001451732 000__ 03721cam\a2200517\i\4500
001451732 001__ 1451732
001451732 003__ OCoLC
001451732 005__ 20230310004715.0
001451732 006__ m\\\\\o\\d\\\\\\\\
001451732 007__ cr\un\nnnunnun
001451732 008__ 221207s2022\\\\sz\a\\\\ob\\\\001\0\eng\d
001451732 019__ $$a1352416773$$a1352967075
001451732 020__ $$a9783031186486$$q(electronic bk.)
001451732 020__ $$a3031186486$$q(electronic bk.)
001451732 020__ $$z9783031186479
001451732 020__ $$z3031186478
001451732 0247_ $$a10.1007/978-3-031-18648-6$$2doi
001451732 035__ $$aSP(OCoLC)1353606680
001451732 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dYDX$$dN$T$$dUKMGB$$dOCLCF$$dUKAHL
001451732 049__ $$aISEA
001451732 050_4 $$aN8600
001451732 08204 $$a338.4/77$$223/eng/20221207
001451732 1001_ $$aAbbing, Hans,$$d1946-$$eauthor.
001451732 24514 $$aThe economies of serious and popular art :$$bhow they diverged and reunited /$$cHans Abbing.
001451732 264_1 $$aCham :$$bPalgrave Macmillan,$$c2022.
001451732 300__ $$a1 online resource (xiii, 345 pages) :$$billustrations.
001451732 336__ $$atext$$btxt$$2rdacontent
001451732 337__ $$acomputer$$bc$$2rdamedia
001451732 338__ $$aonline resource$$bcr$$2rdacarrier
001451732 4901_ $$aCultural economics & the creative economy,$$x2662-4486
001451732 504__ $$aIncludes bibliographical references and indexes.
001451732 5050_ $$aChapter 1: Preface -- Chapter 2: The Triumph of Serious Art -- Chapter 3: Authentic Art and Artists -- Chapter 4: Exclusion -- Chapter 5: Distrust of Commerce and Commercialism -- Chapter 6: Sharing Art -- Chapter 7: Present and Future Changes -- Chapter 8: Conclusion.
001451732 506__ $$aAccess limited to authorized users.
001451732 520__ $$aCombining an economic perspective with sociological and historic insights, this book investigates the separation of 'popular' and 'serious' art over a period of almost two centuries. As the boundaries between our perceptions of established art and popular become more porous, Abbing considers questions such as: Who benefitted from the separation? Why is exclusivity in the established arts so important? Did exclusivity lead to high cost, high subsidies and high prices? Were and are underprivileged groups excluded from art consumption and production? How did popular music become so successful in the second half of the twentieth century? Why does the art profession remain extraordinarily attractive for youngsters in spite of low incomes? The book also discusses the evolution of art in the twenty-first century, considering for example how the platform economy affects the arts, whether or not the established arts are joining the entertainment industry, and the current level of diversity in art. Written from the dual perspective of the author as an artist and social scientist, the book will be of interest for cultural economists and academics as well as artists and general readers interested in art. Hans Abbing is a visual artist and economist. He is also Emeritus Professor in Art Sociology at the University of Amsterdam, the Netherlands, and teaches MA Cultural Economics and Cultural Entrepreneurship at the Erasmus University of Rotterdam, the Netherlands. He previously published The Changing Social Economy of Art and Why Are Artists Poor?
001451732 588__ $$aDescription based on print version record.
001451732 650_0 $$aArt$$xEconomic aspects.
001451732 650_0 $$aArt and society.
001451732 655_0 $$aElectronic books.
001451732 77608 $$iPrint version:$$aAbbing, Hans, 1946- author.$$tEconomies of serious and popular art$$z9783031186479$$w(OCoLC)1346928590
001451732 830_0 $$aCultural economics & the creative economy,$$x2662-4486
001451732 852__ $$bebk
001451732 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-18648-6$$zOnline Access$$91397441.1
001451732 909CO $$ooai:library.usi.edu:1451732$$pGLOBAL_SET
001451732 980__ $$aBIB
001451732 980__ $$aEBOOK
001451732 982__ $$aEbook
001451732 983__ $$aOnline
001451732 994__ $$a92$$bISE