001452303 000__ 04554cam\a22005297i\4500
001452303 001__ 1452303
001452303 003__ OCoLC
001452303 005__ 20230310003349.0
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001452303 019__ $$a1357015758$$a1363109829
001452303 020__ $$a9783031187551$$q(electronic bk.)
001452303 020__ $$a3031187555$$q(electronic bk.)
001452303 020__ $$z3031187547
001452303 020__ $$z9783031187544
001452303 0247_ $$a10.1007/978-3-031-18755-1$$2doi
001452303 035__ $$aSP(OCoLC)1363817927
001452303 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dGW5XE$$dEBLCP$$dOCLCQ
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001452303 049__ $$aISEA
001452303 050_4 $$aNX180.S6
001452303 08204 $$a701/.03/09418/35
001452303 1001_ $$aMcCall Magan, Kerry,$$eauthor.
001452303 24510 $$aCultural participation :$$bthe perpetuation of middle-class privilege in Dublin, Ireland /$$cKerry McCall Magan.
001452303 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2022]
001452303 300__ $$a1 online resource (1 volume)
001452303 336__ $$atext$$btxt$$2rdacontent
001452303 337__ $$acomputer$$bc$$2rdamedia
001452303 338__ $$aonline resource$$bcr$$2rdacarrier
001452303 4901_ $$aPalgrave studies in cultural participation
001452303 504__ $$aIncludes bibliographical references and index.
001452303 5050_ $$a1. Introduction -- 2. Sociological Questions Of Culture -- 3. Ireland -- 4. Researching Culture, Class And Distinction In Dublin, Ireland -- 5. A Nation Highly Engaged -- 6. Emerging Cultural Capital -- 7- Policy Implications And Recommendations.
001452303 506__ $$aAccess limited to authorized users.
001452303 520__ $$aThis book provides a nuanced account of cultural competence, knowledge and skills illustrated in distinctive taste in the middle and upper classes in Dublin, Ireland (Bourdieu, 1984, 1986). It highlights how the development of cultural taste at a young age is linked to cultural participation in later life. Inspired by work that captures the textured social cartography of distinctive cultural taste (Bennett, Emmison & Frow, 1999; Bennett, Savage, Silva, Warde, Gayo-Cal & Wright, 2009), this research charts the changing nature of cultural participation in Dublin, Ireland and shows how cultural consumption has broadened from the narrow range of traditional high art forms towards one which grazes across the general register of culture. As elsewhere, this omnivorous, broad and pluralistic cultural palette has not altered patterns of distinction in cultural participation, rather it belies an emerging cultural capital profile - one where art form boundaries have collapsed but social boundaries and cultural distinction remains intact. Through interviews with two age cohorts (18-24yrs) and (45-54yrs) in Dublin in 2019, this research shows how the dominant class, through histories of cultural exposure have developed cultural taste and competence that is remarkably enduring. Reviewing available data on arts attendance and cultural participation in Ireland today, this text highlights how years of cultural familiarity allow individuals to exert a cultural dominance that facilitates class to be performed obliquely. It also demonstrates how existing surveys reinforce traditional ways of seeing with 'art' considered highbrow, formal and valued while culture is domestic, informal and less valued in the eyes of polity. This view informs Irish arts strategy and policy, ultimately reinforcing that 'ways of seeing' and policy perspectives, do matter (Berger, 1972). Kerry McCall Magan is Country Director for the British Council in Ireland. In this role, Kerry is engaged in strategic cultural relations activity between the UK and Ireland that fosters understanding, knowledge and trust between both nations, in the areas of arts and culture, higher education and youth development. Prior to this, Kerrys career has included senior roles in higher education, and the arts and cultural sectors in Ireland.
001452303 588__ $$aDescription based on print version record.
001452303 650_0 $$aArts and society$$zIreland$$zDublin$$xHistory.
001452303 650_0 $$aArts$$zIreland$$zDublin$$xCitizen participation$$xHistory.
001452303 655_0 $$aElectronic books.
001452303 77608 $$iPrint version:$$aMCCALL MAGAN, KERRY.$$tCULTURAL PARTICIPATION IN DUBLIN.$$d[Place of publication not identified] : PALGRAVE MACMILLAN, 2022$$z3031187547$$w(OCoLC)1345274852
001452303 830_0 $$aPalgrave studies in cultural participation.
001452303 852__ $$bebk
001452303 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-18755-1$$zOnline Access$$91397441.1
001452303 909CO $$ooai:library.usi.edu:1452303$$pGLOBAL_SET
001452303 980__ $$aBIB
001452303 980__ $$aEBOOK
001452303 982__ $$aEbook
001452303 983__ $$aOnline
001452303 994__ $$a92$$bISE