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001451865 001__ 1451865
001451865 003__ OCoLC
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001451865 0247_ $$a10.1007/978-981-19-4807-7$$2doi
001451865 035__ $$aSP(OCoLC)1354993425
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001451865 08204 $$a791.436578$$223/eng/20230105
001451865 1001_ $$aHuvenne, Martine Simone Alberta Maria.
001451865 24514 $$aThe audiovisual chord:$$bembodied listening in film /$$cMartine Huvenne.
001451865 260__ $$aSingapore :$$bPalgrave Macmillan,$$c2022.
001451865 300__ $$a1 online resource.
001451865 336__ $$atext$$btxt$$2rdacontent
001451865 337__ $$acomputer$$bc$$2rdamedia
001451865 338__ $$aonline resource$$bcr$$2rdacarrier
001451865 4901_ $$aPalgrave studies in sound
001451865 504__ $$aReferences -- 6: Thinking in Movement, and Different Ways to Create Space in Film Sound -- The Body as the Centre of a Film Experience: Transmodality of the Felt (Film) Sound and the Film as a Whole -- How to Develop a Phenomenological Approach to Film Sound with the Body at the Centre of the Audiovisual Experience and thus, Perception -- A Phenomenological Approach Must Start from Experience -- Listening as an "Entrance Gate" in Film Theory -- Sound in Film as a Dynamic Transmodal Movement -- Sound as a Dynamic Movement: Forms of Vitality (Daniel Stern) and Effort Theory (Rudolf von Laban) -- Forms of Vitality at the Basis of a Thinking in Movement -- The Dynamic Body Schema as a Being-in-the-World and Being-Towards-the-World -- John Hull, the Whole-Body-Seer: Do We Need Sight to Create Space? -- How Is Listening Related to the Body Schema? -- The Creation of Space from the Perspective of a Body Schema -- The Contribution of the Auditory Space to the Filmic Space -- The Auditory Space Within Le Cinématographe of Bresson -- Filmic Space Constituted from Within and from Without -- Exploring Auditory Spaces in Some Case Studies -- La ville Louvre (1990) by Nicolas Philibert: "Spaces Speak" -- The First Sequence from Elephant (1989) by Alan Clarke: The Experience of a Space -- Lo sguardo di Michelangelo (2004) by Michelangelo Antonioni -- A(n) (Auditory) Space Experienced During the Feast of St Johns in the Piazza Navona in Rome Described: The Auditory Space as a Surrounding Sphere -- Rumble Fish (Francis Ford Coppola, 1983): Spaces Created in the Mind, Expressed as Invisible Spaces in Sound -- Cold Mountain (Anthony Mingella, 2003) and It's Only the End of the World (Xavier Dolan, 2016) Experiential Inner Spaces -- 2001: A Space Odyssey (Stanley Kubrick, 1968) Immersion as a Loss of Spatial Referentiality, When Inner and External Spaces Merge.
001451865 5050_ $$aIntro -- Foreword -- Acknowledgements -- Funding -- Contents -- 1: Introduction -- Part I: From Bresson Towards a Phenomenological Approach to Film and Film Sound: Phenomenology Delivers a Useful Theoretical Framework -- 2: "The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going." -- A Man Escaped or The Wind Blows Wherever It Pleases -- The Opening Scene of A Man Escaped -- A Focus on the Audience's Experience -- Bresson's Inner Style
001451865 5058_ $$aThe Use of Sound in A Man Escaped, in the Writings of Truffaut, Bordwell and Thompson, and Chion -- François Truffaut: A Break with the Canon of Classical Cinema, Moving with Instead of Identifying with the Character -- David Bordwell and Kristin Thompson: Sound Anticipates and Guides Our Expectations -- Michel Chion: Topography of Sounds -- Reading the Critics and Scholars, a Question Arises -- Bresson as a Phenomenologist? -- Le cinématographe as a Writing in Movement with Moving Images and Sounds -- References
001451865 5058_ $$a3: Audiovisual Perception: The Audiovisual Contract, Heautonomy of Sound and Image and Filmic Listening -- Some Different Approaches to the Intertwining of Sound and Image -- A Fragment of A Man Escaped as Starting Point -- Different Perspectives from Which to Analyse Sound in Film -- Michel Chion: Audio-Vision -- Gilles Deleuze: The Heautonomous Sound -- The Filmic Listening of Véronique Campan -- References -- 4: Phenomenology, an Introduction -- Phenomenology as Theoretical Framework for Film Sound? -- Phenomenology -- Edmund Husserl -- Husserl's Static Phenomenology
001451865 5058_ $$aHow Does This Work for Sound? -- Franz Brentano: Sound as a Mental Phenomenon -- Husserl's Genetic Phenomenology -- How We Can Relate Inner Time-Consciousness to Sound in Film and to Film as a Time-Object? -- The Difference Between an Event and an Experience in Bresson's A Man Escaped -- Perception of Another Body: Husserl's Concept of Paarung (Pairing or Coupling) -- Maurice Merleau-Ponty -- One's Body as a Being-in-the-World and a Being-Towards-the-World -- The Body Schema as an Experience of the Body in the World and the Body as a Knot of Significations
001451865 5058_ $$aA Pre-reflective Intentionality of the Body -- Bodily Resonance and the Situatedness of the Body in Space -- The Lived Space and Concrete and Abstract Movements Evoking Spaces -- The World as the Primordial Unity of All Our Experiences, Revealed by Passive Synthesis -- Bresson's Cinématographe and the Cinématographer as "Metteur en ordre" -- References -- Part II: A Phenomenological Approach to the Experience and Perception of Film Sound and Film Yields New Insights: Thinking in Movement, Auditory Spaces and the Audiovisual Chord -- References
001451865 506__ $$aAccess limited to authorized users.
001451865 520__ $$aThis book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world. .
001451865 588__ $$aDescription based on print version record.
001451865 650_0 $$aSound in motion pictures.
001451865 650_0 $$aAuditory perception$$xPhilosophy.
001451865 650_0 $$aPhenomenology.
001451865 650_0 $$aExperience.
001451865 655_0 $$aElectronic books.
001451865 77608 $$iPrint version:$$z9789811948077
001451865 77608 $$iPrint version:$$z9811948062$$z9789811948060$$w(OCoLC)1330404154
001451865 77608 $$iPrint version:$$aHUVENNE, MARTINE.$$tAUDIOVISUAL CHORD.$$d[S.l.] : PALGRAVE MACMILLAN, 2022$$z9811948062$$w(OCoLC)1330404154
001451865 830_0 $$aPalgrave studies in sound.
001451865 852__ $$bebk
001451865 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-19-4807-7$$zOnline Access$$91397441.1
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001451865 980__ $$aBIB
001451865 980__ $$aEBOOK
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001451865 983__ $$aOnline
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