The festival cities of Edinburgh and Adelaide / Sarah Thomasson.
2022
NX420
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Title
The festival cities of Edinburgh and Adelaide / Sarah Thomasson.
Author
ISBN
9783031090943 (electronic bk.)
3031090942 (electronic bk.)
9783031090936
3031090934
3031090942 (electronic bk.)
9783031090936
3031090934
Published
Cham, Switzerland : Palgrave Macmillan, 2022.
Language
English
Description
1 online resource (1 volume) : illustrations (black and white).
Item Number
10.1007/978-3-031-09094-3 doi
Call Number
NX420
Dewey Decimal Classification
700.744134
Summary
The Festival Cities of Edinburgh and Adelaide examines how these cities world-famous arts events have shaped and been shaped by their long-term interaction with their urban environments. While the Edinburgh International Festival and Adelaide Festival are long-established, prestigious events that champion artistic excellence, they are also accompanied by the two largest open-access fringe festivals in the world. It is this simultaneous staging of multiple events within Edinburghs Summer Festivals and Adelaides Mad March that generates the visibility and festive atmosphere popularly associated with both places. Drawing on perspectives from theatre studies and cultural geography, this book interrogates how the Festival City, as a place myth, has developed in the very different local contexts of Edinburgh and Adelaide, and how it is challenged by groups competing for the right to use and define public space. Each chapter examines a recent performative event in which festival debates and controversies spilled out beyond the festival space to activate the public sphere by intersecting with broader concerns and audiences. This book forges an interdisciplinary, comparative framework for festival studies to interrogate how festivals are embedded in the social and political fabric of cities and to assess the cultural impact of the festivalisation phenomenon. Sarah Thomasson is Lecturer in Theatre at Te Herenga Waka Victoria University of Wellington in Wellington, Aotearoa New Zealand. Her research interests include international arts festivals, space and place in performance, contemporary feminist performance, and digital research methods for theatre.
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Includes index.
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Table of Contents
Chapter 1: Introduction: The Festival Cities of Edinburgh and Adelaide
Chapter 2: The Place Myth of the Festival City
Chapter 3: Culture Wars: The Festivalisation of Public Space
Chapter 4: Entrepreneurialism on the Fringe
Chapter 5: Performing Nation: Revisionist Histories on the World Stage
Chapter 6: Conclusion: Looking Beyond the Pandemic.
Chapter 2: The Place Myth of the Festival City
Chapter 3: Culture Wars: The Festivalisation of Public Space
Chapter 4: Entrepreneurialism on the Fringe
Chapter 5: Performing Nation: Revisionist Histories on the World Stage
Chapter 6: Conclusion: Looking Beyond the Pandemic.