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001452479 001__ 1452479
001452479 003__ OCoLC
001452479 005__ 20230310003357.0
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001452479 008__ 230210s2022\\\\sz\\\\\\o\\\\\001\0\eng\d
001452479 019__ $$a1368321373$$a1368331841$$a1368336029$$a1368354058
001452479 020__ $$a9783031113055$$q(electronic bk.)
001452479 020__ $$a3031113055$$q(electronic bk.)
001452479 020__ $$z9783031113048
001452479 020__ $$z3031113047
001452479 0247_ $$a10.1007/978-3-031-11305-5$$2doi
001452479 035__ $$aSP(OCoLC)1369570044
001452479 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dYDX$$dUKMGB
001452479 049__ $$aISEA
001452479 050_4 $$aN72.S6
001452479 08204 $$a700/.4552$$223/eng/20230210
001452479 24500 $$aSociology of the arts in action :$$bnew perspectives on creation, production, and reception /$$cArturo Rodríguez Morató, Alvaro Santana-Acuña, editors.
001452479 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2022]
001452479 264_4 $$c©2022
001452479 300__ $$a1 online resource (xvii, 343 pages).
001452479 336__ $$atext$$btxt$$2rdacontent
001452479 337__ $$acomputer$$bc$$2rdamedia
001452479 338__ $$aonline resource$$bcr$$2rdacarrier
001452479 4901_ $$aSociology of the arts
001452479 500__ $$aIncludes index.
001452479 5050_ $$aIntroduction: New Perspectives for the Sociology of the Arts -- Part I: Reconsidering the Frames of Artistic Production -- Chapter 1: Heteronomy and Necessity: Assembling Projects for Architectural Competitions, Ignacio Farias -- Chapter 2: Creative Settings: The Incidence of Place on Urban Cultural Creativity Processes, Matias I. Zarlenga -- Chapter 3: Cultural Creation in Culinary Fields: The Cases of New York and San Francisco, Vanina Leschziner -- Part II: New Perspectives on Creative Practices and Artistic Outputs -- Chapter 4: Rock and Creativity: The Beatles and the Rock Album Generative Formula, Cristian Martin Perez Colman -- Chapter 5: The Jolie Mome Theatre Company: Sociology of Artistic Work in the Militant Theatre, Marisol Facuse -- Chapter 6: The Habitus of Dance: A Video-Aided Ethnography of Artistic Skills in Rehearsal, Dafne Muntanyola-Saura -- Chapter 7: Representations of the Uncertain: Art, Astronomy, and Dark Matter, Paola Castano -- Part III: The Artwork: Expanding the Analysis of Its Materiality and Meaning(s) -- Chapter 8: Learning to Love Concrete: On the Socio-Materialities of Brutalism, Eduardo de la Fuente -- Chapter 10: The Literary Classic and the Underappreciated Significance of Indexical Expressions, Alvaro Santana-Acuna -- Part IV: Deepening Reception Analysis: Aesthetic Experience, Evaluation and Critique -- Chapter 11: Objects, Emotion, and Biography or How to Get back to Love Opera and Football Shirts, Claudio E. Benzecry -- Chapter 12: How Contemporary Art Is Evaluated: The Council of Arts and Letters of Quebecs Artistic Quality Criteria, Marian Misdrahi -- Chapter 13: Undoing the market: Corporate sponsorship and activist protests at Tate Galleries, Marta Herrero.
001452479 506__ $$aAccess limited to authorized users.
001452479 520__ $$aThis edited collection carries out an extensive coverage of the sociology of arts most characteristic thematic areas (production, creation, the artwork, and reception) across an important range of artistic fields, from the most traditional to the more unusual. It makes an argument for the theoretical creativity and empirical expansion that characterizes the study of contemporary sociology of the arts. Such creativity is present in the increasingly predominant approach to a sociology of the arts in action, in all areas of inquiry within the discipline. The range of theoretical paradigms evoked is rich, analysing several of the most important theoretical frameworks currently handled in the discipline (Bourdieu, Becker, Peterson, ANT), and combining them with the works of many other influential contemporary specialists (De Nora, Hennion, Lamont, Menger and Born et al.). The book also establishes links to less known theoretical frameworks and some from different fields including economic sociology,microsociology, ethnomethodology, semiotics, and cultural history. The volume argues that Spanish-speaking scholars are now at the forefront of new developments in the field of the sociology of the arts, and is the first effort to gather research by these influential Spanish-language scholars in a single volume for an English-language audience.
001452479 588__ $$aDescription based on print version record.
001452479 650_0 $$aArt and society.
001452479 650_0 $$aCreation (Literary, artistic, etc.)
001452479 650_0 $$aCreation in art.
001452479 655_0 $$aElectronic books.
001452479 7001_ $$aRodríguez Morató, Arturo,$$d1957-$$eeditor.$$1https://isni.org/isni/0000000059487475
001452479 7001_ $$aSantana Acuña, Álvaro,$$eeditor.
001452479 77608 $$iPrint version:$$tSociology of the arts in action.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783031113048$$w(OCoLC)1347737331
001452479 830_0 $$aSociology of the arts (Palgrave Macmillan)
001452479 852__ $$bebk
001452479 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-11305-5$$zOnline Access$$91397441.1
001452479 909CO $$ooai:library.usi.edu:1452479$$pGLOBAL_SET
001452479 980__ $$aBIB
001452479 980__ $$aEBOOK
001452479 982__ $$aEbook
001452479 983__ $$aOnline
001452479 994__ $$a92$$bISE