TY - GEN AB - This book presents the history of the Council for the Encouragement of Music and the Arts (CEMA) in Northern Ireland from its conception in 1943, and its successor organisation, the Arts Council of Northern Ireland (ACNI). Exploring the political and social impact of cultural policy in Northern Ireland, the book illustrates how the arts developed during the twentieth century and sheds light on the relationship between politics and culture. The author takes a closer look at the responsibilities of ACNI, and examines its interaction with the unionist government, which sought to influence how the organisation distributed its grants. Spanning the outbreak of the Troubles in the 1960s and the Peace Process in the 1990s, the ACNI evolved through a period of conflict and change, and therefore this book argues that there was an undeniable link between the changing political environment and the management of the arts in Northern Ireland. The arms length principle is analysed in relation to ACNI, examining the influence that the state had upon its management and governance. Offering a unique historical overview of the arts in Northern Ireland, this interdisciplinary book fills a gap in Irish history and presents insights into cultural policy, conflict resolution and political history. Lara Cuny is Associate Professor at Aix-Marseille University, France. Previously she taught classes on Irish and British history at Sorbonne Nouvelle University, Paris. AU - Cuny, Lara, CN - DA990.U46 DO - 10.1007/978-3-031-13409-8 DO - doi ID - 1450474 LK - https://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-13409-8 N1 - Includes index. N2 - This book presents the history of the Council for the Encouragement of Music and the Arts (CEMA) in Northern Ireland from its conception in 1943, and its successor organisation, the Arts Council of Northern Ireland (ACNI). Exploring the political and social impact of cultural policy in Northern Ireland, the book illustrates how the arts developed during the twentieth century and sheds light on the relationship between politics and culture. The author takes a closer look at the responsibilities of ACNI, and examines its interaction with the unionist government, which sought to influence how the organisation distributed its grants. Spanning the outbreak of the Troubles in the 1960s and the Peace Process in the 1990s, the ACNI evolved through a period of conflict and change, and therefore this book argues that there was an undeniable link between the changing political environment and the management of the arts in Northern Ireland. The arms length principle is analysed in relation to ACNI, examining the influence that the state had upon its management and governance. Offering a unique historical overview of the arts in Northern Ireland, this interdisciplinary book fills a gap in Irish history and presents insights into cultural policy, conflict resolution and political history. Lara Cuny is Associate Professor at Aix-Marseille University, France. Previously she taught classes on Irish and British history at Sorbonne Nouvelle University, Paris. SN - 9783031134098 SN - 3031134095 T1 - The history of the Arts Council of Northern Ireland, 1943-2016 :between the state and the arts / TI - The history of the Arts Council of Northern Ireland, 1943-2016 :between the state and the arts / UR - https://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-13409-8 ER -