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Table of Contents
Power and Policies in and by the Arts-Introduction
Part I Establishing and De-Establishing Power in the Arts
Repurposing the Black Arts Movement on the South Side of Chicago
The ArtReview's Power 100: On the Concept and the Constitution of Power in Contemporary Art
How Organisations Exercise Power Through Peer Review: A Case Study from Contemporary Art Music
Art Perception and Power. A Plea for Relational Sociological Aesthetics
Art Organisations and Their Visitors. About Standardisation Methods of Non-members
Part II The arts and the power of social structures
Equality, History, Tradition: Gender-Political Issues in the Oxford Collegiate Choral Scene
"When She Talks, I Hear the Revolution": Pop Feminism
Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artistic Fields and Visual Culture
On the History of the Blues in the Field of Music Production in the United States Beginning in the 20th Century: A Field Theoretical Approach
"It's Almost like Greeting"
Artistic Development Projects and Value Making of Traditional Art Practices in Ugandan Civil Society
Part III The Arts and the Dominance of Politics and Economic Order
Art Politics' Tendencies of the Documenta Exhibition Series
The Aesthetic Subversion of Cultural Posters
Examples from the Former People's Republic of Poland
"The Dead are Coming". Contemporary Interventionist Art, Political Beauty, and the Power of Reason
Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration
Who Plays? an Analysis of Musicians' Global Mobility in the World Music Market.
Part I Establishing and De-Establishing Power in the Arts
Repurposing the Black Arts Movement on the South Side of Chicago
The ArtReview's Power 100: On the Concept and the Constitution of Power in Contemporary Art
How Organisations Exercise Power Through Peer Review: A Case Study from Contemporary Art Music
Art Perception and Power. A Plea for Relational Sociological Aesthetics
Art Organisations and Their Visitors. About Standardisation Methods of Non-members
Part II The arts and the power of social structures
Equality, History, Tradition: Gender-Political Issues in the Oxford Collegiate Choral Scene
"When She Talks, I Hear the Revolution": Pop Feminism
Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artistic Fields and Visual Culture
On the History of the Blues in the Field of Music Production in the United States Beginning in the 20th Century: A Field Theoretical Approach
"It's Almost like Greeting"
Artistic Development Projects and Value Making of Traditional Art Practices in Ugandan Civil Society
Part III The Arts and the Dominance of Politics and Economic Order
Art Politics' Tendencies of the Documenta Exhibition Series
The Aesthetic Subversion of Cultural Posters
Examples from the Former People's Republic of Poland
"The Dead are Coming". Contemporary Interventionist Art, Political Beauty, and the Power of Reason
Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration
Who Plays? an Analysis of Musicians' Global Mobility in the World Music Market.