001452010 000__ 06513cam\a2200613\a\4500
001452010 001__ 1452010
001452010 003__ OCoLC
001452010 005__ 20230310003336.0
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001452010 008__ 221231s2023\\\\sz\\\\\\ob\\\\001\0\eng\d
001452010 019__ $$a1356492361$$a1363106872
001452010 020__ $$a9783031102905$$q(electronic bk.)
001452010 020__ $$a3031102908$$q(electronic bk.)
001452010 020__ $$z9783031102899
001452010 020__ $$z3031102894
001452010 0247_ $$a10.1007/978-3-031-10290-5$$2doi
001452010 035__ $$aSP(OCoLC)1356572833
001452010 040__ $$aEBLCP$$beng$$cEBLCP$$dGW5XE$$dSFB$$dYDX
001452010 043__ $$ae-li---
001452010 049__ $$aISEA
001452010 050_4 $$aML570
001452010 08204 $$a786.5/19$$223/eng/20230124
001452010 1001_ $$aPovilionis, Girėnas.
001452010 24510 $$aVox humana craftsmanship :$$borigins, intersections and influence on Lithuanian pipe organ building /$$cGirėnas Povilionis · Diego Cannizzaro, Rima Povilionienė
001452010 260__ $$aCham :$$bSpringer,$$c2023.
001452010 300__ $$a1 online resource (287 p.).
001452010 336__ $$atext$$btxt$$2rdacontent
001452010 337__ $$acomputer$$bc$$2rdamedia
001452010 338__ $$aonline resource$$bcr$$2rdacarrier
001452010 4901_ $$aNumanities - Arts and Humanities in Progress ;$$vv.23
001452010 500__ $$a7 Observations on Metal Alloy and Types of Tongue and Shallot in Lithuanian Baroque Pipe Organs
001452010 504__ $$aIncludes bibliographical references and index.
001452010 5050_ $$aIntro -- Preface -- Contents -- About the Authors -- List of Figures -- Part I Establishment of the Vox Humana Stop in Pipe Organ Building: Some Historical Observations -- 1 In Search of an Appropriate Name: Consolidation of the Vox Humana Designation -- 1.1 The Emergence of the Vox Humana in European Organ Building -- 1.2 A Variety of Names: From a Bear's Roar to the Human Voice -- 1.2.1 Cases of Literal Translation of "Vox Humana" -- 1.2.2 Semantically Linked Names -- 1.2.3 Fanciful Designations -- 1.3 Discrepancy in Verbal Naming and Sound Perception
001452010 5058_ $$a2 From the Fiffaro to the Voce Umana: Beating Stops in the Italian and Sicilian Organ Building Tradition -- 2.1 Establishment of the Fiffaro and the First Attempts in Italian Organs -- 2.2 The Fiffaro in the Bergamo Area Organ Building Tradition: Cases of Antegnati Craftsmanship -- 2.2.1 Notes on the Fiffaro in the Contracts with Graziadio Antegnati -- 2.2.2 Organ Building Contracts with Costanzo Antegnati -- 2.2.3 Organ Building Contracts with Giovanni Francesco Antegnati -- 2.3 Some Aspects of the Sicilian Organ Building Tradition -- 3 The Vox Humana in Lithuanian Baroque Pipe Organs
001452010 5058_ $$a3.1 The Development of an Individual Baroque Organ Building School in Lithuania -- 3.2 In Search of Reed Stops in Lithuanian Baroque Organs -- 3.3 Testimony About the Vox Humana in Archival Records -- 3.4 Extant Vox Humana Examples in Lithuanian Organs -- 3.4.1 Franciscan Church in Kretinga, End of the Seventeenth Century/c. 1680, Unknown Master -- 3.4.2 Budslau Basilica, 1781/83, Nicolaus Jantzon -- 3.4.3 Tytuvėnai Church, 1789, Attributed to Nicolaus Jantzon -- 3.4.4 Kurtuvėnai Church, 1791-1793, Mateusz Raczkowski -- 3.4.5 Vilnius Church of the Holy Spirit, 1775-1776, Adam Gottlob Casparini
001452010 5058_ $$aPart II From Italy to Lithuania: The Casparini Dynasty and the Consolidation of Lithuanian Baroque Organ Building -- 4 Over Two Centuries of Caspari(ni) Activity: From North to South -- 4.1 The Casparini Dynasty -- 4.2 Eugenio Casparini: "Tedesco(I) Italiano(I)" -- 4.3 Following Eugenio: Later Generations -- 4.3.1 Adam Horatio Casparini -- 4.3.2 Georg Sigismund Caspari -- 4.3.3 Adam Gottlob Casparini -- 5 Following the Activity of Lithuanian Late-Baroque Organ Builders -- 5.1 Settling in Vilnius and Working in the Area
001452010 5058_ $$a5.2 A Duo of Vilnius Organ Masters: Joachim Friedrich Scheel and Ludwik Jozef Klimowicz -- 5.3 The Founder of the Vilnius School: Gerhardt Arendt Zelle and His Milieu -- 5.4 Nicolaus Jantzon's Oeuvre and the Flourishing of the Vilnius School -- Part III Creating the Vox Humana's Variety of Sounds -- 6 Characteristics of the Vox Humana's Resonator Construction -- 6.1 On the Configuration of the Vox Humana Pipes in Written Sources -- 6.2 The Typology of the Vox Humana Resonators -- 6.3 The Vox Humana Pipes of Cylindrical-Conic Construction -- 6.4 The Vox Humana Pipes of Double-Conic Construction
001452010 506__ $$aAccess limited to authorized users.
001452010 520__ $$aThis book provides a thorough analysis focused on the sound expression produced by human-crafted musical instrument a pipe organ, in which various components blend into a complex whole to produce a wide range of timbres. The sound produced by wooden and metal pipes of a variety of sizes is an integral part of the instruments unique character, while the organ stop is like its signature, from which one can judge about the size and style of the instrument, an organ building school or even an organ master, to which it is attributable. Precise identification of the name of the stop in accordance to both the pipework itself and the authentic inscriptions on the pipes is instrumental in investigating the geographic origins and authorship of an organ. The monograph focuses on the craftsmanship of complex and historically influential organ stop Vox humana. Its research and definition provides specific information distinguishing particular features in the variety of organ building traditions and discussing the differences in organ sound perception and production. The volume is aimed at art and music historians, as well as musicologists and scholars researching restoration techniques. The book contains supplemental material with video and audio material as well as photo-documentation of authentic Vox humana examples. The material is placed in the online catalog, which may be accessed by scanning the QR code in the appendix of the book.
001452010 650_0 $$aOrgan stops.
001452010 650_0 $$aOrgan stops$$xHistory.
001452010 650_0 $$aOrgan (Musical instrument)$$xConstruction$$zLithuania.
001452010 655_0 $$aElectronic books.
001452010 7001_ $$aCannizzaro, Diego.
001452010 7001_ $$aPovilionienė, Rima.
001452010 77608 $$iPrint version:$$aPovilionis, Girėnas$$tVox Humana Craftsmanship$$dCham : Springer International Publishing AG,c2023$$z9783031102899
001452010 830_0 $$aNumanities--arts and humanities in progress ;$$vv. 23.
001452010 852__ $$bebk
001452010 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-10290-5$$zOnline Access$$91397441.1
001452010 909CO $$ooai:library.usi.edu:1452010$$pGLOBAL_SET
001452010 980__ $$aBIB
001452010 980__ $$aEBOOK
001452010 982__ $$aEbook
001452010 983__ $$aOnline
001452010 994__ $$a92$$bISE