows how diverse, critical modern world narratives in prose fiction and film emphasize masculine subjectivities through affects and ethics. Highlighting diverse affects and mental states in subjective voices and modes, modern narratives reveal men as feeling, intersubjective beings, and not as detached masters of master narratives. Modern novels and films suggest that masculine subjectivities originate paradoxically from a combination of copying and negation, surplus and lack, sameness and alterity: among fathers and sons, siblings and others. In this comparative study of more than 30 diverse world narratives, Mooney deftly uses psychoanalytic thought, narrative theories of first- and third-person narrators, and Levinasian and feminist ethics of care, creativity, honor, and proximity. We gain a nuanced picture of diverse postpaternal postgentlemen emerging out of older character structures of the knight and gentleman. Susan Mooney, professor of Comparative Literature at the University of South Florida, USA, is author of The Artistic Censoring of Sexuality: Fantasy and Judgment in the Twentieth-Century Novel (2008).
001448675 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed August 22, 2022).
001448675 650_0 $$aMasculinity in literature.
001448675 650_0 $$aMasculinity in motion pictures.
001448675 650_0 $$aSubjectivity.
001448675 655_0 $$aElectronic books.
001448675 77608 $$iPrint version:$$z3030991458$$z9783030991456$$w(OCoLC)1302575583
001448675 852__ $$bebk
001448675 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-99146-3$$zOnline Access$$91397441.1
001448675 909CO $$ooai:library.usi.edu:1448675$$pGLOBAL_SET
001448675 980__ $$aBIB
001448675 980__ $$aEBOOK
001448675 982__ $$aEbook
001448675 983__ $$aOnline
001448675 994__ $$a92$$bISE