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Introduction: Words at Work, Garry L. Hagberg
Part I. Wittgenstein, Austin: Meaning and Literary Performatives.-1. I am, forsooth, a layman! Flann OBrien, Wittgenstein, and the Challenge of Ordinary Language, Andrew Gaedtke
2. The Poetics of the Unpoetic: Literature, Ordinariness, and Raymond Carvers Minimalist Realism, Daniel Just
3. Bunbury Could Not Live, That Is What I Mean: Austins Performative Speech and Truth in the Case of Oscar Wilde, Luke Mueller
4. Contending with the Storm: Lears Performatives, Julian Lamb
Part II. The Case of Samuel Beckett
5. "Now I can go on!" : The Collapse of Linguistic Authority in Becketts Endgame, Greg Chase
6. Post-Apocalyptic Leftover: The Void of Language in Beckett's Murphy and Endgame, Masoud Farahmandfar
7. Selves Lost and Regained: Retrospective vs. Prospective Quests for Identity in Samuel Becketts Krapps Last Tape, Ivan Nyusztay
Part III. The Meanings of Words: Defining by Showing
8. "What is this world?" : Chaucer, Realism, and Metaphysics, Darragh Greene
9. Consenting as an Ethical Act: On the Meaning of a Word, Robert B. Pierce
10. Fooling: Material Meaning-Making under Conditions of Epistemic Injustice, Hannah Walser
11. A State of Mind as the Meaning of a Word: J. M. Coetzees Disgrace, Garry L. Hagberg
Part IV: Evocative and Uncanny Phrases
12. Rehearsing the Unexpected: Poetry and Rhythm in the (New) Age of the Poets, Ruth Parkin-Gounelas
13. A Window. A Word. An Inkling, Gordon C.F. Bearn
14. On Wittgenstein, Lydia Davis, and Other Uncanny Grammarians, Ben Roth.

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