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001449637 001__ 1449637
001449637 003__ OCoLC
001449637 005__ 20230310004410.0
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001449637 008__ 220920s2022\\\\sz\a\\\\o\\\\\000\0\eng\d
001449637 019__ $$a1344324113$$a1344541694
001449637 020__ $$a9783030868659$$q(electronic bk.)
001449637 020__ $$a3030868656$$q(electronic bk.)
001449637 020__ $$z9783030868642
001449637 020__ $$z3030868648
001449637 0247_ $$a10.1007/978-3-030-86865-9$$2doi
001449637 035__ $$aSP(OCoLC)1345244323
001449637 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dYDX$$dEBLCP$$dOCLCF$$dOCLCQ
001449637 049__ $$aISEA
001449637 050_4 $$aN8790
001449637 08204 $$a702.8/74$$223/eng/20220920
001449637 24500 $$aAnalytical chemistry for the study of paintings and the detection of forgeries /$$cMaria Perla Colombini, Ilaria Degano, Austin Nevin, editors.
001449637 264_1 $$aCham, Switzerland :$$bSpringer,$$c2022.
001449637 300__ $$a1 online resource :$$billustrations (black and white, and color).
001449637 336__ $$atext$$btxt$$2rdacontent
001449637 337__ $$acomputer$$bc$$2rdamedia
001449637 338__ $$aonline resource$$bcr$$2rdacarrier
001449637 4901_ $$aCultural heritage science
001449637 5050_ $$aPart I Approaches to the authentication of works of art -- The Eye versus Chemistry? From 20th to 21st Century Connoisseurship -- Scientific Study, Condition Challenges, and Attribution Questions in Yves Tanguys Oeuvre -- Analytical Approaches to the analysis of paintings: an overview of methods and materials -- Part II Characterization of paintings by digital techniques -- Visible and Infrared Reflectance Imaging Spectroscopy of Paintings and Works on Paper -- Automated Analysis of Drawings at the Stroke Level for Attribution and Authentication using Artificial Intelligence -- Part III Material Characterization of paintings by instrumental techniques -- Analytical pyrolysis of organic paint materials for authentication and attribution -- Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint -- Luminescence for the analysis of paintings; A. Nevin -- Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques -- Raman analysis of inorganic and organic pigments -- Non-invasive and non-destructive examination of artists pigments, paints and paintings by means of X-ray imaging methods -- Microchemical Imaging of Oil Paint Composition and Degradation: State-of-the-Art and Future Prospects -- Part V Isotopic analysis for authentication -- Dating of artwork by radiocarbonjdas -- Lead Isotope ratios of lead white: from provenance to authentication.-Part V Case studies -- The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: Selected case studies -- Approaches to Current Issues with Art Forgery, Restoration and Conservation: Legal and Scientific Perspectives.
001449637 506__ $$aAccess limited to authorized users.
001449637 520__ $$aForgeries present a daunting problem to art historians, museums, galleries and curators who face challenges in determining the authenticity of paintings. Recent progress in science has led to the development of new methods for investigating works of art, and can provide new insights into the materials found in paintings. The rise in the value of paintings together with the knowledge and skills of forgers highlights the need to develop reliable scientific procedures to identify fakes. Given the complexity of materials in paintings and the convergence of various disciplines, a methodological approach for investigations of paintings is based on art historical, curatorial, aesthetic, technical and scientific evaluation. In this book sophisticated digital and analytical techniques are reviewed for the identification of materials (pigments, binders, varnishes, adhesives) and the physical characteristics of paintings such as brushstrokes, craquelure and canvas weaves. This book presents an updated overview of both non-invasive and micro-invasive techniques that enable the material characterization of paintings. The materials constituting a painting are reviewed, as are ways that changes in materials over time can provide insights into chronology and physical history. State-of the art digital metods including multi and hyper-spectral imaging and computational approaches to data treatment will be presented. Analytical techniques developed and optimized to characterize binders, varnishes, and pigments are reviewed, focusing on materials which can provide information on ageing or provenance. Case studies of applications of synchrotron-based methods and the analysis of paintings are given, as are chapters devoted to legal aspects related to authenticity. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
001449637 588__ $$aDescription based on print version record.
001449637 650_0 $$aArt$$xForgeries.
001449637 650_0 $$aAnalytical chemistry.
001449637 650_0 $$aArt and science.
001449637 655_0 $$aElectronic books.
001449637 7001_ $$aColombini, Maria Perla,$$eeditor.$$1https://isni.org/isni/0000000056126834
001449637 7001_ $$aDegano, Ilaria,$$eeditor.
001449637 7001_ $$aNevin, Austin,$$d1978-$$eeditor.$$1https://isni.org/isni/0000000390675820
001449637 77608 $$iPrint version:$$tAnalytical chemistry for the study of paintings and the detection of forgeries.$$dCham : Springer, 2022$$z9783030868642$$w(OCoLC)1295112331
001449637 830_0 $$aCultural heritage science (Springer (Firm))
001449637 852__ $$bebk
001449637 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-86865-9$$zOnline Access$$91397441.1
001449637 909CO $$ooai:library.usi.edu:1449637$$pGLOBAL_SET
001449637 980__ $$aBIB
001449637 980__ $$aEBOOK
001449637 982__ $$aEbook
001449637 983__ $$aOnline
001449637 994__ $$a92$$bISE