001451873 000__ 06944cam\a2200625\i\4500
001451873 001__ 1451873
001451873 003__ OCoLC
001451873 005__ 20230310004722.0
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001451873 019__ $$a1352790403$$a1352975017$$a1355227949
001451873 020__ $$a9783031175909$$qelectronic book
001451873 020__ $$a3031175905$$qelectronic book
001451873 020__ $$z9783031175893$$qhardcover
001451873 020__ $$z3031175891
001451873 0247_ $$a10.1007/978-3-031-17590-9$$2doi
001451873 035__ $$aSP(OCoLC)1355045626
001451873 040__ $$aUKMGB$$beng$$erda$$epn$$cUKMGB$$dGW5XE$$dYDX$$dEBLCP$$dUKAHL$$dN$T$$dYDX$$dOCLCF
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001451873 049__ $$aISEA
001451873 050_4 $$aF1408.3$$b.R65 2022
001451873 08204 $$a980.0072$$223
001451873 1001_ $$aRojinsky, David,$$eauthor.$$1https://isni.org/isni/0000000385361114
001451873 24510 $$aViewing photography in post-dictatorship Latin America :$$bvisual interruptions, 1997-2016 /$$cDavid Rojinsky.
001451873 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2022]
001451873 300__ $$a1 online resource :$$billustrations (black and white, and colour)
001451873 336__ $$atext$$btxt$$2rdacontent
001451873 337__ $$acomputer$$bc$$2rdamedia
001451873 338__ $$aonline resource$$bcr$$2rdacarrier
001451873 500__ $$aChapter 1: Visual InterruptionsChapter 2: Vernacular PresenceChapter 3: Imagined GenealogiesChapter 4: Memory WallsChapter 5: Absent GazesChapter 6: Never Again!Chapter 7: Disappeared (Epilogue).
001451873 504__ $$aIncludes bibliographical references and index.
001451873 5050_ $$aIntro -- Acknowledgements -- Contents -- Abbreviations -- List of Figures -- Chapter 1: Visual Interruptions -- Visual Politics and Photographic Memory Art -- The Index and the Beholder -- Visual Interruptions in Memory Art -- Identification and Disidentification Photographs -- Positioning the Viewer -- Between Affect and Critical Inquiry -- Taking Position on a Global Historical Memory -- References -- Chapter 2: Vernacular Presence -- Early Human Rights Archives -- Oppositional Photography in the 1980s -- A Post-Dictatorship Photographic Aesthetic -- Family Photography and the Family Trope
001451873 5058_ $$aMarking Irreparable Family Loss -- Vernacular Photographies in Love against Oblivion -- Your Photographs -- Beyond Identification: Empathic Vision -- Techniques of Interrupted Viewing -- Visual Politics, Memory, and Gallery Installations -- References -- Chapter 3: Imagined Genealogies -- The National Photo-Album -- The Argentine Family as Contested Trope -- From Victimhood to Photographic Memory Art, 1997-2016 -- Lucila Quieto's Filiación (2013-2016) -- Obama-Macri and the Fortieth Anniversary -- The End of Photography and the Trace of History
001451873 5058_ $$aReviewing Arqueología de la ausencia (Archaeology of Absence) -- Sitios de Memoria (2008-2012) (Memory Sites)42 -- Family Frames and Geopolitical Histories -- References -- Chapter 4: Memory Walls -- Photographic Counter-Monuments -- Urban Interventions in Chile under Military Rule -- The Continued Relevance of Luz Donoso's Interventions -- Formulación 335 (Formulation 335) -- Interventions in the Street and the Endless Banner -- The Rise and Fall of the Memory Wall -- Other Walls of Faces -- The Afterlife of the Memory Wall: Nécrosis (2015) -- Aesthetic Reframing and the Critical Gaze
001451873 5058_ $$aImprints of Historical Decay -- References -- Chapter 5: Absent Gazes -- Turning the Page in Post-Dictatorship Uruguay -- Visual Politics and the Photography of Protest -- Reframing the Archive in Uruguayan Art Photography -- Absent Gazes -- From Exile to Memory -- Absent Gazes in the Street (2008-2009) -- Faces of the Other -- Hauntology and Justice -- Rejecting the Face -- A National Work of Mourning -- Nomadic Images, Memorials and Shopping Centres -- References -- Chapter 6: Never Again! -- Guatemala. Never Again: Texts and Images -- Visual Clarification
001451873 5058_ $$aThe Invisibility of Guatemala's Past -- On the Global Stage -- An Angelic Intervention -- Of Documents and Monuments -- Projected Faces in Guatemala City -- An International Aesthetic of Urban Intervention -- The Global Angel and Holocaust Discourse -- From Universal Victimhood to the Angel of the Present -- References -- Chapter 7: Disappeared (Epilogue) -- Photojournalism, Revolution and Celebrity -- The Ideological End(S) of Photojournalism -- Global Disappearance -- Interrupting Affect. Interrupting Time? -- References -- Index
001451873 506__ $$aAccess limited to authorized users.
001451873 520__ $$aThis book examines the archival aesthetic of mourning and memory developed by Latin American artists and photographers between 1997-2016. Particular attention is paid to how photographs of the assassinated or disappeared political dissident of the 1970s and 1980s, as found in family albums and in official archives, were not only re-imagined as conduits for private mourning, but also became allegories of social trauma and the struggle against socio-political amnesia. Memorials, art installations, photo-essays, street projections, and documentary films are all considered as media for the reframing of these archival images from the era of the Cold War dictatorships in Argentina, Chile, Guatemala, and Uruguay. While the turn of the millennium was supposedly marked by "the end of history" and, with the advent of digital technologies, by "the end of photography," these works served to interrupt and hence, belie the dominant narrative on both counts. Indeed, the book's overarching contention is that the viewers affective identification with distant suffering when engaging these artworks is equally interrupted: instead, the viewer is invited to apprehend memorial images as emblems of national and international histories of ideological struggle. David Rojinsky is a UK-based independent researcher specialising in Latin American and Iberian visual cultures. His articles have appeared in A Contracorriente, Bulletin of Spanish Visual Studies, Journal of Romance Studies and Journal of Iberian and Latin American Studies. He is the author of the monograph, Companion to Empire: A Genealogy of the Written Word in Spain and New Spain, c. 5501550, published in 2010.
001451873 588__ $$aDescription based on online resource; title from digital title page (viewed on January 26, 2023).
001451873 650_0 $$aCollective memory$$zLatin America.
001451873 650_0 $$aPostmortem photography$$zLatin America.
001451873 650_0 $$aHistoriography and photography$$zLatin America.
001451873 650_0 $$aMemory in art.
001451873 651_0 $$aLatin America$$xHistory$$y20th century$$xSources.
001451873 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001451873 655_7 $$aSources.$$2fast$$0(OCoLC)fst01423900
001451873 655_0 $$aElectronic books.
001451873 77608 $$iPrint version:$$z9783031175893
001451873 852__ $$bebk
001451873 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-17590-9$$zOnline Access$$91397441.1
001451873 909CO $$ooai:library.usi.edu:1451873$$pGLOBAL_SET
001451873 980__ $$aBIB
001451873 980__ $$aEBOOK
001451873 982__ $$aEbook
001451873 983__ $$aOnline
001451873 994__ $$a92$$bISE