001449826 000__ 03751cam\a2200577\i\4500
001449826 001__ 1449826
001449826 003__ OCoLC
001449826 005__ 20230310004420.0
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001449826 007__ cr\cn\nnnunnun
001449826 008__ 220927s2022\\\\sz\\\\\\ob\\\\001\0\eng\d
001449826 020__ $$a3031038983$$qelectronic book
001449826 020__ $$a9783031038983$$q(electronic bk.)
001449826 020__ $$z9783031038976
001449826 020__ $$z3031038975
001449826 0247_ $$a10.1007/978-3-031-03898-3$$2doi
001449826 035__ $$aSP(OCoLC)1346081344
001449826 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dYDXIT$$dN$T$$dUKAHL$$dOCLCQ$$dOCL
001449826 0411_ $$aeng$$hita
001449826 043__ $$ae-it---
001449826 049__ $$aISEA
001449826 050_4 $$aPQ4084$$b.B73 2022
001449826 08204 $$a850.9006$$223/eng/20220927
001449826 1001_ $$aBraida, Lodovica,$$eauthor.$$1https://isni.org/isni/000000011020382X
001449826 24010 $$aAutore assente.$$lEnglish
001449826 24510 $$aAnonymity in eighteenth-century Italian publishing :$$bthe absent author /$$cLodovica Braida.
001449826 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2022]
001449826 300__ $$a1 online resource (xi, 222 pages).
001449826 336__ $$atext$$btxt$$2rdacontent
001449826 337__ $$acomputer$$bc$$2rdamedia
001449826 338__ $$aonline resource$$bcr$$2rdacarrier
001449826 4901_ $$aNew directions in book history
001449826 504__ $$aIncludes bibliographical references and index.
001449826 5050_ $$a1 Introduction. The Absent Author: Functions and Uses of Anonymous Authorship -- Chapter 2 The Ambiguities of the "Author Function" -- Chapter 3 Anonymity in Travel Books -- Chapter 4 Giuseppe Parini: Between Anonymity and Revealing the Authors Name -- Chapter 5 Carlo Goldoni and the Construction of Authorship -- Chapter 6 Novels: Read Them and Forget Them.
001449826 506__ $$aAccess limited to authorized users.
001449826 520__ $$aThis book focuses on the different forms in which authorship came to be expressed in eighteenth-century Italian publishing. It analyses both the affirmation of the "author function", and, above all, its paradoxical opposite: the use of anonymity, a centuries-old practice present everywhere in Europe but often neglected by scholarship. The reasons why authors chose to publish their works anonymously were manifold, including prudence, fear of censorship, modesty, fear of personal criticism, or simple divertissement. In many cases, it was an ethical choice, especially for ecclesiastics. The Italian case provides a key perspective on the study of anonymity in the European context, contributing to the analysis of an overlooked topic in academic studies. Lodovica Braida is Professor of History of the Book at the University of Milan, Italy. Her work is devoted to the history of written culture and reading practices in early modern Europe, particularly in Italy, in a perspective of sociocultural history that dialogues with bibliography, literary criticism, and intellectual history.
001449826 588__ $$aDescription based on online resource; title from digital title page (viewed on October 24, 2022).
001449826 650_0 $$aItalian literature$$y18th century$$xHistory and criticism.
001449826 650_0 $$aAnonymous writings, Italian$$y18th century$$xHistory and criticism.
001449826 650_0 $$aPublishers and publishing$$zItaly$$xHistory$$y18th century.
001449826 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001449826 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001449826 655_0 $$aElectronic books.
001449826 77608 $$iPrint version:$$aBraida, Lodovica.$$tAnonymity in eighteenth century Italian publishing.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783031038976$$w(OCoLC)1328012259
001449826 830_0 $$aNew directions in book history.
001449826 852__ $$bebk
001449826 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-03898-3$$zOnline Access$$91397441.1
001449826 909CO $$ooai:library.usi.edu:1449826$$pGLOBAL_SET
001449826 980__ $$aBIB
001449826 980__ $$aEBOOK
001449826 982__ $$aEbook
001449826 983__ $$aOnline
001449826 994__ $$a92$$bISE