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Table of Contents
1. Introduction
2. Research-based art practices: Context and framework
3. Birth of a new art language
4. The artist-researcher
5. The artist producer of knowledge: cultural activism in Tiffany Chungs The Vietnam Exodus Project (2009- )
6. Reactivating mythologies in Wah Nu and Tun Win Aungs The Name series (2008- )
7. Beyond the artists discourse: implicit and sensuous knowledge in Khvay Samnangs Preah Kunlong (2017)
8. Emancipatory modes of knowledge production in Ho Tzu Nyens The Critical Dictionary of Southeast Asia (2003/2012- ongoing)
9. Conclusion. .
2. Research-based art practices: Context and framework
3. Birth of a new art language
4. The artist-researcher
5. The artist producer of knowledge: cultural activism in Tiffany Chungs The Vietnam Exodus Project (2009- )
6. Reactivating mythologies in Wah Nu and Tun Win Aungs The Name series (2008- )
7. Beyond the artists discourse: implicit and sensuous knowledge in Khvay Samnangs Preah Kunlong (2017)
8. Emancipatory modes of knowledge production in Ho Tzu Nyens The Critical Dictionary of Southeast Asia (2003/2012- ongoing)
9. Conclusion. .