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001450474 001__ 1450474
001450474 003__ OCoLC
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001450474 019__ $$a1348486713
001450474 020__ $$a9783031134098$$q(electronic bk.)
001450474 020__ $$a3031134095$$q(electronic bk.)
001450474 020__ $$z9783031134081
001450474 020__ $$z3031134087
001450474 0247_ $$a10.1007/978-3-031-13409-8$$2doi
001450474 035__ $$aSP(OCoLC)1348285590
001450474 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dGW5XE$$dEBLCP$$dOCLCF$$dUKAHL$$dOCLCQ
001450474 043__ $$ae-uk-ni
001450474 049__ $$aISEA
001450474 050_4 $$aDA990.U46
001450474 08204 $$a306.09416$$223/eng/20221102
001450474 1001_ $$aCuny, Lara,$$eauthor.
001450474 24514 $$aThe history of the Arts Council of Northern Ireland, 1943-2016 :$$bbetween the state and the arts /$$cLara Cuny.
001450474 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2022]
001450474 264_4 $$c©2022
001450474 300__ $$a1 online resource (xi, 307 pages) :$$billustrations (chiefly color)
001450474 336__ $$atext$$btxt$$2rdacontent
001450474 337__ $$acomputer$$bc$$2rdamedia
001450474 338__ $$aonline resource$$bcr$$2rdacarrier
001450474 500__ $$aIncludes index.
001450474 5050_ $$aIntro -- Contents -- Abbreviations -- List of Figures -- List of Tables -- 1 Introduction -- Evolution of the Notion of Arts -- Arts, Culture and Tradition in Northern Ireland -- Building a Gaelic Ireland -- Unionist Identity -- Cultural Policy -- Main Questions -- Notes -- Part I CEMA, from a Temporary Wartime Measure to a Permanent Institution (1939-1951) -- 2 Arts and Culture in Northern Ireland Before the Second World War -- Culture and the Authorities -- Ulster Culture, Ulster Identity -- Ulster Drama20 -- A Cultural Desert?: The Arts in the 1930s in Northern Ireland -- Notes
001450474 5058_ $$a3 Creating CEMA -- Institutional Beginning of CEMA (NI) -- 1940-1943: False Start -- 1943-1945: CEMA (Northern Ireland) -- The Arts During the War -- CEMA's Policy: Being Part of the War Effort -- A New Artistic Buoyancy -- Rise of Regionalism -- Notes -- 4 Establishing CEMA in the Political and Cultural Landscape of Northern Ireland -- CEMA (NI), Its Incorporation and the Arm's-Length Principle -- CEMA's First Steps -- The Festival of Britain -- Notes -- Part II The Evolution of CEMA/ACNI: Politics, Culture and the Arts (1950s-1960s) -- 5 The Artistic Policy of CEMA/ACNI: Educating the People
001450474 5058_ $$a"Increase Accessibility"1 -- Touring -- New Partnerships: Local Arts Committees -- New Partnerships: Local Authorities -- Social Outreach -- Criticism and Challenges -- "Improve the Standard of Execution"63 -- Declining Support for Amateur Arts -- Direct Provision of the Arts -- The Ulster Orchestra (UO) -- The Grand Opera Society (GOS) -- The Visual Arts -- The Project of a National Theatre112 -- Notes -- 6 Politics, Sectarianism and CEMA/ACNI -- The 1950s: Political Encroachment and the Arts -- The Question of the National Anthem -- The Bonefire -- Over the Bridge
001450474 5058_ $$aFrom CEMA (NI) to ACNI: Criticism of the Council -- The 1960s: The Arts and the O'Neill Government -- Greater Interest in the Arts -- The End of the "Cultural Border"77 -- Notes -- 7 A Regionalist Agenda in Northern Ireland? -- The Ulster Folk and Transport Museum -- The Ulster Museum -- Ulster Arts and CEMA/ACNI -- Notes -- 8 1968-1972, A Transition -- The Beginning of the Troubles and the Arts -- Consequences of the Crisis on Art Performances -- Arts as Community Relations: Literature and Traditional Arts -- 'Ulster 71' -- The Reform of the Arts Council -- Notes
001450474 5058_ $$aPart III Artistic Policy in a Violent Political Context (1970s-1990s) -- 9 In Times of War: A New Role for the Arts -- Conflict Resolution Theory -- Peacemaking and Peacebuilding -- Community Relations -- A New Community Relations Framework in Northern Ireland -- First and Failed Attempts at Peacebuilding -- Community Relations (1969-1975) -- Lord Melchett -- Culture and Peacebuilding -- Multiculturalism, the Anglo-Irish Agreement and Education -- From Two Traditions to Cultural Diversity -- The Community Relations Council (CRC) -- Notes -- 10 Isolationism of ACNI
001450474 506__ $$aAccess limited to authorized users.
001450474 520__ $$aThis book presents the history of the Council for the Encouragement of Music and the Arts (CEMA) in Northern Ireland from its conception in 1943, and its successor organisation, the Arts Council of Northern Ireland (ACNI). Exploring the political and social impact of cultural policy in Northern Ireland, the book illustrates how the arts developed during the twentieth century and sheds light on the relationship between politics and culture. The author takes a closer look at the responsibilities of ACNI, and examines its interaction with the unionist government, which sought to influence how the organisation distributed its grants. Spanning the outbreak of the Troubles in the 1960s and the Peace Process in the 1990s, the ACNI evolved through a period of conflict and change, and therefore this book argues that there was an undeniable link between the changing political environment and the management of the arts in Northern Ireland. The arms length principle is analysed in relation to ACNI, examining the influence that the state had upon its management and governance. Offering a unique historical overview of the arts in Northern Ireland, this interdisciplinary book fills a gap in Irish history and presents insights into cultural policy, conflict resolution and political history. Lara Cuny is Associate Professor at Aix-Marseille University, France. Previously she taught classes on Irish and British history at Sorbonne Nouvelle University, Paris.
001450474 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed November 2, 2022).
001450474 61020 $$aCouncil for the Encouragement of Music and the Arts (Northern Ireland)$$xHistory.
001450474 61020 $$aArts Council of Northern Ireland$$xHistory.
001450474 651_0 $$aNorthern Ireland$$xCultural policy.
001450474 651_0 $$aNorthern Ireland$$xHistory$$y1968-1998.
001450474 651_0 $$aNorthern Ireland$$xHistory$$y1998-
001450474 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001450474 655_0 $$aElectronic books.
001450474 77608 $$iPrint version: $$z3031134087$$z9783031134081$$w(OCoLC)1334722865
001450474 852__ $$bebk
001450474 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-13409-8$$zOnline Access$$91397441.1
001450474 909CO $$ooai:library.usi.edu:1450474$$pGLOBAL_SET
001450474 980__ $$aBIB
001450474 980__ $$aEBOOK
001450474 982__ $$aEbook
001450474 983__ $$aOnline
001450474 994__ $$a92$$bISE