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001449634 001__ 1449634
001449634 003__ OCoLC
001449634 005__ 20230310004410.0
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001449634 019__ $$a1344324761$$a1344539623
001449634 020__ $$a9783031074028$$q(electronic bk.)
001449634 020__ $$a3031074025$$q(electronic bk.)
001449634 020__ $$z9783031074011
001449634 020__ $$z3031074017
001449634 0247_ $$a10.1007/978-3-031-07402-8$$2doi
001449634 035__ $$aSP(OCoLC)1345243896
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001449634 08204 $$a851/.1$$223/eng/20220920
001449634 1001_ $$aCelli, Andrea,$$eauthor.$$1https://isni.org/isni/0000000120369372
001449634 24510 $$aDante and the Mediterranean Comedy :$$bfrom Muslim Spain to post-colonial Italy /$$cAndrea Celli.
001449634 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022.
001449634 300__ $$a1 online resource :$$billustrations (color).
001449634 336__ $$atext$$btxt$$2rdacontent
001449634 337__ $$acomputer$$bc$$2rdamedia
001449634 338__ $$aonline resource$$bcr$$2rdacarrier
001449634 4901_ $$aThe new Middle Ages
001449634 504__ $$aIncludes bibliographical references and index.
001449634 5050_ $$a1. Introduction: A Mediterranean Comedy -- Part I. History of Criticism -- 2. A Post-Colonial Comedy: Enrico Cerulli on Dante -- 3. Beyond Good and Evil? More on Cerulli and Italian Orientalism -- Part II. Exercises in Criticism -- 4. Exposing Maomettos Contrapasso: The Arabic Sources from Spain and the Early Commentators on the Commedia -- 5. A Transreligious Hell: Dante in the Prisons of the Inquisition in Palermo -- 6. The City Lament: Mediterranean Microecologies of Courtly Love -- 7. Conclusion: A Sea of Differences.
001449634 506__ $$aAccess limited to authorized users.
001449634 520__ $$aIn recent decades the concept of Mediterranean has been cited with increasing frequency in relation to the study of medieval literatures. And yet, in what sense would Dantes Comedy be Mediterranean? Is it because of its Greek-Arabic and Islamic sources? Dante and the Mediterranean Comedy analyzes the ideological function of references to the sea in the study of the Comedy undertaken by Enrico Cerulli, a scholar of Somali-Ethiopian languages, and a colonial governor of Italian East Africa. Then it presents novel lines of inquiry on the reception and appropriation of the poem, such as the presence of Islamic sources in early commentaries of the Comedy, and cross-cultural allusions to Dantes Hell in some graffiti on the walls of the Spanish Inquisition prison in Palermo. The image of the Mediterranean that seeps through the poem and through the history of its circulation is vivid yet hardly idyllic. Andrea Celli is Associate Professor of Italian and Mediterranean Studies at the University of Connecticut, USA.
001449634 588__ $$aDescription based on print version record.
001449634 60000 $$aDante Alighieri,$$d1265-1321.$$tDivina commedia.
001449634 650_0 $$aIslamic eschatology in literature.
001449634 651_0 $$aMediterranean Region$$xIn literature.
001449634 655_0 $$aElectronic books.
001449634 77608 $$iPrint version:$$aCelli, Andrea.$$tDante and the Mediterranean Comedy.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783031074011$$w(OCoLC)1334137154
001449634 830_0 $$aNew Middle Ages (Palgrave Macmillan (Firm))
001449634 852__ $$bebk
001449634 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-07402-8$$zOnline Access$$91397441.1
001449634 909CO $$ooai:library.usi.edu:1449634$$pGLOBAL_SET
001449634 980__ $$aBIB
001449634 980__ $$aEBOOK
001449634 982__ $$aEbook
001449634 983__ $$aOnline
001449634 994__ $$a92$$bISE