001451849 000__ 04945cam\a2200517\i\4500
001451849 001__ 1451849
001451849 003__ OCoLC
001451849 005__ 20230310004721.0
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001451849 019__ $$a1355218550
001451849 020__ $$a9783030855741$$q(electronic bk.)
001451849 020__ $$a3030855740$$q(electronic bk.)
001451849 020__ $$z3030855732
001451849 020__ $$z9783030855734
001451849 0247_ $$a10.1007/978-3-030-85574-1$$2doi
001451849 035__ $$aSP(OCoLC)1354631377
001451849 040__ $$aYDX$$beng$$cYDX$$dGW5XE$$dEBLCP$$dOCLCQ$$dHTM
001451849 049__ $$aISEA
001451849 050_4 $$aN8241.5
001451849 08204 $$a704/.04$$223/eng/20230106
001451849 24500 $$aAnalysing gender in performance /$$cJ. Paul Halferty, Cathy Leeney, editors.
001451849 264_1 $$aCham, Switzerland :$$bSpringer,$$c2022.
001451849 300__ $$a1 online resource
001451849 336__ $$atext$$btxt$$2rdacontent
001451849 337__ $$acomputer$$bc$$2rdamedia
001451849 338__ $$aonline resource$$bcr$$2rdacarrier
001451849 500__ $$aIncludes index.
001451849 5050_ $$a1 Introduction -- Part I 1970s1990s -- 2 Pina Bauschs Kontakthof: Choreographies of Gender and Costume -- 3 Queer Becomings: The Ridiculous Theatrical Companys Camille and Split Britches/Bloolips Belle Reprieve -- 4 Theatre du Soleil and Ariane Mnouchkine: Living and Performing Gender Politics -- 5 Nora, Lucia, and Lear: Gender and Performance at Mabou Mines -- 6 Freaks and Not Freaks: Theatre and the Making of Crip Identity -- 7 Fires in the Mirror: Representations of Race, Gender and Class in Anna Deavere Smiths Search for American Character -- Part II Interruption: Artists Speak About Their Work -- 8 Black Women Performers: I Dont Want to Do Anything Else -- 9 Trans-body-text: Exploring Performance Disruptions, a Discussion with Lazlo Pearlman -- 10 Embodied and En-sited Performance: Reflections on Gender in Cooking Miss Julie/Miss Julie Cooks and March of Women -- 11 A Manifesto of Living Self-portraiture (Identity, Transformation, and Performance) -- Part III 2000s2020s -- 12 Love and Information by Caryl Churchill, or Sexuality and Gender in Non-binary Times -- 13 Gender and the Aesthetics of Occupation: Making Room for Womens Labour at the Theatre -- 14 Performing Reproduction in an Age of Overproduction: Environmental Installations by Ai Hasegawa -- 15 Loose Wrists: Camp and Intersectional Politics in the Works of Cazwell, Todrick Hall, and Big Freedia -- 16 Riotous Assembly: Performing Gender and Social Justice in thisispopbabys RIOT -- 17 From Gimmick Casting to Standard Practice: Re-gendering Shakespeare in Performance -- 18 Womens Business: Leah Purcells The Drovers Wife and the Reclamation of Black Australian History -- 19 Gender-Assemblages: The Scenographics of Sin Wai Kin.
001451849 506__ $$aAccess limited to authorized users.
001451849 520__ $$aAnalysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists voices and their accounts of their works and practices. The Introduction outlines the books key approaches to concepts in English language gender discourses and genders intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually or in tension with one another, the essays confront the contemporary complexities of analysing gender in performance. J. Paul Halferty is Assistant Professor in Drama Studies at University College Dublin, Ireland. His research on queer theatre and performance in Canada and Ireland has been published in various journals and anthologies. Cathy Leeney is Research Active Assistant Professor in Drama Studies at University College Dublin, Ireland. Teaching, research and publications are in Gender in Performance, Women in Irish Theatre, and Staging Practices.
001451849 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed January 6, 2023).
001451849 650_0 $$aSex role in art.
001451849 650_0 $$aPerformance art.
001451849 650_0 $$aPerformance artists.
001451849 655_0 $$aElectronic books.
001451849 7001_ $$aHalferty, J. Paul,$$eeditor.
001451849 7001_ $$aLeeney, Cathy,$$eeditor.
001451849 77608 $$iPrint version: $$z3030855732$$z9783030855734$$w(OCoLC)1261362323
001451849 852__ $$bebk
001451849 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-85574-1$$zOnline Access$$91397441.1
001451849 909CO $$ooai:library.usi.edu:1451849$$pGLOBAL_SET
001451849 980__ $$aBIB
001451849 980__ $$aEBOOK
001451849 982__ $$aEbook
001451849 983__ $$aOnline
001451849 994__ $$a92$$bISE