001449423 000__ 04631cam\a2200517\a\4500 001449423 001__ 1449423 001449423 003__ OCoLC 001449423 005__ 20230310004359.0 001449423 006__ m\\\\\o\\d\\\\\\\\ 001449423 007__ cr\un\nnnunnun 001449423 008__ 220910s2022\\\\sz\\\\\\o\\\\\000\0\eng\d 001449423 019__ $$a1344154999 001449423 020__ $$a9783031095320$$q(electronic bk.) 001449423 020__ $$a3031095324$$q(electronic bk.) 001449423 020__ $$z9783031095313 001449423 020__ $$z3031095316 001449423 0247_ $$a10.1007/978-3-031-09532-0$$2doi 001449423 035__ $$aSP(OCoLC)1344160165 001449423 040__ $$aEBLCP$$beng$$cEBLCP$$dGW5XE$$dYDX$$dN$T$$dOCLCF$$dUKAHL$$dOCLCQ 001449423 049__ $$aISEA 001449423 050_4 $$aML3790 001449423 08204 $$a338.4/778$$223/eng/20220919 001449423 24500 $$aRethinking the music business:$$bmusic contexts, rights, data, and COVID-19 /$$cGuy Morrow, Daniel NordgÄrd, Peter Tschmuck, editors. 001449423 260__ $$aCham :$$bSpringer,$$c2022. 001449423 300__ $$a1 online resource. 001449423 4901_ $$aMusic Business Research 001449423 5050_ $$a1. Introduction -- Part I: The Impact of the COVID-19 Pandemic on the Music Business -- 2. Losing Work, Losing Purpose: Representations of Musicians Mental Health in the Time of COVID-19 -- 3. The Impact of the COVID-19 Pandemic on the Incomes of Freelance Classical Musicians in Austria -- 4. Digital Transformation in the Music Industry: How the COVID-19 Pandemic Has Accelerated New Business Opportunities -- 5. Social Capitalising the COVID-19 Pandemic: A Portrait of Three Zimbabwean Female Musicians -- 6. The Shape of Clubs to Come: Exploring the Pandemics Impact on Live Music Venues in Germany -- 7. Jazz Festivals in the Time of COVID-19: Exploring Exposed Fragilities, Community Resilience and Industry Recovery -- Part II: The Music Business in General -- 8. Straight Outta Mumbai: Exploring Informality and Innovation in Dharavis Hip-Hop Industry -- 9. Optimisation of Musical Distribution in Streaming Services: Third-Party Playlist Promotion and Algorithmic Logics of Distribution -- 10. The Music Modernization Act: Mechanical Copyright in the Age of Music Streaming -- 11. Musical Aspirations and DIY/DIO Practices in Online Communities of Amateur Independent Filipino Songwriters -- 12. Market Readiness for the Digital Music Industries: A Case Study of Independent Artists -- 13. The Changing Role and Function of Music Charts in the Contemporary Music Economy. 001449423 506__ $$aAccess limited to authorized users. 001449423 520__ $$aCOVID-19 had a global impact on health, communities, and the economy. As a result of COVID-19, music festivals, gigs, and events were canceled or postponed across the world. This directly affected the incomes and practices of many artists and the revenue for many entities in the music business. Despite this crisis, however, there are pre-existing trends in the music business the rise of the streaming economy, technological change (virtual and augmented reality, blockchain, etc.), and new copyright legislation. Some of these trends were impacted by the COVID-19 crisis while others were not. This book addresses these challenges and trends by following a two-pronged approach: the first part focuses on the impact of COVID-19 on the music business, and the second features general perspectives. Throughout both parts, case studies bring various themes to life. The contributors address issues within the music business before and during COVID-19. Using various critical approaches for studying the music business, this research-based book addresses key questions concerning music contexts, rights, data, and COVID-19. Rethinking the music business is a valuable study aid for undergraduate and postgraduate students in subjects including the music business, cultural economics, cultural management, creative and cultural industries studies, business and management studies, and media and communications. . 001449423 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed September 19, 2022). 001449423 647_7 $$aCOVID-19 Pandemic$$d(2020-)$$2fast$$0(OCoLC)fst02024716 001449423 650_0 $$aMusic trade. 001449423 650_0 $$aCOVID-19 Pandemic, 2020-$$xInfluence. 001449423 650_0 $$aCopyright$$xMusic. 001449423 655_0 $$aElectronic books. 001449423 7001_ $$aMorrow, Guy. 001449423 7001_ $$aNordgÄrd, Daniel. 001449423 7001_ $$aTschmuck, Peter. 001449423 77608 $$iPrint version:$$aMorrow, Guy$$tRethinking the Music Business$$dCham : Springer International Publishing AG,c2022$$z9783031095313 001449423 830_0 $$aMusic business research. 001449423 852__ $$bebk 001449423 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-09532-0$$zOnline Access$$91397441.1 001449423 909CO $$ooai:library.usi.edu:1449423$$pGLOBAL_SET 001449423 980__ $$aBIB 001449423 980__ $$aEBOOK 001449423 982__ $$aEbook 001449423 983__ $$aOnline 001449423 994__ $$a92$$bISE