001451248 000__ 04795cam\a2200529\i\4500
001451248 001__ 1451248
001451248 003__ OCoLC
001451248 005__ 20230310004650.0
001451248 006__ m\\\\\o\\d\\\\\\\\
001451248 007__ cr\cn\nnnunnun
001451248 008__ 221116s2022\\\\sz\a\\\\o\\\\\000\0\eng\d
001451248 019__ $$a1350413093$$a1350437092$$a1350686760
001451248 020__ $$a9783031109607$$q(electronic bk.)
001451248 020__ $$a3031109600$$q(electronic bk.)
001451248 020__ $$z3031109597
001451248 020__ $$z9783031109591
001451248 0247_ $$a10.1007/978-3-031-10960-7$$2doi
001451248 035__ $$aSP(OCoLC)1350849788
001451248 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dYDX$$dOCLCF$$dUKAHL$$dOCLCQ
001451248 049__ $$aISEA
001451248 050_4 $$aQ335
001451248 08204 $$a006.3$$223/eng/20221116
001451248 24504 $$aThe language of creative AI :$$bpractices, aesthetics and structures /$$cCraig Vear, Fabrizio Poltronieri, editors.
001451248 264_1 $$aCham, Switzerland :$$bSpringer,$$c2022.
001451248 300__ $$a1 online resource (1 volume) :$$billustrations (black and white, and color).
001451248 336__ $$atext$$btxt$$2rdacontent
001451248 337__ $$acomputer$$bc$$2rdamedia
001451248 338__ $$aonline resource$$bcr$$2rdacarrier
001451248 4901_ $$aSpringer Series on Cultural Computing Ser.
001451248 504__ $$aReferences -- Artificial Intelligence and Creativity Under Interrogation -- 1 Introduction -- 1.1 The State of the Art of AI -- 2 AI as an Adjunct to the Creative Process -- 2.1 The Aesthetic Debate -- 2.2 Creative Amalgamation Between Humans and Machines -- 2.3 The Voices of Experts -- 3 The Variety of Artistic Productions with AI Mediations -- 3.1 Style Transfer -- 3.2 From Transfer to Collaboration -- 3.3 From Collaboration to Creation -- 3.4 More Complex Projects -- 4 Conclusion -- References -- AI, Creativity, and Art -- 1 Introduction -- 2 The Earlier Heron Arguments
001451248 5050_ $$aIntroduction -- Part I: Aesthetics and contexts -- On purpose: An enquiry into the possible roles of the computer in art -- Towards a symbiotic future: Art and creative AI -- Artificial intelligence and creativity under interrogation -- AI, creativity and art -- The ethics of creative AI -- Part II: Structures and frameworks -- Ecosystemic thinking: Beyond human narcissism in AI -- Embodied AI and musicking robotics -- Latent spaces: A creative approach -- Intersections of living and machine agencies: Possibilities for creative AI -- Conformed thoughts, representational systems, and creative procedures -- Part III: Practices -- Creative AI, embodiment, and performance -- Musebots and I: Collaborating with creative systems -- Composition with computer models of the brain: An alternative approach to music with artificial intelligence -- Tuning topological morphologies: Creative processes of natural and artificial cognitive systems -- Sketching symbiosis: Towards the development of relational systems.
001451248 506__ $$aAccess limited to authorized users.
001451248 520__ $$aCreative AI defines art and media practices that have AI embedded into the process of creation, but also encompass novel AI approaches in the realisation and experience of such work, e.g. robotic art, distributed AI artworks across locations, AI performers, artificial musicians, synthetic images generated by neural networks, AI authors and journalist bots. This book builds on the discourse of AI and creativity and extends the notion of embedded and co-operative creativity with intelligent software. It does so through a human-centred approach in which AI is empowered to make the human experience more creative. It presents ways-of-thinking and doing by the creators themselves so as to add to the ongoing discussion of AI and creativity at a time when the field needs to expand its thinking. This will avoid over-academization of this emerging field, and help counter engrained prejudice and bias. The Language of Creative AI contains technical descriptions, theoretical frameworks, philosophical concepts and practice-based case studies. It is a compendium of thinking around creative AI for technologists, human-computer interaction researchers and artists who are wishing to explore the creative potential of AI.
001451248 588__ $$aDescription based on print version record.
001451248 650_0 $$aArtificial intelligence.
001451248 650_0 $$aCreation (Literary, artistic, etc.)$$xData processing.
001451248 655_0 $$aElectronic books.
001451248 7001_ $$aVear, Craig,$$eeditor.
001451248 7001_ $$aPoltronieri, Fabrizio,$$eeditor.
001451248 77608 $$iPrint version:$$tLANGUAGE OF CREATIVE AI.$$d[Place of publication not identified] : SPRINGER INTERNATIONAL PU, 2022$$z3031109597$$w(OCoLC)1330403829
001451248 830_0 $$aSpringer Series on Cultural Computing Ser.
001451248 852__ $$bebk
001451248 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-10960-7$$zOnline Access$$91397441.1
001451248 909CO $$ooai:library.usi.edu:1451248$$pGLOBAL_SET
001451248 980__ $$aBIB
001451248 980__ $$aEBOOK
001451248 982__ $$aEbook
001451248 983__ $$aOnline
001451248 994__ $$a92$$bISE