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001450047 001__ 1450047
001450047 003__ OCoLC
001450047 005__ 20230310004505.0
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001450047 008__ 221007s2022\\\\enka\\\\o\\\\\000\0\eng\d
001450047 020__ $$a9781137477552$$q(electronic bk.)
001450047 020__ $$a1137477555$$q(electronic bk.)
001450047 020__ $$z9781137477545
001450047 0247_ $$a10.1057/978-1-137-47755-2$$2doi
001450047 035__ $$aSP(OCoLC)1346983420
001450047 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dN$T$$dOCLCF$$dOCLCQ
001450047 049__ $$aISEA
001450047 050_4 $$aPN1590.A9
001450047 08204 $$a792.01$$223/eng/20221007
001450047 1001_ $$aZerihan, Rachel,$$eauthor.
001450047 24514 $$aThe cultural politics of one-to-one performance :$$bstrange duets /$$cby Rachel Zerihan.
001450047 264_1 $$aLondon :$$bPalgrave Macmillan,$$c2022.
001450047 300__ $$a1 online resource (xii, 211 pages) :$$billustrations (chiefly color)
001450047 336__ $$atext$$btxt$$2rdacontent
001450047 337__ $$acomputer$$bc$$2rdamedia
001450047 338__ $$aonline resource$$bcr$$2rdacarrier
001450047 5050_ $$a1 Introduction: To Open -- 2 Contextual Configurations: Grounding Historical, Conceptual and Political Roots of One-to-One Performance -- 3 Empathetic Orientations in One-to-One Performance: Cathartic Modes of Engagement -- 4 One-to-One Performance in the Public Sphere: Socio-spatial Frames of Encounter -- 5 Intercourse Discourse in One-to-One Performance: Explicit Approaches to Interaction -- 6 Clubbing, Consuming, Cruising: Curatorial Responsibility in One-to-One Performance -- 7 Conclusion: True Stories.
001450047 506__ $$aAccess limited to authorized users.
001450047 520__ $$aThis monograph is the first study to critically examine works of performance made for an audience of one. Despite being a prolific feature of the performance scene since the turn of the millennium, critical writing about this area of contemporary practice remains scarce. This book proposes a genealogy of the curious relationship between solo performer and lone spectator through lineages in the histories of live art, visual art and theatre practices. Drawing on one-to-one performances by artists including Marilyn Arsem, Oreet Ashery, Franko B, Rosana Cade, Jess Dobkin, Karen Finley, David Hoyle, Adrian Howells, Kira O'Reilly, Barbara T Smith and Julie Tolentino, Rachel Zerihan produces research that is both affective and critical. This performance analysis proposes four frameworks through which to examine the significance and challenge of this work: cathartic, social, explicit and economic. One-to-one performance is proposed as a rich portal for examining the cultural politics of contemporary society. The book will appeal to students and scholars from performance studies, theatre, visual art and cultural studies. Rachel Zerihan is a writer and researcher who has taught extensively in higher education and is currently training to become a Child and Adolescent Psychotherapist. She has published widely and is co-editor of a Special Edition of Performing Ethos Journal on 'Ethics in One-to-One Performance' (2014), Intimacy Across Visceral and Digital Performance (Palgrave Macmillan, 2012) and Interfaces of Performance (2009).
001450047 588__ $$aPublisher supplied information.
001450047 650_0 $$aPerforming arts$$xAudiences.
001450047 650_0 $$aEntertainers.
001450047 650_0 $$aPerforming arts$$xSocial aspects.
001450047 655_0 $$aElectronic books.
001450047 852__ $$bebk
001450047 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1057/978-1-137-47755-2$$zOnline Access$$91397441.1
001450047 909CO $$ooai:library.usi.edu:1450047$$pGLOBAL_SET
001450047 980__ $$aBIB
001450047 980__ $$aEBOOK
001450047 982__ $$aEbook
001450047 983__ $$aOnline
001450047 994__ $$a92$$bISE