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001451413 001__ 1451413
001451413 003__ OCoLC
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001451413 019__ $$a1351345702
001451413 020__ $$a9783319611679$$q(electronic bk.)
001451413 020__ $$a3319611674$$q(electronic bk.)
001451413 020__ $$z9783319611662
001451413 020__ $$z3319611666
001451413 0247_ $$a10.1007/978-3-319-61167-9$$2doi
001451413 035__ $$aSP(OCoLC)1351204464
001451413 040__ $$aEBLCP$$beng$$cEBLCP$$dGW5XE$$dYDX$$dSFB$$dOCLCF$$dUKAHL$$dOCLCQ
001451413 049__ $$aISEA
001451413 050_4 $$aN7433.8
001451413 08204 $$a776$$223/eng/20221129
001451413 1001_ $$aFranco, Francesca$$c(Art historian)
001451413 24514 $$aThe algorithmic dimension :$$bfive artists in conversation /$$cFrancesca Franco.
001451413 260__ $$aCham :$$bSpringer,$$c2022.
001451413 300__ $$a1 online resource (185 p.).
001451413 4901_ $$aSpringer series on cultural computing
001451413 504__ $$aIncludes bibliographical references.
001451413 5050_ $$aIntro -- Acknowledgements -- Contents -- 1 Introduction -- 1.1 Background -- 1.2 Algorithmic Signs -- References -- 2 Interview with Ernest Edmonds -- References -- 3 Interview with Manfred Mohr -- Further Reading -- 4 Interview with Vera Molnar -- Further Reading -- 5 Interview with Frieder Nake -- References -- 6 Interview with Roman Verostko -- Further Reading -- 7 Visual Documentation
001451413 506__ $$aAccess limited to authorized users.
001451413 520__ $$aFifty years after the first experiments in computational art, international interest in the history of this subject remains strong and at the same time almost uncovered. This book began with the exhibition Algorithmic Signs, which was conceived, researched and curated by Francesca Franco in Venice in 2017. The origins of the exhibition included a series of meetings that gathered together the most celebrated international pioneers in the world of digital arts and the rare opportunity to interview them in their studios. Francesca Franco explores the history of computer art and its contribution to the broader field of contemporary art from the 1960s to the present. It is illustrated by the creative work of five of the most influential pioneers of computer art - Ernest Edmonds, Manfred Mohr, Vera Molnar, Frieder Nake, and Roman Verostko and includes the full visual documentation of the exhibition. The Algorithmic Dimension - Five Artists in Conversation offers more than a theoretical perspective; it offers readers the rare opportunity to hear the histories and developments of the fascinating art, created through the algorithm, in an accessible and stimulating narrative. The personal achievements of each artist are followed, including their original inspirations, and how they develop in parallel with technological advances. It also brings together for the first time the artists' common ideas and differences, and tales about how their paths have crossed over the years.
001451413 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed November 29, 2022).
001451413 650_0 $$aComputer art.
001451413 655_0 $$aElectronic books.
001451413 77608 $$iPrint version:$$aFranco, Francesca$$tThe Algorithmic Dimension$$dCham : Springer International Publishing AG,c2022$$z9783319611662
001451413 830_0 $$aSpringer series on cultural computing.
001451413 852__ $$bebk
001451413 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-61167-9$$zOnline Access$$91397441.1
001451413 909CO $$ooai:library.usi.edu:1451413$$pGLOBAL_SET
001451413 980__ $$aBIB
001451413 980__ $$aEBOOK
001451413 982__ $$aEbook
001451413 983__ $$aOnline
001451413 994__ $$a92$$bISE