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Introduction: New Perspectives for the Sociology of the Arts
Part I: Reconsidering the Frames of Artistic Production
Chapter 1: Heteronomy and Necessity: Assembling Projects for Architectural Competitions, Ignacio Farias
Chapter 2: Creative Settings: The Incidence of Place on Urban Cultural Creativity Processes, Matias I. Zarlenga
Chapter 3: Cultural Creation in Culinary Fields: The Cases of New York and San Francisco, Vanina Leschziner
Part II: New Perspectives on Creative Practices and Artistic Outputs
Chapter 4: Rock and Creativity: The Beatles and the Rock Album Generative Formula, Cristian Martin Perez Colman
Chapter 5: The Jolie Mome Theatre Company: Sociology of Artistic Work in the Militant Theatre, Marisol Facuse
Chapter 6: The Habitus of Dance: A Video-Aided Ethnography of Artistic Skills in Rehearsal, Dafne Muntanyola-Saura
Chapter 7: Representations of the Uncertain: Art, Astronomy, and Dark Matter, Paola Castano
Part III: The Artwork: Expanding the Analysis of Its Materiality and Meaning(s)
Chapter 8: Learning to Love Concrete: On the Socio-Materialities of Brutalism, Eduardo de la Fuente
Chapter 10: The Literary Classic and the Underappreciated Significance of Indexical Expressions, Alvaro Santana-Acuna
Part IV: Deepening Reception Analysis: Aesthetic Experience, Evaluation and Critique
Chapter 11: Objects, Emotion, and Biography or How to Get back to Love Opera and Football Shirts, Claudio E. Benzecry
Chapter 12: How Contemporary Art Is Evaluated: The Council of Arts and Letters of Quebecs Artistic Quality Criteria, Marian Misdrahi
Chapter 13: Undoing the market: Corporate sponsorship and activist protests at Tate Galleries, Marta Herrero.

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