Expanding the parameters of feminist artivism / Gillian Hannum, Kyunghee Pyun, editors.
Hannum, Gillian Greenhill, editor.; Pyun, Kyunghee, author.
2023
NX180.P64
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Title
Expanding the parameters of feminist artivism / Gillian Hannum, Kyunghee Pyun, editors.
ISBN
9783031093784 (electronic bk.)
303109378X (electronic bk.)
3031093771
9783031093777
DOI
https://doi.org/10.1007/978-3-031-09378-4
Published
Cham, Switzerland : Palgrave Macmillan, [2023]
Language
English
Description
1 online resource (338 pages)
Item Number
10.1007/978-3-031-09378-4 doi
Call Number
NX180.P64
Dewey Decimal Classification
700.1/03
Summary
This book explores the work and careers of women, trans, and third-gender artists engaged in political activism. While some artists negotiated their own political status in their indigenous communities, others responded to global issues of military dictatorship, racial discrimination, or masculine privilege in regions other than their own. Women, trans, and third-gender artists continue to highlight and challenge the disturbing legacies of colonialism, imperialism, capitalism, communism, and other political ideologies that are correlated with patriarchy, primogeniture, sexism, or misogyny. The book argues that solidarity among such artists remains valuable and empowering for those who still seek legitimate recognition in art schools, cultural institutions, and the history curriculum. Gillian Hannum is Professor Emerita of Visual Studies and Art History at Manhattanville College in Purchase, New York, where she served on the faculty from 1987 to 2021. A photographic historian with M.A. and Ph.D. degrees from The Pennsylvania State University, she has published on photographic topics in the Journal of the Royal Photographic Society, History of Photography, and Nineteenth Century, has contributed to several books and exhibition catalogs, and has presented papers or chaired panels at a number of conferences. Kyunghee Pyun is Associate Professor of History of Art at the Fashion Institute of Technology, State University of New York. She wrote Fashion, Identity, Power in Modern Asia (Palgrave Macmillan, 2018) and will publish School Uniforms in East Asia: Fashioning Statehood and Self in 2022. As an independent curator, she has collaborated with contemporary artists for exhibitions such as Violated Bodies: New Languages for Justice and Humanity. Pyun co-edited Interpreting Modernism in Korean Art: Fluidity and Fragmentation (Routledge, 2021) and American Art in Asia: Artistic Praxis and Theoretical Divergence (Routledge, 2022).
Note
Description based upon print version of record.
Dynamics of Contestation and Processes of Negotiating Gendered Inequality and Alterity Across Different Public, Institutional, and Private Spaces
Bibliography, etc. Note
Includes bibliographical references (pages 309-314) and index.
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Access limited to authorized users.
Added Author
Hannum, Gillian Greenhill, editor.
Pyun, Kyunghee, author.
Available in Other Form
Expanding the Parameters of Feminist Artivism
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Part I: Introduction
Introduction: Artists for Political Engagement: A Table for Women and Gender Non-conforming Artists
From Activism to Branding: The 1960s to the 2000s
Beyond National Borders: The 2020s
About This Book
Conclusion
Part II: Countering Colonialism
Native Feminisms and Contemporary Art: Indigeneity, Gender, and Diné Resurgence in the Work of Natani Notah and Jolene Nenibah Yazzie
Introduction
Native Feminisms

Natani Notah and the Resurgence of Respect for Diné Women and Land
Jolene Nenibah Yazzie and the Resurgence of Non-binary Diné Genders
Conclusion
Disrupting the Silence: Australian Aboriginal Art as a Political Act
Black Opium
Badtjala Removal
Veiled Paradise/Bone Boxes
HHH
Part III: Against the Establishment
Spanking Confucius: The Feminist Protest Art of Kang-ja Jung
Transparent Balloons and the Nude
Kang-ja Jung's Ephemeral Dress
Nam June Paik's Sex on a Piano
New Woman and Nude in East Asia

From Non-conformism to Feminisms: Russian Women Artists from the 1970s to Today
Irina Nakhova and Non-conformist Art
Tatiana Antoshina and the Birth of the Feminist Movement in Russia
Olga Tobreluts, Perestroika, and Beyond
Conclusion
The Personal and the Political in Liminal Space: A Conversation Between Sandy Lane and Joo Yeon Woo Addressing Artivism in the Korean DMZ
The Artnauts in the DMZ
The Space Between
Personal and Political
From South Africa to Afghanistan and America: An Exploration of Female Street Artists and the Socially Disruptive Nature of Their Work

Lady Pink
Swoon
Olek
Faith XLVII
Tatyana Fazlalizadeh
Shamsia Hassani
Conclusion
Part IV: Dislocation and Migration
Yong Soon Min's Defining Moments: Gendered Space of Decolonization in the Pacific
Introduction
Awareness of Identity as a Korean American
Growing Political Points: Connecting with Asian-American Artists
Feminist Context as the Third World Woman
Building Political Comments from Personal Life
Gendered Space of Decolonization
Conclusion
Sited Nomadism from the Atlantic to West Africa: Addoley Dzegede
Introduction

Indexing the Personal Within the Political
Belonging
Ballast and Millefiori: Evocative Objects
Conclusions
Alterity in Europe-Occupying Spaces as Feminist Strategy in (Post)Migration Aesthetics: A Conversation
Introduction
The Role of Migration, Gender, and Ethnicity in Appropriating and Occupying Space
The Constant Fluctuation of Bodies and Spaces: Foreign Bodies and Foreigners
Occupying Spaces as a Feminist Strategy: Engaging the Positionality of the Feminine and the Female Migrant Body
The Presence of the Feminine as a Form of Claiming and Occupying Public Space

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