@article{1449100,
      author = {Jackson, Penelope,},
      url = {http://library.usi.edu/record/1449100},
      title = {The art of copying art /},
      abstract = {This book is a study of the history, role and significance  of copying art. Copies have enjoyed a different status from  authentic artworks and though often acknowledged, very  rarely have they been considered collectively as a genre in  their own right. This volume showcases a variety of  examplesfrom copies of famous artworks made and used as  props in movies to those made innocently by student artists  as part of their training. Examining the motivations for  making copies, and reflecting on the reception of copies,  is central to this book. Copies have historically filled  voids in collections, where some sadly languish, and have  become a curatorial burden. In other cases, having a copy  assists in conservation projects and fills the place of a  lost work. Ultimately by interrogating a copys role and  intent we might ask ourselves if viewing a copy changes our  experience and perception of an artwork. Penelope Jackson  is a former public art gallery curator and director.  Jackson is the chair of the New Zealand Art Crime Research  Trust. She is the author of Art Thieves, Fakers &  Fraudsters: The New Zealand Story (2016), Females in the  Frame: Women, Art, and Crime (Palgrave, 2019) and has  contributed to Art Crime and its Prevention (2016) and the  Journal of Art Crime. In 2020 she was the recipient of a  University of Auckland/Michael King Writers Centre  Residency.},
      doi = {https://doi.org/10.1007/978-3-030-88915-9},
      recid = {1449100},
      pages = {1 online resource},
}