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Introduction
Cold War Cinema and the Traumatic Turn in Europe
The Holocaust and Screen Memories of the Soviet and Post-Soviet Cinema
The Conflict of Photographic and Cinematographic Representations of War in Soviet Lithuania
The Architecture of Lingering War in Everyday Life: Photography and the Double Time of Military Apparatus
The Erasure of War Crimes and their Visualisation in Post-Soviet Eastern European Cinema
In Between Hauntology and Representation: Spectres of War in Sergei Loznitsa's Reflections and Deimantas Narkevičius' Legend Coming True
Vision Machine and Modern Warfare: Visualising Invisible Powers of Images in Harun Farocki and Hito Steyerl's Films
From Sites of Atrocities to Films of Death and Vice Versa.

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