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001450702 001__ 1450702
001450702 003__ OCoLC
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001450702 019__ $$a1348477330$$a1348483428
001450702 020__ $$a9783031022579$$q(electronic bk.)
001450702 020__ $$a3031022572$$q(electronic bk.)
001450702 020__ $$z9783031022159
001450702 020__ $$z3031022157
001450702 0247_ $$a10.1007/978-3-031-02257-9$$2doi
001450702 035__ $$aSP(OCoLC)1348949432
001450702 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dGW5XE$$dYDX$$dEBLCP$$dOCLCF$$dUKAHL$$dOCLCQ
001450702 049__ $$aISEA
001450702 050_4 $$aPR4611.A7
001450702 08204 $$a823/.8$$223/eng/20221028
001450702 24500 $$aAlice in Wonderland in film and popular culture /$$cAntonio Sanna, editor.
001450702 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2022]
001450702 264_4 $$c©2022
001450702 300__ $$a1 online resource (xix, 327 pages) :$$billustrations (some color).
001450702 336__ $$atext$$btxt$$2rdacontent
001450702 337__ $$acomputer$$bc$$2rdamedia
001450702 338__ $$aonline resource$$bcr$$2rdacarrier
001450702 504__ $$aIncludes bibliographical references and index.
001450702 5050_ $$aIntro -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Introduction: Alice and the Critics -- References -- Part I: Alice on the Page -- Chapter 2: A History of the Literary and Graphic Adaptations and Appropriations of Alice -- References -- Chapter 3: How Does It Taste: Eating and Drinking with Alice at the International Table -- References -- Chapter 4: Charles Lutwidge Dodgson in Wonderland: Lewis Carroll's Mythobiography and Contemporary Fiction -- References -- Chapter 5: Reflecting on Wonderland: Alice's Adventures as Metatext in the Graphic Novel -- References
001450702 5058_ $$aChapter 6: Mad World: Disillusionment and Perceived 'Madness' in Batwoman Elegy -- References -- Chapter 7: We're All Mad Here: Alice Goes to Gotham -- References -- Part II: Film Adaptations -- Chapter 8: Standing in Contrast: An Examination of Conflict and Contrast in Various Adaptations of Alice's Adventures in Wonderland -- References -- Chapter 9: Alice Gets Mathematical: Carroll, Disney, and Donald in Mathmagic Land -- References -- Chapter 10: Alice, Interrupted: Reflecting on the Changing Chronology of the Girl in Disney's Looking-Glass -- References
001450702 5058_ $$aChapter 11: Through a Darker Looking Glass: Alice's Adventures in Horrorland -- References -- Chapter 12: Alice's Evolution: Chicago 70 and the Revolutionary Awakening of Lewis Carroll's Victorian Heroine -- References -- Chapter 13: Alice's Adventures in Wondercity: 'Who am I?' Revelation of the Self and Class Consciousness in Woody Allen's Alice -- References -- Part III: Alice's Adventures in Other Media -- Chapter 14: (In)Appropriating Alice: The Neo-Victorian Sexualization of Carroll's Wonderland -- References -- Chapter 15: Alice in the City -- References
001450702 5058_ $$aWebsites: Last Accessed on 29 December 2019 -- Chapter 16: Transformations: Aimer's 'I Beg You' and Alice in Japanese Music Video -- References -- Chapter 17: Navigating the Coded Rabbit Hole: A Sociocultural Reading of American McGee's Alice Games -- References -- Chapter 18: The Immortal Hatter: Eternally Present with Alice -- References -- Chapter 19: As Above So Below? Madness and Nonsense in Alice's Adventures in Wonderland -- References -- Index
001450702 506__ $$aAccess limited to authorized users.
001450702 520__ $$aThis book examines the many reincarnations of Carrolls texts, illuminating how the meaning of the original books has been re-negotiated through adaptations, appropriations, and transmediality. The volume is an edited collection of eighteen essays and is divided into three sections that examine the re-interpretations of Alice in Wonderland and Through the Looking-Glass in literature, film, and other media (including the branches of commerce, music videos, videogames, and madness studies). This collection is an addition to the existing work on Alice in Wonderland and its sequels, adaptations, and appropriations, and helps readers to have a more comprehensive view of the extent to which the Alice story world is vast and always growing. Antonio Sanna (PhD, University of Westminster) teaches English in Sassari, Italy. He is the co-editor of the series Critical Companions to Contemporary Directors and has edited volumes on historical and fictional pirates, the last season of Twin Peaks and Welsh writer Arthur Machen.
001450702 588__ $$aDescription based on print version record.
001450702 60010 $$aCarroll, Lewis,$$d1832-1898.$$tAlice's adventures in Wonderland$$xAdaptations.
001450702 655_7 $$aAdaptations.$$2fast$$0(OCoLC)fst01423910
001450702 655_0 $$aElectronic books.
001450702 7001_ $$aSanna, Antonio,$$d1978-$$eeditor.$$1https://isni.org/isni/0000000497231779
001450702 77608 $$iPrint version:$$tAlice in Wonderland in film and popular culture.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783031022159$$w(OCoLC)1346307777
001450702 852__ $$bebk
001450702 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-02257-9$$zOnline Access$$91397441.1
001450702 909CO $$ooai:library.usi.edu:1450702$$pGLOBAL_SET
001450702 980__ $$aBIB
001450702 980__ $$aEBOOK
001450702 982__ $$aEbook
001450702 983__ $$aOnline
001450702 994__ $$a92$$bISE