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001449907 001__ 1449907
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001449907 019__ $$a1345215265
001449907 020__ $$a9783031045684$$q(electronic bk.)
001449907 020__ $$a3031045688$$q(electronic bk.)
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001449907 0247_ $$a10.1007/978-3-031-04568-4$$2doi
001449907 035__ $$aSP(OCoLC)1346251682
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001449907 050_4 $$aPB1306
001449907 08204 $$a820.99415$$223/eng/20220929
001449907 24500 $$aScreening contemporary Irish fiction and drama /$$cMarc C. Conner, Julie Grossman, R. Barton Palmer, editors.
001449907 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022.
001449907 300__ $$a1 online resource (1 volume) :$$billustrations (colour).
001449907 336__ $$atext$$btxt$$2rdacontent
001449907 337__ $$acomputer$$bc$$2rdamedia
001449907 338__ $$aonline resource$$bcr$$2rdacarrier
001449907 4901_ $$aPalgrave studies in adaptation and visual culture
001449907 5050_ $$aChapter 1: Introduction -- Chapter 2: Filming Global Ireland: Roddy Doyles The Commitments -- Chapter 3: The Riddle of the Models of John Carneys Sing Street (2016) -- Chapter 4: The Women Incarnate of Words Upon the Window Pane -- Chapter 5: Mouth Not Eye: Neil Jordans Adaptation of Becketts Not I -- Chapter 6: Re: Imagining Ulysses -- Chapter 7: One Beetle Recognizes Another: translation, transformation, transgression in Cartoon Saloons film The Secret of Kells -- Chapter 8: Bad Das: Rewriting Fatherhood in Breakfast on Pluto -- Chapter 9: What Richard Did: Sort of Adapting Irish History -- Chapter 10: Plagues of Silence: Adaptation and Agency in Colm Toibins and John Crowleys Brooklyns -- Chapter 11: The Program, Seven Deadly Sins, and Stephen Frears -- Chapter 12: An Un-retrieval Sacrificial/Penitent Sensibility in the Diasporic Films of John Michael and Martin McDonagh -- Chapter 13: How should we remember what happened?: Cultural Representations of Institutional Abuse in Jim Sheridans The Secret Scripture.
001449907 506__ $$aAccess limited to authorized users.
001449907 520__ $$aIn this book, each chapter explores significant Irish texts in their literary, cultural, and historical contexts. With an introduction that establishes the multiple critical contexts for Irish cinema, literature, and their adaptive textual worlds, the volume addresses some of the most popular and important late 20th-Century and 21st Century works that have had an impact on the Irish and global cinema and literary landscape. A remarkable series of acclaimed and profitable domestic productions during the past three decades has accompanied, while chronicling, Irelands struggle with self-identity, national consciousness, and cultural expression, such that the story of contemporary Irish cinema is in many ways the story of the young nations growth pains and travails. Whereas Irish literature had long stood as the nations foremost artistic achievement, it is not too much to say that film now rivals literature as Irelands key form of cultural expression. The proliferation of successful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has undergone radical change during the past three decades. This present volume is the first to present a collective accounting of that productive synergy, which has seen so much of contemporary Irish literature transferred to the screen. Marc C. Conner is the President of Skidmore College in Saratoga Springs, New York, USA, where he is also professor of English. Julie Grossman is Professor of English and Communication and Film Studies at Le Moyne College, USA. R. Barton Palmer is the Calhoun Lemon Professor of Literature emeritus at Clemson University, USA, where he taught from 1995-2019.
001449907 588__ $$aDescription based on print version record.
001449907 650_0 $$aIrish literature$$xFilm adaptations.
001449907 650_0 $$aMotion pictures$$zIreland.
001449907 655_7 $$aFilm adaptations.$$2fast$$0(OCoLC)fst01710491
001449907 655_0 $$aElectronic books.
001449907 7001_ $$aConner, Marc C.,$$d1965-$$eeditor.$$1https://isni.org/isni/0000000117661030
001449907 7001_ $$aGrossman, Julie,$$d1962-$$eeditor.$$1https://isni.org/isni/0000000078888784
001449907 7001_ $$aPalmer, R. Barton,$$d1946-$$eeditor.$$1https://isni.org/isni/000000012144803X
001449907 77608 $$iPrint version:$$tScreening contemporary Irish fiction and drama.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783031045677$$w(OCoLC)1338687312
001449907 830_0 $$aPalgrave studies in adaptation and visual culture.
001449907 852__ $$bebk
001449907 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-04568-4$$zOnline Access$$91397441.1
001449907 909CO $$ooai:library.usi.edu:1449907$$pGLOBAL_SET
001449907 980__ $$aBIB
001449907 980__ $$aEBOOK
001449907 982__ $$aEbook
001449907 983__ $$aOnline
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