001451621 000__ 05641cam\a2200613\i\4500 001451621 001__ 1451621 001451621 003__ OCoLC 001451621 005__ 20230310004709.0 001451621 006__ m\\\\\o\\d\\\\\\\\ 001451621 007__ cr\un\nnnunnun 001451621 008__ 221203t20222022sz\ab\\\ob\\\\001\0\eng\d 001451621 019__ $$a1352243350 001451621 020__ $$a3031050797$$qelectronic book 001451621 020__ $$a9783031050794$$q(electronic bk.) 001451621 020__ $$z9783031050787 001451621 020__ $$z3031050789 001451621 0247_ $$a10.1007/978-3-031-05079-4$$2doi 001451621 035__ $$aSP(OCoLC)1352972485 001451621 040__ $$aEBLCP$$beng$$erda$$epn$$cEBLCP$$dTFW$$dYDXIT$$dGW5XE$$dYDX$$dN$T$$dUKMGB$$dOCLCF$$dUKAHL 001451621 043__ $$af-ti--- 001451621 049__ $$aISEA 001451621 050_4 $$aDT261$$b.B37 2022 001451621 08204 $$a961.103092$$223 001451621 1001_ $$aBaskins, Cristelle Louise,$$eauthor. 001451621 24510 $$aHafsids and Habsburgs in the early modern Mediterranean :$$bfacing Tunis /$$cCristelle L. Baskins. 001451621 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2022] 001451621 264_4 $$c©2022 001451621 300__ $$a1 online resource (xviii, 313 pages) :$$billustrations (some color), map. 001451621 336__ $$atext$$btxt$$2rdacontent 001451621 337__ $$acomputer$$bc$$2rdamedia 001451621 338__ $$aonline resource$$bcr$$2rdacarrier 001451621 4901_ $$aNew transculturalisms, 1400-1800 001451621 504__ $$aIncludes bibliographical references and index. 001451621 5050_ $$a1 Introduction -- Art History and North Africa -- Note on Sources -- Transliteration and Translation -- 2 Hafsids and Habsburgs -- The Lost World of Muley al-Hassan -- Hafsid Treasures -- The Tunis Campaign -- Visible Speech -- 3 Sovereign Display -- Contesting the Crown: Barbarossa and Muley al-Hassan -- The King of Tunis in Triumph: Cosenza and Naples -- The King of Tunis in Triumph: Rome and Florence -- Tunis Dispersed -- Tunis in the Wake of the Habsburgs -- 4 Italian Sojourn -- Naples: June 1543 -- De Spenis, Breve Cronica -- In Search of Charles: Florence and Rome, Summer 1543 -- Loss of Face -- 5 Vanishing Acts -- Muley al-Hassan, Muley Ahmet, and the Sharif of Qayrawan -- From Tunis to Augsburg -- Face Off with Death -- Mourning Muley al-Hassan, Celebrating Mahdiyya -- 6 Pious Fictions -- Rubens' Two Kings of Tunis -- The Habsburgs and Tunis 1573-1574 -- Antwerp -- Chifflet Unraveled -- "God Can Do More Than That!" -- Conclusion -- Bibliography -- Index. 001451621 506__ $$aAccess limited to authorized users. 001451621 520__ $$aIn this book, Baskins places Muley Hassan, the ruler of Tunis, center-stage in an analysis of the evolution and production of portraiture and the representation of Hafsid-Hapsburg-Ottoman confrontation. Portraits capturethe multi-faceted struggle for prestige, patronage, and sovereignty in Mediterranean courts. Palmira Brummett, Professor Emerita, History, University of Tennessee, USA Baskins interdisciplinary book opens new directions for the study of portraits and Habsburg visual propaganda about North African campaigns. She also breaks with traditional studies of the 'Muslim other' and presents a case study of fluid permeability and alterity in the Mediterranean. Borja Franco Llopis, Associate Professor, Art History, National Distance Education University, Madrid, Spain This work is distinguished by its use of a variety of primary sources, and its multifaceted approach, combining history and art history. It is an important addition to the study of early modern Tunisia in particular, and to acculturation in the Mediterranean in general. Houssem Eddine Chachia, Assistant Professor, History, University of Tunis, Tunisia This book explores an anonymous sixteenth-century portrait of Muley al-Hassan, the Hafsid king of Tunis (ca. 15281550), that bears witness to relations between North Africa, the Habsburgs, and the Ottomans. While Muley al-Hassan appears frequently in the vast literature on Charles V Habsburg, he is overshadowed by the emperor. Here he emerges as a protagonist, a figure whose shifting reputation can be traced well into the seventeenth century. Images of the King of Tunis circulated in broadsheets, ephemeral images made for triumphal entries, manuscripts, tapestry designs, engravings, and books. The ceaseless production of Tunisian imagery allowed Europeans to face their North African counterparts through scenes of battle but also through imaginary encounters and festive cross-dressing. This book shows how portraits of Hafsid rulers challenge assumptions about the absolute divide between Christian and Muslim, sovereign and subject, the familiar and the foreign, and they put a face on the entangled histories of the early modern Mediterranean. Cristelle L. Baskins is Associate Professor Emeritus, Tufts University, USA. 001451621 588__ $$aDescription based on online resource; title from digital title page (viewed on December 06, 2022). 001451621 60010 $$aAl-Hassan, Muley$$xPortraits. 001451621 60000 $$aCharles$$bV,$$cHoly Roman Emperor,$$d1500-1558. 001451621 650_0 $$aIslam$$xRelations$$xChristianity$$xHistory. 001451621 650_0 $$aChristianity and other religions$$xIslam. 001451621 651_0 $$aTunisia$$xHistory$$y1516-1881. 001451621 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628 001451621 655_7 $$aPortraits.$$2fast$$0(OCoLC)fst01423831 001451621 655_0 $$aElectronic books. 001451621 7102_ $$aPalgrave Macmillan (Firm) 001451621 77608 $$iPrint version:$$aBaskins, Cristelle Louise.$$tHafsids and Habsburgs in the early modern Mediterranean.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783031050787$$w(OCoLC)1338665938 001451621 830_0 $$aNew transculturalisms, 1400-1800. 001451621 852__ $$bebk 001451621 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-05079-4$$zOnline Access$$91397441.1 001451621 909CO $$ooai:library.usi.edu:1451621$$pGLOBAL_SET 001451621 980__ $$aBIB 001451621 980__ $$aEBOOK 001451621 982__ $$aEbook 001451621 983__ $$aOnline 001451621 994__ $$a92$$bISE