Sociology of the arts in action : new perspectives on creation, production, and reception / Arturo Rodríguez Morató, Alvaro Santana-Acuña, editors.
Rodríguez Morató, Arturo, 1957- editor.; Santana Acuña, Álvaro, editor.
2022
N72.S6
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Title Sociology of the arts in action : new perspectives on creation, production, and reception / Arturo Rodríguez Morató, Alvaro Santana-Acuña, editors.
ISBN 9783031113055 (electronic bk.)
3031113055 (electronic bk.)
9783031113048
3031113047
DOI https://doi.org/10.1007/978-3-031-11305-5
Published Cham : Palgrave Macmillan, [2022]
Copyright ©2022
Language English
Description 1 online resource (xvii, 343 pages).
Other Standard Identifiers 10.1007/978-3-031-11305-5 doi
Call Number N72.S6
Dewey Decimal Classification 700/.4552
Summary This edited collection carries out an extensive coverage of the sociology of arts most characteristic thematic areas (production, creation, the artwork, and reception) across an important range of artistic fields, from the most traditional to the more unusual. It makes an argument for the theoretical creativity and empirical expansion that characterizes the study of contemporary sociology of the arts. Such creativity is present in the increasingly predominant approach to a sociology of the arts in action, in all areas of inquiry within the discipline. The range of theoretical paradigms evoked is rich, analysing several of the most important theoretical frameworks currently handled in the discipline (Bourdieu, Becker, Peterson, ANT), and combining them with the works of many other influential contemporary specialists (De Nora, Hennion, Lamont, Menger and Born et al.). The book also establishes links to less known theoretical frameworks and some from different fields including economic sociology,microsociology, ethnomethodology, semiotics, and cultural history. The volume argues that Spanish-speaking scholars are now at the forefront of new developments in the field of the sociology of the arts, and is the first effort to gather research by these influential Spanish-language scholars in a single volume for an English-language audience.
Note Includes index.
Access Note Access limited to authorized users.
Source of Description Description based on print version record.
Added Author Rodríguez Morató, Arturo, 1957- editor.
Santana Acuña, Álvaro, editor.
Series Sociology of the arts (Palgrave Macmillan)
Available in Other Form Sociology of the arts in action.
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Introduction: New Perspectives for the Sociology of the Arts
Part I: Reconsidering the Frames of Artistic Production
Chapter 1: Heteronomy and Necessity: Assembling Projects for Architectural Competitions, Ignacio Farias
Chapter 2: Creative Settings: The Incidence of Place on Urban Cultural Creativity Processes, Matias I. Zarlenga
Chapter 3: Cultural Creation in Culinary Fields: The Cases of New York and San Francisco, Vanina Leschziner
Part II: New Perspectives on Creative Practices and Artistic Outputs
Chapter 4: Rock and Creativity: The Beatles and the Rock Album Generative Formula, Cristian Martin Perez Colman
Chapter 5: The Jolie Mome Theatre Company: Sociology of Artistic Work in the Militant Theatre, Marisol Facuse
Chapter 6: The Habitus of Dance: A Video-Aided Ethnography of Artistic Skills in Rehearsal, Dafne Muntanyola-Saura
Chapter 7: Representations of the Uncertain: Art, Astronomy, and Dark Matter, Paola Castano
Part III: The Artwork: Expanding the Analysis of Its Materiality and Meaning(s)
Chapter 8: Learning to Love Concrete: On the Socio-Materialities of Brutalism, Eduardo de la Fuente
Chapter 10: The Literary Classic and the Underappreciated Significance of Indexical Expressions, Alvaro Santana-Acuna
Part IV: Deepening Reception Analysis: Aesthetic Experience, Evaluation and Critique
Chapter 11: Objects, Emotion, and Biography or How to Get back to Love Opera and Football Shirts, Claudio E. Benzecry
Chapter 12: How Contemporary Art Is Evaluated: The Council of Arts and Letters of Quebecs Artistic Quality Criteria, Marian Misdrahi
Chapter 13: Undoing the market: Corporate sponsorship and activist protests at Tate Galleries, Marta Herrero.

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